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Chris is in a strained marriage. His friend Eddie is divorced. The two of them chance upon an online dating site where they become helplessly enamored of an irresistibly seductive young woman who nurtures their deepest desires.

Unfortunately, appearances are terribly deceiving....

A professor knows the gruesome truth and tries desperately to intervene before it's too late.

Let's stipulate that this movie would go nowhere without a spectacularly beautiful siren to addle the minds of its principal characters. Her acting isn't exactly Shakespearean, but, really, who cares? The rest of the cast steps up reasonably well to backstop the homewrecker; hence, the movie's still an entertaining take on demonically induced, all too palpable mirages and their effect on stressed out family men.

All that's missing is a public service announcement.

There appears to be a theme of making men weak and stupid in this current time. It's an acceptable archetype for all audiences it seems. This movie plays on the low self esteem of a new father separated from his wife. This Beta male swipes right on Adra who has all the red flags and instead of getting linked to her OF site he gets tempted by her.

The writing gets weaker as the movie goes along. It gets very predictable especially if you are a fan of horror.

Ron Perlman is a strong presence as usual and Brendan Bradley sells the dumb dad part well.

Rachel Cook who plays the succubus does a better job acting here compared to Kill Shot, but that's not saying much from that mess of a film. She was clearly signed on to draw her IG and OF followers to buy the movie. She was casted well since she does this kind of work in real life.

The effects were OK, but not horrifying. There were some surprises in the end but not worth buying.

Written and directed by R. J. Daniel Hanna, the movie follows Chris (Brendan Bradley), a separated new father, creating an account on a dating app and finding himself lured by a mysterious girl he matched with named Adra (Rachel Cook).

Succubus is a movie that has a decent beginning where what is seen is mostly through the screen as the protagonist is video calling with his best friend while swiping right on the dating app. You can feel where the story is heading as he comes across Rachel Cook's profile. A profile that screams scam in every single way where to proceed would require a suspension of logic and sense, but nonetheless she is real, and from then on strange things start to happen. Brendan Bradley is good playing the struggling father, and Ron Perlman as Dr. Orion Zephyr is definitely a strong presence on the film. However, the story loses its steam in the second half where the turn of events departs from what came before and goes for the paranormal. It is one of those cases where it probably would have worked better if the story never left the initial setting and the realm of the real.

It could be said the movie is an allegory for monogamy since many times the decisions the protagonist takes, ultimately putting himself in danger, are always related to finding the fulfillment of desire outside matrimony. It would seem Succubus is preaching that pleasure should only be sought between monogamous normative relationships, and everything outside its realms is deemed a one-way path to doomland. In any case, it is a movie with a good idea that sadly was not translated to the screen.

The acting is subpar along with a boring plot. Ron Perelman such a good actor but should have simply said no to this script. It's not gripping barely "scary" The director did his best with what he was given. Ron Perelman and Rosanna Arquette can't carry the whole load to make this movie interesting or watchable. While Ron Perelman character has a good backstory to fit into the story development the other actors can't come across convincingly. The succubus woman of fathers desire is attractive but can't act at all. When fans putting up 10 rating and naming her in their titles for reviews that's a red flag movie is no good move on pick another movie there's plenty choose from.

I didn't have high expectations but the movie turned out to be quite good. It kept me on the edge of my seat and wasn't bored at all.

The actors were all good. Rachel Cook's performance was great. I was really surprised by it because after watching her previous movie (Kill Shot) I wasn't sure if she had much acting skills. But she was awesome in this one.

While the majority of the film was great, it completely fell apart in the final act. What an anticlimactic conclusion to an otherwise great little horror story.

Because of the stereotypical horror cliffhanger I would love to see a sequel especially if it doesn't pick up 6 months later but 20 years later or something like that. I think there is a lot of potential there.

(And just a sidenote: Was the full.frontal male nudity really necessary?)

