Dans le Los Angeles des années 1990, un garde du corps protège une superstar de la pop et son petit ami athlète d'un harceleur déterminé.Dans le Los Angeles des années 1990, un garde du corps protège une superstar de la pop et son petit ami athlète d'un harceleur déterminé.Dans le Los Angeles des années 1990, un garde du corps protège une superstar de la pop et son petit ami athlète d'un harceleur déterminé.
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Dark comedy is one of my favorite genres. And everything about the premise of Borderline makes it seem like something I should love. But I found almost no enjoyment or entertainment from watching it.
The mix of horror (barely) and comedy just doesn't work. The tone feels off. Nearly every comedic attempt falls flat (except for one involving practicing for an audition lol).
Idiotic character decisions are common in these types of movies. But here, it's not so much the decisions being idiotic as it is the script just not making sense. There are multiple parts where I thought I missed something, rewatched the previous scene, and realized I wasn't missing anything, the movie is just dumb.
I really hope Samara Weaving can start getting some major theatrical roles. She's too good for this garbage.
(1 viewing, 3/14/2025)
The mix of horror (barely) and comedy just doesn't work. The tone feels off. Nearly every comedic attempt falls flat (except for one involving practicing for an audition lol).
Idiotic character decisions are common in these types of movies. But here, it's not so much the decisions being idiotic as it is the script just not making sense. There are multiple parts where I thought I missed something, rewatched the previous scene, and realized I wasn't missing anything, the movie is just dumb.
I really hope Samara Weaving can start getting some major theatrical roles. She's too good for this garbage.
(1 viewing, 3/14/2025)
Screenwriter Jimmy Warden takes the lead in directing a film he wrote himself, one that possesses a small charm as this ironic play about obsession and fame unfolds. He takes advantage of a cast that elevates the cast and makes the most of it, even if we encounter some less successful moments than others.
A cleverly thought-out thriller that uses dark humor as its mainstay, creating a film that, all things considered, generates good feelings due to its hilarious moments, which are quite accomplished and add that unexpected touch of affection for the film. To this end, we find a cast that works perfectly in coordination with its script, and the one who shines the most is Ray Nicholson, who is shown with the gestural and charismatic brilliance of his father, Jack. Meanwhile, there is a cast of well-chosen supporting actors and a Samara Weaving who isn't the Queen we know, but whose presence alone is enough to embellish the film.
It has many surprises as we delve into its story, and it truly captivates you with truly unexpected moments, as well as certain scenes that its director pulls out of his hat, creating unforgettable moments that are worth discovering upon seeing. While it may not have what it takes to end up being one of those great films of 2025, it has the merit of being a truly entertaining hit that grows endearing and overcomes its weaker moments thanks to a cast that substantially elevates those moments with charisma and talent.
A film unlike any other that brings out the best in its director, who has interesting things to show and deserves to be taken into account. It's not a perfect film, but it's worth giving it its time and seeing. It has truly worthwhile moments that will make you laugh out loud.
A cleverly thought-out thriller that uses dark humor as its mainstay, creating a film that, all things considered, generates good feelings due to its hilarious moments, which are quite accomplished and add that unexpected touch of affection for the film. To this end, we find a cast that works perfectly in coordination with its script, and the one who shines the most is Ray Nicholson, who is shown with the gestural and charismatic brilliance of his father, Jack. Meanwhile, there is a cast of well-chosen supporting actors and a Samara Weaving who isn't the Queen we know, but whose presence alone is enough to embellish the film.
It has many surprises as we delve into its story, and it truly captivates you with truly unexpected moments, as well as certain scenes that its director pulls out of his hat, creating unforgettable moments that are worth discovering upon seeing. While it may not have what it takes to end up being one of those great films of 2025, it has the merit of being a truly entertaining hit that grows endearing and overcomes its weaker moments thanks to a cast that substantially elevates those moments with charisma and talent.
A film unlike any other that brings out the best in its director, who has interesting things to show and deserves to be taken into account. It's not a perfect film, but it's worth giving it its time and seeing. It has truly worthwhile moments that will make you laugh out loud.
What a disappointment.
Good over-acting by Ryan Nicholson, Samara Weaving was better in 'Ready or Not' or 'Azrael'. Here, she has not that much to do.
