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IMDbPro

Play

  • 2011
  • 1h 58min
NOTE IMDb
7,1/10
6,9 k
MA NOTE
Play (2011)
Trailer for Play
Lire trailer1:25
1 Video
10 photos
Drame

Un constat basé sur des cas réels de harcèlement. Dans le centre de Göteborg, en Suède, un groupe de garçons, âgés de 12 à 14 ans, a volé d'autres enfants entre 2006 et 2008. Les voleurs uti... Tout lireUn constat basé sur des cas réels de harcèlement. Dans le centre de Göteborg, en Suède, un groupe de garçons, âgés de 12 à 14 ans, a volé d'autres enfants entre 2006 et 2008. Les voleurs utilisaient un stratagème appelé "astuce du frère".Un constat basé sur des cas réels de harcèlement. Dans le centre de Göteborg, en Suède, un groupe de garçons, âgés de 12 à 14 ans, a volé d'autres enfants entre 2006 et 2008. Les voleurs utilisaient un stratagème appelé "astuce du frère".

  • Réalisation
    • Ruben Östlund
  • Scénario
    • Erik Hemmendorff
    • Ruben Östlund
  • Casting principal
    • Anas Abdirahman
    • Sebastian Blyckert
    • Yannick Diakité
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    6,9 k
    MA NOTE
    • Réalisation
      • Ruben Östlund
    • Scénario
      • Erik Hemmendorff
      • Ruben Östlund
    • Casting principal
      • Anas Abdirahman
      • Sebastian Blyckert
      • Yannick Diakité
    • 22avis d'utilisateurs
    • 43avis des critiques
    • 81Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 9 victoires et 13 nominations au total

    Vidéos1

    Play
    Trailer 1:25
    Play

    Photos9

    Voir l'affiche
    Voir l'affiche
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    Rôles principaux43

    Modifier
    Anas Abdirahman
    • Anas
    Sebastian Blyckert
    • Sebastian
    Yannick Diakité
    • Yannick
    Sebastian Hegmar
    • Alex
    Abdiaziz Hilowle
    • Abdi
    Nana Manu
    • Nana
    John Ortiz
    • John
    Kevin Vaz
    • Kevin
    Jacob Ottander
    • Pojke i köpcenter
    Herman Troeng
    • Pojke i köpcenter
    Tobias Åkesson
    • Tågvärd
    Peggy Johansson
    • Tågvärd
    Humberto Guandinango Espinosa
    • Panflöjtsbandet
    Luis Alonso Tuquerez
    • Panflöjtsbandet
    José Jaime
    • Panflöjtsbandet
    Patricio Cotacachi
    • Panflöjtsbandet
    Rodrigo Cotacachi
    • Panflöjtsbandet
    Alfredo Cahuasqui
    • Panflöjtsbandet
    • Réalisation
      • Ruben Östlund
    • Scénario
      • Erik Hemmendorff
      • Ruben Östlund
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    7,16.9K
    1
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    10

    Avis à la une

    5OJT

    Bullying and robbing by children

    A goodwill idea and important film to make, and it did stir up a debate in Sweden, but still I can't help bring annoyed by the way the film. It's well played by the kids portraying both the bullies and the bullied and robbed, and you can't help getting touched by some of the scenes. This is based upon a true event, and we clearly can see the technical the bully's make. This is not the first time they've done this.

    Still the problem I've got with the film is it's documentary style. It's a bit too full of art and feelings. It takes the focus off the topic too often, and makes the film boring. When we want to know what happens next, we get to see things which probably is correct in time-line, but still becomes uninteresting in the narration. The director is filming this as too much of "a fly on the wall".

    This film won the Nordic Council film prize, but is by far the worst film nominated. The prize should have gone to "Kompani Orheim" or "A royal affair", which I both rated a 9. If you like a slow film about this topic, You'll probably be more satisfied. The slowness resembles the one in Gus van Sants "Elephant" which also is a better movie.
    5private-90505

    Agent provocateur author-director spins a worst-case scenario

    I wonder how this film went over at investor pitch meetings. Imagine a posse of hostile Black kids shaking down much younger and smaller white and Asian-looking children for their phones? What if they do it with extreme psychological cruelty, relishing the extended emotional pain they inflict when a quick smash-and-grab would suffice?

    What if all the adults shrug it off, won't help? What if there isn't a cop to be found in Gothenburg? Surely the "based on a true story" gambit will justify the nastiness of a way-too-long movie that also tortures its viewers.

    So what if Afro-Swedish youngsters are villainized? Moral dilemmas over immigration fears and racism are hot topics - just check out the news. Bet on controversy to boost reviews and ticket sales while further polarizing a multiracial audience. Could it be that the film's oddball coda, laced with a dollop of extralegal citizen justice, was added to cinch its financing?

