Breathless

Breathless is a bleak, relentless and emotionally raw movie from South Korea. An uncompromising look at the violent underbelly of a section of poverty ridden urban South Korea, Breathless is the directorial debut of lead man and scriptwriter Yang Ik-joon, and has rightly been bestowed with a healthy array of awards.

As the films pace allows layers to build and relationship dynamics to be understood and interwoven, nausea and discomfort evolves into empathy and worry, characters you are sure are irredeemable surprise you. The shaky documentary style photography adds to the grittiness and rawness.

Breathless is stark, dark and uncompromising. Well directed and with expertly judged emotional performances, this film has dared to expose the terrible unbreakable cycle of violence in an apparently progressive and evolved society. JM

Sang-Hoon founded a debt collecting company with a friend. His friend is the boss, but Sang-Hoon prefers to do the dirty job.

Sang-Hoon has only seen violence all of his life. He suffered domestic violence at home, so he goes around treating every body the only way he has ever been treated. He insults and disrespects the boss (his friend) in front of the workers, he sometimes even punches his work colleagues, but he beats the hell out of every body else he encounters. Nothing seems to matter to him, he seems unstoppable, until he meets a senior high school girl who seems not to be afraid of him. Sang-Hoon, doesn't know that like him she has suffered domestic violence at the hands of her father, seems to appreciate and respect her attitude. They establish a friendship. Life changes...

Breathless (original title: Ddogpari, which apparently translates as something like "shit-fly") is an unrelenting and uncompromising film from the very first frame. There are constant beatings and fights. Violence pervades every frame. The structure of the film seems repetitive, moving in circles, as if to mirror the circle of violence that the characters are trapped in. Yang Ik-Joon (writer, director, producer, and lead actor) has crafted a film that explores themes of domestic violence and its effects on people. The film seems a bit loose and unfocused in the middle but it is a powerful film for those who manage to reach the end.

Extreme and brutal violence on screen. More swearing than Scorsese's Goodfellas. But a powerful first film with amazing performances from Yang Ik-Joon and Kot Bi-Kim playing the school girl with attitude.

Sang Hoon is the protagonist of this film, he is deeply affected by his past due to his fathers domestic abuse which in turn lead to his mother and sisters death. The film, at first, has a dark comedy feel to it, mainly due to Sang Hoons constant cursing and random outbursts of violence. Sang Hoon literally beats people up to live, in more than one sense. Sang Hoon meets Yeon-Hue, a high schooler, when he spits on her uniform, Sang Hoon was surprised when Yeon-Hue called him back and stood up for herself, likely due to his experiences with domestic abuse.

Sang Hoon and Yeon-Hue spend more and more time with each other, as she gets to know Sang Hoon she grows to think of him as a father, her desire for a father figure likely comes from her own father being mentally ill and you guessed it, violent.

I really don't want write more about this wonderful film, I really encourage you to watch it for yourselves. If i could compare it to another film it would be American History X as the story lines are very similar, so much so that i got a little deja vu.

Breathless will probably garner comparisons to early Scorsese, considering the subject matter. It is not that good, but neither is it that derivative. If anything, it favorably reminded me of the later TV work of Alan Clarke. Despite the summary above, it is not about characters seeking redemption, but family and solace from a cycle of criminal abuse fueled by misplaced ancestral reverence. Without giving away the end, it is more about insight gained by sacrifice that plays upon cyclical reincarnation themes than a solitary quest towards forgiveness.

The multi-talented Yang Ik-Joon does a great job portraying a man so damaged that he expresses affection for a child by repeatedly shoving his head and calling him a bastard. Whether you find it disturbing or funny, the gradual manner in which the characters' darker and more intimate aspects are revealed is excellent.

Instead of credulous explication, back-story or flashbacks, the relationships emerge out of frankly rude and often violent interactions which also advance the plot. I might have had a few gripes about the cinematography, especially in relation to scenes of violence. I kind of expected a bit more from Yang Ik-Joon in this regard. But for a film by an actor as first-time director/writer/editor/star, this is incredibly good.

Ik-Joon Yang is the director, writer, and main actor in this movie. He produced this movie using his private money.

The home of Yeon-Hue, the main actress, is Ik-Joon's renting house. After recording all scene in the house, he moved out from his home because his money run out and he needed his deposit in the house.

He spent his every money to this movie, and fortunately this movie hits the 5rd best in the Korea indie movie history. Many Japanese also watched this movie in the theater.

I really appreciate his marble art; Breathless and King of the pigs

For more information, please refer to this wiki. https://mirror.enha.kr/wiki/%EB%98%A5%ED%8C%8C%EB%A6%AC This is written in Korean but Google translator might help you.