Generally, the horror genre has not been the go-to category for streaming services lately, with most product mainly imitative, paying only lip-service to the classics. 2024 however has a different feel to it, with some very talented people, both in front of and behind the camera, approaching the core notion of horror from new and interesting angles. Check out for example the novel scripting in ABIGAIL, LONGLEGS, and the completely unforgettable (even if you actually want to) THE SUBSTANCE. SUCCUBUS 2024 continues this trend. Creator R. J. Daniel Hanna, best known for the well-received social drama MISS VIRGINIA 2019, goes genre-hopping here. He attempts to deliver a product that both scares and educates at the same time. The really scary (!) thing is that it almost hits both targets, with a tale that is unique enough to hold attention, and alert enough to flag the "horror" of Social Media in our daily lives. Perlman as supporting actor always adds gravitas to any production, and Rachel Cook will likely bring in enough of her worldwide fans to put SUCCUBUS on the 2024 Leaderboard. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

In this 2024 erotic-horror-thriller, we follow a man who joins a dating app after his marriage falls apart. His life is a complete mess, and he keeps finding himself in awkward situations, ultimately swiping right on a dating app on the wrong woman. The movie starts off clever and fun, introducing us to the main character, Chris (Brendan Bradley), his estranged wife Sharon (Olivia Grace Applegate), and his best friend Eddie (Derek Smith), who is kind of a douche. Chris is still in contact with Sharon even though they are separated, and she's currently at a bachelorette party. Instead of enjoying the evening, she keeps checking the baby monitor, only to witness some really weird things.

There is also Chris's mom, who is constantly worried about him, played by Rosanna Arquette, the exposition-heavy Ron Perlman, and Adra (Rachel Cook), the mysterious woman from the dating app. Chris is home alone with the baby and keeps video calling with the different character's which added some dynamic interactions and gives the audience the chance to get to know the different characters.

The acting was convincing, especially from Brendan Bradley and Olivia Grace Applegate, who delivered great performances as Chris and Sharon. Rachel Cook looked stunning and portrayed her role really well too. The concept was a little cheesy but undeniably fun, and the movie had some interesting ideas. However, the execution lacked in several areas, and the pacing felt uneven.

The story began intriguingly, but as it progressed, it became awkward and weird at times. It felt like the filmmakers ran out of ideas halfway through and needed filler material to extend the runtime. At one point, you think the movie is over, only to discover there are 15 minutes left, during which they throw in a final twist. While I liked the ending, it felt out of place and added to the movie's uneven tone.

On the plus side, the movie featured some nice special effects and a dreamy atmosphere that were enjoyable. The comedic aspects were unexpected but well-executed, with plenty of awkward moments stemming from the seductive Adra and the clumsy Chris.

Overall, the movie was fine but could have been much more enjoyable with some adjustments to the story and post-production. [5,2/10]

This intense and visceral horror film about the dangerous and obviously seductive succubus (a female demon that preys on men) takes its material seriously. It is a slow burn of authentic plot design that portrays an estranged husband whose descent into terror is believable and realistic. This sinister movie has a credible message about temptation and its consequences using even some echoes from films such as John Cusack's superior occult horror 1408 (2007) and as well as his bizarre role in the highly rated Being John Malkovich (1999). The low IMDb rating could be attributable to the overall creepy and insidious nature of the succubus as depicted in this movie which would repulse women and terrify men. However, this movie by its end has both a bitter yet sweet ending of sorts and the excellent special effects and the creeping horror of its believable plot outline is worth remembering for anyone who lives on the edge of instability and wanton desire.

The Plot: A new father struggling with fatigue, emotional insecurities, and a failing marriage joins a dating app, only to swipe right on what may be an inhuman presence.

This is perhaps the WORST movie made in 2024. Perhaps in the past ten full years. There is nothing to recommend it so I am shocked by the "ten" ratings saying this is a classic.

It's downright horrible on every level.

The direction is less than mediocre. The dude who directed this trash should never work again. The pace is literally slower than pouring honey in a glass.

You will find yourself saying -- can we get to the point already?

Plus, the script is way sub-par and the acting is mediocre at best.

If you thought this movie will be full of sexy demon scenes, you are dead wrong. Half of the movie is this guy going to Tinder while getting a separation from his wife and feeling guilty about it. There are some funny interactions there, but that's not the subject of the movie. Instead it's this demon lady who has an obsession with him, and which also influences people through screens. Meanwhile, the one who knows most about the demon is Ron Perlman, who mostly talks to our hero... you guessed it... via video chat. Yes, people on screens making films about people on screens which you watch on a screen. Human experience in a nutshell.