The movie has some heavy issues concerning the script and the storytelling: The script starts with a lie and Ryan Nicholson as the first person narrator. The lie tricks the viewer and the first person narrative is never again important for the movie. Emotions are shown through the overuse of playing songs, meaning, the narrative is not confident in its script and storytelling. It has to use this trick in filmmaking showing that the direction is not good. So it's more of style over substance thing for the first time director.
The script takes decissions for a black comedy but the ideas don't really take off.
And: Borderline has nothing to do with hallucinations, so the title of the movie makes no sense.
At the end this movie is like an overlong music video.
Ryan Nicholson is rememberable, the movie unfortunately forgettable after watching.
The trailer was promissing a hilarious, dark comedy about stalking. The movie instead is not funny, not hilarious, has serious issues in storytelling, the characters and the script, but it has some dark, black humour.
Good over-acting by Ryan Nicholson, Samara Weaving was better in 'Ready or Not' or 'Azrael'. Here, she has not that much to do.
The movie has some heavy issues concerning the script and the storytelling: The script starts with a lie and Ryan Nicholson as the first person narrator. The lie tricks the viewer and the first person narrative is never again important for the movie. Emotions are shown through the overuse of playing songs, meaning, the narrative is not confident in its script and storytelling. It has to use this trick in filmmaking showing that the direction is not good. So it's more of style over substance thing for the first time director.
The script takes decissions for a black comedy but the ideas don't really take off.
And: Borderline has nothing to do with hallucinations, so the title of the movie makes no sense.
At the end this movie is like an overlong music video.
Ryan Nicholson is rememberable, the movie unfortunately forgettable after watching.
The trailer was promissing a hilarious, dark comedy about stalking. The movie instead is not funny, not hilarious, has serious issues in storytelling, the characters and the script, but it has some dark, black humour.
Is this the best movie I've ever seen? Obviously not but it's fun. And at least it's not another remake! I don't get why some people are super low balling the rating for this. It's a solid 5/6, not a 2, or the 8s I've seen, but hopefully that counteracts the 2s. It's a fun dark comedy. Definitely silly at times but go with it and allow it to be silly. I thought the cast was good. Though it seems Samara is getting a bit type casted in these roles. Ray Nicholson looks just like his father but hes pretty good at playing crazy. This movie made me laugh and it was a good choice for a rainy weekend afternoon. Not everything has to be a masterpiece, this is original and paced well.
This film starts out okay, with a great cast, decent acting, and a premise that one feels might be a pretty entertaining black comedy... but the whole thing doesn't really amount to anything.
The writing here feels improvised, like random wacky and edgy ideas are being thrown into a blender to hopefully result in a crazy modern cult favourite.
You can almost hear somebody wetting themselves at jokes that your uncle might tell at a party that no-one laughs at, or like an SNL sketch that never made the cut and was not broadcast.
The confidence in this material to produce and release this film seems as delusional as the title character.
It's probably not as bad to other viewers as it is to me, but sometimes disappointment in something I thought was going to be great feels like I'm being ripped off or something.
The writing here feels improvised, like random wacky and edgy ideas are being thrown into a blender to hopefully result in a crazy modern cult favourite.
You can almost hear somebody wetting themselves at jokes that your uncle might tell at a party that no-one laughs at, or like an SNL sketch that never made the cut and was not broadcast.
The confidence in this material to produce and release this film seems as delusional as the title character.
It's probably not as bad to other viewers as it is to me, but sometimes disappointment in something I thought was going to be great feels like I'm being ripped off or something.
Le saviez-vous
- AnecdotesLoosely based on a stalking case involving Madonna in the 1990s. In 1996, a violent man was convicted and sentenced to ten years for stalking and threatening the life of pop legend Madonna, with the man reportedly telling her bodyguard that he intended to slit her throat if she didn't marry him. That man would later escape the mental hospital but was quickly apprehended again before any further harm was caused.
- GaffesAbout 47 minutes in, before Paul puts a bandage a Sofia, her wound is visibly close to the center of her forehead. After she wakes up, her wound has moved about an inch to her left.
- ConnexionsReferences Le silence des agneaux (1991)
- Bandes originalesNo More 'I Love You's'
Written by David Freeman and Joseph Hughes
Performed by Annie Lennox
Courtesy of Sony Music Entertainment (UK) Ltd.
By arrangement with Sony Music Entertainment
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- How long is Borderline?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- На межі
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 847 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 254 $US
- 16 mars 2025
- Montant brut mondial
- 284 704 $US
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 1.66 : 1
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