NOTE IMDb
5,9/10
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MA NOTE
Il raconte l'histoire d'Alexander Pearce, le bagnard le plus célèbre d'Australie. En 1822, Pearce et sept de ses compagnons se sont échappés de Macquarie Harbour, un lieu de bannissement et ... Tout lireIl raconte l'histoire d'Alexander Pearce, le bagnard le plus célèbre d'Australie. En 1822, Pearce et sept de ses compagnons se sont échappés de Macquarie Harbour, un lieu de bannissement et de punition extrêmes.Il raconte l'histoire d'Alexander Pearce, le bagnard le plus célèbre d'Australie. En 1822, Pearce et sept de ses compagnons se sont échappés de Macquarie Harbour, un lieu de bannissement et de punition extrêmes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Thomas M. Wright
- Thomas Bodenham
- (as Thomas Wright)
Zane Pinner
- Convict
- (non crédité)
Avis à la une
Grim. Relentless. Unsettling. Frightening even. This film leaves nobody sitting comfortably whilst they watch it.
This is 'us' when the thin veneer of being 'civilized' is stripped away. When all that Life has left you is no future, a few rags and a brutalized nature then the consequences can reach unfathomable depths.
I've read some of the negative reviews for this film and can understand it when viewers who watch 'sanitized' Technicolor visions of what are classed as the 'norm' that is their benchmark and they don't like concepts that stray beyond that. But when one has watched unglamourous brutality and emotions in such good, raw films like Saving Private Ryan, Last of the Mohicans, Apocolypta, Fateless and the superb Kokoda, then one can appreciate what this true-life film was trying to achieve.
There are no heroes in this film and no villains, just survivalists. From the uniformed officers and men posted to what seemed a god-forsaken land, to the convicts they had control of, they all had one thing in common the desire not to be there!
I'll not watch this film again for a couple of months as I'd like my senses to be on an even keel next time, but already I'm looking forward to it.
This is 'us' when the thin veneer of being 'civilized' is stripped away. When all that Life has left you is no future, a few rags and a brutalized nature then the consequences can reach unfathomable depths.
I've read some of the negative reviews for this film and can understand it when viewers who watch 'sanitized' Technicolor visions of what are classed as the 'norm' that is their benchmark and they don't like concepts that stray beyond that. But when one has watched unglamourous brutality and emotions in such good, raw films like Saving Private Ryan, Last of the Mohicans, Apocolypta, Fateless and the superb Kokoda, then one can appreciate what this true-life film was trying to achieve.
There are no heroes in this film and no villains, just survivalists. From the uniformed officers and men posted to what seemed a god-forsaken land, to the convicts they had control of, they all had one thing in common the desire not to be there!
I'll not watch this film again for a couple of months as I'd like my senses to be on an even keel next time, but already I'm looking forward to it.
It definitely worth watching! It is a film that reveals the evil side of the humanity, but because it is not an action film or a romantic film, so i give it 8/10. Also, the reflection on humanity disgusted me and which define the film as a thriller. It is a good opportunity to know the history by watching this film, and to think about what action we would take if we were in that position, deeply review ourselves.
A peculiar ghostly experience aside from the frequent and grotesque close ups of people masticating. The film starts with a supercilious officer slurping down some slimy bits of what looks like sea food (mollusks?) and moves onto the timber cutting scenes where the guard tries to cheer up the convicts - 'freedom is work lads, finish this and we go back'. Well, they might have listened to him. Instead, for the next two hours, we are stuck in the forests of Tasmania with the convicts after their 'escape', their numbers quickly diminishing as they take to slurping down tasty bits of each other. Again, as with too many films where there are a lot of male characters together - another is Carpenter's 'The Thing' - it is often difficult distinguishing one guy from the other, especially as most have beards here.. Yes, I kept flinching at the horrendous violence, but can't say I cared much for any of the victims - aside from the first, who seemed the most interesting and charismatic. In that respect, despite great images of trees in the wind and evocative music, it was a bit of a slog, just waiting for the next one to die, and knowing the historical outcome anyway. (It didn't help that my version lacked subtitles and the melancholic narration was in Irish!). But the most memorable thing here is the overall mood of despair and doom in a washed out landscape - largely filmed in gray to add to the sense of coldness and desolation (in fact it's probably beautiful and sunny most of the year!). Was it also intentional to not include one single animal in the entire film:? Perhaps the sight of another living creature would have lightened the mood so it was avoided (aside from the mention of one snake being seen). In fact, we never leave the company of these demented convicts who were better off staying prisoners and serving their sentences. Even when a small group of three break away and leave the main group of nutters, we never see these three again - no respite from our time among the cannibals. Meanwhile the constant beauty of the nature around them made me think: yes, lucky country if the company were a bit cheerier.
The director/producer who was known for bad eating habits and manners decided to have a close up of someone masticating their food to kick the movie off. I turned it over and have only just sat down to watch the rest of the slow motion movie 4 years later. If it wasn't for the scenery and partial knowledge of Australian and Tasmanian history then it would have been a long 2 hours for me. I thought it quite amusing how the Irish and Brits come over to Australia and have no idea about hunting and fishing. Seeing they spent the last 60 years killing off the entire Aboriginal population one would have thought they had picked up the skills, especially seeing the UK did not have supermarkets around and they would have had to hunt to feed themselves anyway. They should have been sent to the mainland where if they killed so many Indigenous Australians they would be given farming land and a wench to boot. Let me say this, the movie could have been better.
The actual events of what happened after Alexander Pearce's first escape from the prison colony in Tasmania, according to Pearce himself, are shown in this movie.
It's probably somewhat too slow-moving for some young viewers, but I was impressed by how realistic it is. The characters are believable. The direction is meticulous. The acting is excellent, in many situations an actor's expression reveals feelings of uncertainty, confusion, guilt, fear, horror or misery. The cinematography showing the Tasmanian wilderness is visually splendid.
Do not expect a typical slasher/horror film, this movie is much more intelligently written and directed. The film's intention is to tell a story, rather than to frighten.
It's probably somewhat too slow-moving for some young viewers, but I was impressed by how realistic it is. The characters are believable. The direction is meticulous. The acting is excellent, in many situations an actor's expression reveals feelings of uncertainty, confusion, guilt, fear, horror or misery. The cinematography showing the Tasmanian wilderness is visually splendid.
Do not expect a typical slasher/horror film, this movie is much more intelligently written and directed. The film's intention is to tell a story, rather than to frighten.
Le saviez-vous
- AnecdotesOne of three Australian feature films made during the late 2000s about Irish convict Alexander Pearce. The three movies are: 'Dying Breed' (2008), 'Van Diemen's Land' (2009) and 'The Last Confession of Alexander Pearce' (2008) (TV).
- Citations
Alexander Pearce: A man with no blood on his hands is no man.
- ConnexionsFeatured in A Journey Up River: Making Van Diemen's Land (2009)
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- How long is Van Diemen's Land?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Savage Island
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 34 648 $US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Van Diemen's Land (2009) officially released in Canada in English?
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