Trust me, stay away from this.

I had seen the cover for this movie sometime last year, but didn't get around to watching it back then. And when I happened to stumble upon the movie again here in 2025 I did take the time to sit down and watch it. Sure, I had zero expectations to writer and director R. J. Daniel Hanna, so every chance to entertain me was readily available.

"Succubus" proved to be a watchable movie, but hardly an outstanding or overly interesting movie. Sure, I will say that the script was adequate enough, but it was hardly a movie that warrants more than just a single viewing. It should be noted that the storyline was definitely not your average, generic horror story script, so thumbs up for that, at least.

The movie has a small cast ensemble, all of which performed nicely to bring the story to life on the screen and breathe life into the characters. The only familiar familiar faces on the cast list for me were Ron Perlman and Rosanna Arquette.

Visually then the movie was okay. It wasn't a movie that made a lot of use of special effects, but I did like the prosthetics they used tro bring the succubus to life. It looked rather nice. Just a shame that it wasn't utilized more throughout the course of the movie.

If you enjoy a supernatural horror movie with a heavy emphasis on personal anguish, then give "Succubus" a go. It is not your average horror movie, I will say that much.

My rating of writer and director R. J. Daniel Hanna's 2024 movie "Succubus" lands on a five out of ten stars.

What a weird movie.

It started off okay and somewhat normal. A new father, recently separated logs on to a dating site and hooks up with a strange woman. That's the extent of the normal part.

From that point on, the movie slowly takes a supernatural turn that I found quite confusing.

Ron Perlman is on board as a disgraced doctor that tries to warn the young father of the dangers of the woman he has contacted, however his link to the woman is not completely explained.

There are a lot of soft core sex scenes that I found to be a lot more disgusting than titillating.

All in all, a disjointed, confusing mess. I give it a 2 at best.

This film is a dark jewel, a shimmering exploration of loneliness, desire, and the seductive pull of the digital void. It's a story of psychological unease that unfolds not in darkened basements or fog-shrouded graveyards, but in the sterile glow of a laptop screen, the echo of a disembodied voice on a video call, the relentless ping of a dating app.

Brendan Bradley gives a performance of remarkable sensitivity as Chris, a man teetering on the precipice of a breakdown. This is not the tired trope of the pathetic, emasculated male; this is a raw, unflinching portrait of a father, a husband, a person grappling with the crushing weight of modern life. The scene where he sits catatonic, tears silently streaming down his face as Ron Perlman's Dr. Zephyr delivers a chilling warning, is both heartbreaking and terrifying. Some might call Bradley's acting in these moments "droll" or "listless," or even a "phoned-in" performance, but they clearly weren't paying attention. The quiet intensity he gives, his nuanced portrayal, embodies what other actors and reviewers fail to grasp.

Rachel Cook's Adra is incandescent, enigmatic, everything a succubus should be. Cook gives us a creature of mesmerizing allure and primal magic, a haunting blend of innocence and danger, hope and despair, vulnerability and power. Her transformation in the movie's brutal, practical-effects-driven finale, from dream-lover to demonic power, is a feast for the eyes and captivates the viewer completely.

Director R. J. Daniel Hanna creates an atmosphere of creeping unease, using technology itself as a tool of terror. The intrusive buzzing of notifications, the pixelated glow of screens, the hushed intimacy of video chats: all become instruments in a symphony of dread and disturbance. The electronic score pulses, mirroring Chris's unraveling mental state.

What some have criticized as excessive dialogue is, in fact, another layer in the film's complex tapestry. Ron Perlman as the disgraced scientist adds another dimension to the film's exploration of loneliness and longing. His limited online interactions and detached performance make him a poignant, modern trope. The disjointed conversations emphasize social anxieties. Through masterful editing and darkly comedic moments, like Eddie receiving maternal guidance mid-flirtation (unaware his mother is on camera), the film skewers the absurdities of our digital world.

This is a film that will stay with you, a visceral experience not for the faint of heart. Is it excessive? Perhaps. But that is precisely where its power lies. Do we, seduced by the promise of connection and trapped by our screens, truly know the nature of the darkness lurking just beyond the screen, in ourselves, or those digital whispers promising a fulfillment that isn't remotely there?