    Ruben Ostlun delivers without redemption or enlightenment in an otherwise beautifully filmed movie notable for surprisingly solid, improvised performances by its non-pro cast. Not good enough. I would have passed.
    7alex-la7

    Immigrant violence and the frustration of everyday people

    This is a really good movie that challenges our perceptions about class, age, and ethnicity. What I appreciate is that Östlund dares to tackle this difficult subject without moralizing or even trying to justify what the immigrant gang is doing. Instead, the director portrays a grim reality that many people today live in, thereby challenging society's attitude towards these violent youth gangs. The argument that erupts at the end between the father and some woman captures the frustration everyday people currently experiences in a brilliant way. Unfortunately, what brings the film down is the boring cinematography. I understand that Östlund wants to come across as a bit arty and artistic, but please, let go of Roy Andersson's mind-numbingly dull style! It drags the pace down to a painfully slow level. However, with that said, I will still recommend this movie as watchworthy. Few directors even dare to touch this theme after all!
    7Farzad-Doosti

    Prediction of the death of Europe in 2011

    Seeing this movie in 2025 offers a truly unique experience. Watching Play now, you can clearly sense the death of culture and the fragile peace of European nations reflected in its story. The film's unsettling realism hits harder in today's context, making you question how much has changed-or hasn't-since it was made.

    As a foreigner, I found the cafe owner's reaction fascinating yet frustrating. When he simply said, "Please call the police," it felt like he was brushing off a serious issue, reducing it to a formality. My impression was that he'd never faced such problems before and had no clue how to handle them. This helplessness seems woven into the film's fabric-it's so realistic that I had to remind myself this might just be the nature of their society, not an exaggeration. It left me wondering: if a child walked into a cafe in 2025 with the same desperate request, would people still respond so passively? Or would the events in Europe over the past few years-rising tensions, social shifts-push them to act differently, to actually help?

    The film also digs into deeper ideas. A society that tramples its own values and then gets attacked doesn't deserve pity-it needs to confront the oppressor head-on. Play shows this through subtle moments, like the bureaucracy on the train. That scene stuck with me: the train conductor, trapped by rules, can't make a simple decision. It's a perfect metaphor for how systems enslave people, stripping away their ability to act freely or morally.

    Visually, the cinematography is striking. The long, steady shots create a cold, almost documentary-like feel, forcing you to sit with the discomfort. It's not a film that spoon-feeds you answers; it demands you think. Looking back, I appreciate how it balances art and social commentary without preaching. It's a slow burn, but one that lingers.
    9silvio-mitsubishi

    Shockingly Effective

    Despite having spent much of the film frustrated at the technique used, I found myself unable to turn away and powerfully affected by the end. Shot with static cameras and long takes, sometimes with nothing happening on screen, the film makes us reluctant voyeurs in the same way that passers-by neither intervene nor quite ignore any drama in a public place. The effect is close to found footage from CCTV, with the action taking place in the background or even completely out of shot. The truth is that this could be happening anywhere in the world, right in front of us, and we would not necessarily know. The bullies have refined their tactics and each knows his role within the overall plan. The targets are slowly but surely trapped in a nightmare where bystanders are seeing everything and nothing. There is a scene where the victims ask for support from coffee shop staff but are unable to express their fears in a way that invites help. I would predict that most of us would be as reluctant as the baristas to call the police, or as unsympathetic as the tram workers who catch the children travelling without tickets.

    Although filmed in Sweden and featuring older children, Play has overtones of the James Bulger case in UK, with the group developing rules almost independently of its members. Even the victims become complicit, calling back a child who attempts to escape, evoking ideas of Stockholm syndrome and horrific wartime collaborations.

    The final scene adds nothing to the story apart from reversing ethnicities, but by then the impact has been felt. The story is frighteningly believable and compelling viewing.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Inspired by actual court cases, it portrays a group of black boys who rob a smaller group of white boys by means of a psychological game.
    • Connexions
      References L'Arnaque (1973)
    • Bandes originales
      The Entertainer
      Written by Scott Joplin

      Performed by John Ortiz

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    FAQ

    • How long is Play?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 novembre 2011 (Suède)
    • Pays d’origine
      • Suède
      • France
    • Langues
      • Anglais
      • Français
      • Suédois
    • Aussi connu sous le nom de
      • Hra
    • Lieux de tournage
      • Goteborg, Suède(location)
    • Sociétés de production
      • Coproduction Office
      • Coproduction Office
      • Film i Väst
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 103 990 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 58 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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