Canine

For me, this guy's movies are hit & misses......mostly misses, if I'm being honest. I think the reason I continue to watch them is because I feel it lets me peek into how someone insane behaves in real life.

This particular movie is amongst the worst and it irritated me that I watched it until the end. But it's one of those things where you want to hang in there hoping it gets better or starts making sense at some point (it doesn't).

The concept was good - the execution: not so much. He continues with his normal dead pan characters (which are becoming quite boring) and tediously plays along the edges of the grotesque; seemingly for effect I'm assuming.

I will still watch Poor Things, but with reservation and some wonder as to why I keep subjecting myself to this man's work.

A whole language of deceit is created by a father to make sure that his family don't venture into the unknown which he fears will corrupt them. This film talks about the myths and lies we are told to maintain status quo and the appearance of stability and normality. It explores the abuse of protecting a child from outside influences to the extreme of denying human instincts and inquisitiveness about their world. Its shows how telling children lies for their own safety makes them fearful of the world and patronises there innate understanding about life. Its amazing because it creates a world with an absurd, fully realised, vocabulary that is completely understood by the members of this family ; its surreal nature forces you to question the oddness and the parameters of your own existence. A life unquestioned and unexplored leads to a stagnant swamp of confusion.

I was expecting some kind of "The Village" film... Just to avoid spoiling.. The lights turned on, the credits were running and everyone was quiet and searching for answers in others looks. Its best surprise that I've got in years. You don't have to be special to watch it, just sit and you'll end it living it, even that it isn't your life. I appreciate latter how good the movie was when I realized that all the scenes didn't need background violins to drive your emotions to a certain field. Everything goes by itself naturally. I just registered to post this, as I couldn't believe those bad reviews. I'm a normal guy that doesn't read reviews, but this movie is different and I was curious about how would other people feel about it. Maybe its one of those that you just love or hate, but at the end you'll feel something that isn't indifference.

I give up. After sitting in front of the computer for almost half an hour, tossing and turning thoughts in my head as I try to write something about my latest adventure at the Auckland International Film Festival – "Dogtooth", I've decided that it is not possible to do so.

What I will say is this: watching "Dogtooth" was one of the strangest experiences I've ever had. I have honestly never seen any other film like it. Sometimes hysterical, sometimes shockingly intense. It is a hypnotic trip that displays brilliant originality and borderlines pure insanity. In my humble opinion, it is a film that should be watched by every single person, for the experience alone. Sadly, like so many other gems, I'm almost certain that this film will never find a wide release, so, please do seek it out, I beg you all.

I am so glad that I watched the movie cold, as the only things I knew about the movie was a promotional photo and the fact that it's Greek, a decision that I believe made the experience even more powerful for me, and a decision that I advise you all to take.

In Greece, when talking about Greek movies we like, one of the expressions we mostly use is "it was good, for a Greek movie". I am glad to say that this one was good, period. It is definitely not an easy movie to watch, as it can be really intense and deals with one or two traditionally taboo issues, but it is definitely worth giving it a chance. For me it has been a completely surreal experience, best described as stepping into a world as peaceful as heaven and as confining as hell, where things seem to work in their own whimsical way, leaving me with a constant bafflement as to what is to come next. I honestly did not realize how time went by and, when it all came to an end, I found myself asking for more. This is a movie that disturbed, moved and fascinated me while I was watching it and made me think after having watched it. It is surreal, it is symbolic (it could definitely be seen from a political point of view), it is ironic and at times it can be unexpectedly funny in a dark, twisted way. Directing it in a "dry", "strict" manner, as if just trying to capture the events that take place, was definitely a perfect choice, as was the complete absence of music. The actors did a great job at acting in the emotionally detached manner that was required plus, I have to say, it probably took lots of guts for them to do some of their most "awkward" scenes. All in all, I would say I admired the artistic integrity of the director and actors and their dedication to getting across the main idea and the atmosphere of this movie.

I don't really know how I could classify "Dogtooth". Is it a drama? (Well for a drama it is kind of under-plotted.) Is it a comedy? (It is definitely not a comedy, even when you laugh you are still disturbed by the absurdity of it all.) Is it horror? (It is not horror, it's just a horrific situation but everything, the horror, the violence etc is mostly implied.) Is it fantasy? (Well it is an alternate reality, but mind you this is a family that kind of looks "normal" on the outside!) So really, I give up. It's just a really strange, really intriguing movie, one that in my opinion is definitely worth your time.

Oh and one more thing: it is also one of these movies that it is best to know the least things possible before you see them. Quite a few things (particularly the funny ones) are based on shock value - not that the whole movie is based on shock value, of course. If you ask me, even the theatrical trailers show too much.