I liked this movie quite a bit. I know nothing about dating apps - but the use if a dating app and the uses of chat and the computer/social media in general was very effective. My guess is that no dating app has women as young and attractive as most of those in whatever app Chris was using. And probably that not many women that young and attractive are very interested in going out with a father in the middle of a separation with a very young child, but what do I know?

If you get past that - and suspend belief that said father would not be suspicious about a woman who looked like Rachel Cook oozing over him - the movie is very much fun. Ron Perlman is not going to win an Academy Award for his performance, but the character was fun - I spent a lot of the movies trying to figure out whose side he was really on.

The succubus mythology was interesting and the final ending both surprising and foreshadowed.

An altogether competent bit of fun.

I loved it. Absolutely a creative, lovely project!

While looking for this film I stumbled upon the same-titled Russian film, thinking it was this. The quality of that one primed me for low expectations with Succubus (2024).

Let me tell you! This film EXCEEDED my expectations! It was funny, suspenseful, and really well done.

My only only quams is how shaky / glitchy the video calls were the Entire movie! Sure, a few times is accurate, but at times it felt a little unececcary and distracting.

That said, creator, don't read the normie comments on here. I mean, sure, you can. I loved your take on modern society, and how although this film doesn't take itself too seriously, it is incredibly sexy.

Good job the casting as well. It is because of Rachel Cook that I ever heard about this movie. I've even recommended it to my boss. LOL How awkward! But totally worth it!

About to rewatch it just for fun. Peace.

This isn't your garden-variety demon flick. This is a film that burrows deep under your skin, a chilling exploration of modern anxieties wrapped in a seductive, darkly humorous package. It's a story about connection, or rather the desperate lack thereof, in a world saturated by screens and superficial swipes. From the first unsettling scene of a desperate scientist, Dr. Zephyr (a magnetic Ron Perlman), trying to share his world-altering research via shaky webcam footage, the film establishes a unique visual language, a claustrophobic intimacy born from our dependence on technology.

While some have criticized the film's heavy reliance on screen-based interactions, this "flaw" is precisely its strength. Director R. J. Daniel Hanna masterfully uses the familiar glow of phones, laptops, and the unnerving surveillance of the baby monitor not only to tell a story, but to create a chilling metaphor for our increasingly mediated existence. We become voyeurs, trapped alongside Chris (a captivatingly vulnerable Brendan Bradley) in his digitally walled world. We see his desperation mirrored in every hesitant swipe, every furtive glance at his phone as he searches for solace in the void of online dating. The camerawork by Jimmy Jung Lu reinforces this isolation, utilizing tight close-ups that highlight the subtle tremor in Chris's hand, the flicker of doubt in his eye, intercut with quick, distant camera angles of Rachel Cook's mesmerizing portrayal of the sultry Adra. Cook's Adra radiates both deep connection and raw animal lust across the miles. These isolated shots become more unsettling still when Chris realizes this virtual siren he's come to depend on is not human, but otherworldly. This shock-and-awe reveal during a terrifying, sadistic, and almost darkly comedic dream sequence ends with a scream, a whisper, and something unforgettable, perhaps the truest nightmare horror onscreen ever imagined.

This movie succeeds where others, like Hanna's earlier work in Miss Virginia, focused primarily on social commentary. It subtly blends important themes surrounding masculinity and vulnerability through an eerie, hypnotic score by Andrew Brick Johnson. Quiet synth chords mix with pulsating bass lines to echo that ancient, timeless, primal desire, especially during Chris' poignant monologues, including his heartbreaking, soul-baring confession after the tragic end. By emphasizing each character's inevitable emotional, psychic, and physical breakdown, the film achieves a horror of an entirely different magnitude.

Some reviewers have criticized certain secondary characters, such as Chris' mother, for their awkward, over-intrusive, and overly verbose conversations. However, I found this a creative storytelling and casting choice. These characters become caricatures within a story unfolding for and through Chris and Adra's respective digital spaces, a familiar trope within modern online personas. In these portrayals, we suddenly realize just how alienated Chris has been feeling while simultaneously emphasizing the very reasons this intelligent young man has fallen for Adra's allure. A standout moment involves Chris interacting with Adra on his laptop, unaware that his mother and wife are observing him through the baby monitor, as his friend Eddie makes inappropriate remarks during a simultaneous conversation. When Eddie's mother enters the frame to chastise him, unaware she's on camera, it creates a nail-biting blend of techno-horror and dark comedy. This juxtaposition of intimate settings (office, bedroom, and home) reveals a unique visual and thematic narrative brilliance.

