Simon och ekarna

I saw this at the 2012 Palm Springs International Film Festival where the film's director Lisa Ohlin was on hand at my screening for an audience Q&A following the film. Adapted for the screen by Marnie Blok from the popular novel by Marianne Fredriksson, it is the story of Simon Larsson,(played as a boy by Jonatan S. Wächter and as a young man by Bill Skarsgård) who is being raised by an aunt and uncle (Helen Sjöholm as Karin Larsson and Stefan Gödicke as Erik Larsson) who he thinks are his real parents. It takes place in Sweden and begins in 1939 at the outbreak of WWII in Europe. Young Simon goes off to a prestigious school where he befriends Isak Lentov (played as a boy by Karl Martin Eriksson and as a young man by Karl Linnertorp). Isak is Jewish and antisemitism has spilled over into Sweden so he is somewhat of an outcast at school except for his new friend Simon. Simon is from a rural working class background and Isak is the city bred son of a wealthy bookseller and their lives are woven together through WWII and beyond in this tender drama as Simon confronts family and society in a search for who he is. An excellent performance as the loving mother by the popular Swedish singer Sjöholm who is making her first screen role since 2004's "As It Is In Heaven" in which she gave another great performance in a supporting role. I don't know what took her so long to return to the screen but she should have been making more movies. Gödicke is very good too as the tough love father. Excellent production and art design by Anders Engelbrecht and Lena Selander. The film is also looks good thanks to cinematographer Dan Lausten and costumer Katja Watkins. Annette Focks scores some beautiful music and Jason Luke give the film great sound. A great supporting cast with many interesting characters. I would give this an 9.0 out of 10 and recommend it.

Honestly, I just watched it because of Bill Skarsgård, but I ended up loving it.

The story, the way it shows you the real atmosphere and the situations the characters are in. It has a lot of depth, in my opinion. It's a long movie but it's totally worth it. Personally, I find it very difficult to watch a long movie without getting bored, but this is one of those that doesn't even feel like a long movie. It keeps you interested in the story and I think you can even connect emotionally with it.

I loved the cinematography, the cast, I loved everything about it; it's officially one of my favorites.

Two boys meet at school in Gothenburg 1939. They become friends. One is a Jew and one is supposed not to be. One is upper middle class and one comes from a working class background.

Quite much is foreseeable here, but the greatest problem is the acting. Not that it's disastrous or even bad during the circumstances, but there are plenty of anachronisms here. From the laboring father, who is something out of the 60s, more than 1939. To the boys, who have a way of staring into the camera, which is common-piece in every Swedish movie, which tries to portrait harsh times. Especially if it's the 40s. "Something is going on inside that boy". The problem is that we know exactly what, when he has those eyes.

That is disturbing and takes quality out of this film.

The nazi inspired another story. This one did not need nazi all that much and could have happened in another time in the past. I liked the story that was not all sweet but contained a lot of real life elements.

Maybe I had too much expectations for this, but it was a pain to watch this to the end. I must first of all say that I haven't read the book of which this is based. I understand that this book is re-known, and I also understood that this was nominated to nothing less than 13 guldbaggar in Swedish film.

Well, that's not at all understandable to me. I tend to like films like this, but I'm afraid to say that this film is impossible to get hold of. It's pretentious, both in manuscript and in acting.But far worse is it that it becomes boring when the chemistry between the actors are missing.

What is likable, is Bill Skarsgård. He's the one coming from this alive, due to his charm, though the film can't seem to make the best out of it. Simon is not likable, if still charming. Maybe also with small Isak. A good actor, but not taken care of. I see this as helpless instruction of what must be fine actors to work with.

I tend to see it as Lisa Ohlin is not cut to make films like this. Both on screen writing and in directing this is very flawed. Overacted, constantly staring people is bad enough.

What's even worse is the sense of us not believing one bit of the story. It's too far fetched. It might have worked in the book, but in the film, when something gets remotely interesting, it's a cut into pieces. The clipping work is awful. It tears up what could have been a great scene. Like when Simon is confronting his parents. The next scene is him walking away from the little house with luggage on his bike.

Even more stupid is the thoughtful sequences, which are far-fetched, boring and badly done technically. The whole thing about the oak is also both pretentious and artsy fartsy. It makes you yawn and hate the concept.

What is good, is the environment and filming. Beautifully shot, it is, and so in vain, when the rest is not making up to it. I've read some quite good reviews for this one, but the critics must have been out to lunch. Such a waste. It's not a turkey, but rather a pheasant. I'd rather have chicken, any day.