Ron Perlman's portrayal of Dr. Orion Zephyr, the disgraced scientist desperately trying to redeem his tarnished reputation through online interactions with Chris, adds another layer of thematic depth. Perlman's brief, almost detached performance captures Orion's emotional isolation, lending a poignant gravitas to his pivotal role. The fact that his scenes were filmed in virtual isolation enhances, not detracts from, the power of his storyline, making them all the more unnerving.

In our increasingly artificial virtual world, with reality colliding evermore profoundly with another world filled with demonic desire and a desperate need for connection (no matter its horrific cost), Succubus sets a new paradigm not just within the modern urban-legend myth genre, but within horror itself. By exploring not just where and when such desires can occur, but how they manifest in our digital age, the film taps into a primal fear: will those digital whispers haunt us too, as these desires, now more than ever, become as ancient as ancient stories themselves?

Succubus is a captivating and innovative horror thriller that skillfully blends the supernatural with the anxieties of modern dating. Writer-director R. J. Daniel Hanna delivers a stylish and suspenseful film that keeps you on the edge of your seat from beginning to end.

Brendan Bradley shines as Chris, a vulnerable father navigating a separation and seeking connection in the digital world. His performance captures the raw emotion of loneliness and longing, making him instantly relatable. Rachel Cook is mesmerizing as Adra, the seductive succubus who ensnares Chris in her web. Her portrayal is both alluring and terrifying, perfectly balancing vulnerability with a chillingly sinister undercurrent. Ron Perlman delivers a powerful supporting performance as the enigmatic Dr. Zephyr, adding another layer of intrigue to the film.

The film's unique approach to storytelling, seamlessly integrating "screenlife" elements with traditional cinematography, is a testament to Hanna's innovative vision. The "red room" sequences are visually stunning and emotionally disturbing, showcasing the film's technical mastery. The subtly pulsing electronic score and sharp editing further enhance the suspenseful atmosphere, creating a truly immersive experience.

Succubus is not just a horror film; it's a thought-provoking exploration of human connection, isolation, and the dark side of desire in the digital age. Its clever use of symbolism and social commentary elevates it beyond typical genre conventions, making it a must-see for fans of horror and thought-provoking cinema alike. Rachel Cook's Special Mention Best Actress award at Grimmfest and the film's Audience Award are well-deserved recognitions of its achievements. A triumph of contemporary horror.

This movie has been very underrated. My opinion is a pretty good well done movie. Ron Perlman was excellent and so was. Rachel Cook As well as the other actors. Not a cheesy horror movie like people would think. Highly recommend watching. Anyone who is interested in horror movies and the paranormal supernatural genre should watch this Don't listen to the bogus critics reviews. Think for yourself and come to your own conclusions and opinions on this movie. I think it deserves a sequel. Especially with Ron Perlman's character and more. Remember that critics originally underrated the terminator when that first came out.

Adra was absolutely stunning perfect performance!! Everyone played a great role in the movie. Was on the edge of my seat great movie definitely recommend to see it. Love to support rachel cook she's made for the camera :) never know who your going to meet on those dating apps lol. Wish I could of seen it in theaters. Everyone's performance was great hope she makes another movie. Adra is so sexy... perfect performance for her she was made for the camera. Super sexy and scary movie love it wow. Been waiting for this movie to come out! Very sexy movie and funny in some parts lol his friends in the beginning lol.

I purchased it this morning and seen it just now. I hope the writer will create a similar project in the future but with happy-ever-after ending because that it is the challenge when imagining Other Species and us and all the possible angles/directions which an adventure as such could really lead to. Most other works on this genre bow to mythological dualistic schools of thinking, of socio-religio battles of personified good and bad. I think this work hints beyond that limit and I hope to see more! Brilliant and entertaining! I did love the Movie, the actors and all. Cheers, Sky a.k.a. JD Aeon.