Sex and Zen: Extreme Ecstasy

Apparently this did beat Avatar at the Chinese Box Office, so they can't have been that wrong now, can they? Of course "Sex and Zen" seems to be a popular movie series in general in Chinese movie history. Though I haven't seen any other of those movies (this actually played at the Fantasy Filmfest), I can't tell you if it's true that they took the "best bits" from previous movies and put them together here. What I can tell you though, is that this should be taken for what it is: a strange little erotic comedy.

If you can wrap your head around that, there are quite a few OTT moments to "enjoy" here. Until the end of the movie, they never cease to come up with something even more ridiculous than what they've shown you before. Again just don't take it seriously and have a hoot (whole cinema was laughing) and don't mind the "message" at the end of the movie (though it is kind of a nice touch ... no pun intended).

The film is promoted as the first 3D porn to attract viewers, it is no doubt a very smart way of making $$ for the movie company, but I think those who pay to watch the film should totally readjust the mindset going into this film.

If you are expecting lots of sex scenes and expecting inappropriate things flying 3D in your face, you are asking for too much. When I bought the ticket to watch this film, I totally expected this to be a nonsense comedy that doesn't really make much sense.

When you take that approach I think this film is way more enjoyable. I find it quite entertaining and laughable at some scenes (so are fellow viewers, who couldn't stop laughing at some scenes), and even though a little cheesy, there is a theme into it.

Thing I give big thumbs up are the costumes and props, it makes me realize the producer is taking this film very seriously instead of just a low budget stupid movie. The musical department also deserves lots of credit as the sex scenes are quite steamy because of the background music they use.

Again, this is NOT an artistic film, just take it as a bubble gum film that makes you laugh for 2 hours.

Yes our first 3D sex film, and we are sold a bit short, as it cuts back on you know, sex, nudity, but with some added sick violence. It's not really how this especial one should of been intended, but I disregard the violence in this remark. If you haven't seen this in 3D, being the experts, you'll spot the moments. You would get more out of it, seeing this in 3D. I was outnumbered in the Palace Ezi Max Cinema, a vast one. April 19th, 2011. I couldn't believe it. I was thinking 'If only I had my non Asian friend with me". I'm the only Aussie in this packed cinema of Asian folk. Some brought in some wine, to mark this auspicious occasion. There have been three other Sex and Zen films prior, all coming out consecutively in the mid nineties on. So this one is refreshing, but it had me so thinking this stories similar to the others, but really this sex flick, takes away from the story, when you have luscious stark lovelies engrossed in intercourse or sex acts where some bouncing boobs are coming at you. There are some memorable scenes: not so, that gigantic squashed c..k that really looks like a c..k, (a scary thing) the couple of scenes and dialogue following this, hilarious, the funniest in this flick. There are our lead couple I think, having intercourse on a giant curved, stone statue'd c..k (yeah really) and maggots foot disease, some great towering shots of a fortress, and 45 degrees slicing and dicing (great in 3D). The last scene, the most potent, beautiful too, thus bring disappointment as the end credits start to roll. These out there films, and I'm not just talking the Sex And Zen series, too me are just films to get off, where we do neglect the story that goes into it. With these Sex An Zen films, we really have to pay attention to the story as we get lost or deviate from, as these colorful, stark and nubile beauties are in our faces, visually pleasuring us with their goodies. That she male kind of put a damper on it too. At the end of the night it the sameo, some visuals staying in your mind, without giving a second thought to the story. But is the movie good? No.

A review of the world's first 3D Chinese-language erotic film, we believe, is simply extraneous- after all, you've probably already decided on this basis alone whether or not you're going to watch this movie (and if you have, we strongly urge you to catch it in 3D). And why not- since besides action and horror, erotica is probably the genre that would clearly benefit from the additional dimension, especially seeing as how we already talk about them boobs very much dimensionally.

It makes perfect sense then that producer Stephen Shiu would decide to reboot his infamous Category III- series 'Sex and Zen' for a new audience, the story inspired in part once again by the ancient Chinese text 'The Carnal Prayer Mat'. Of course, story is probably the least of the reasons why their audience has opted to see this film, so Shiu, who co-wrote the screenplay with his son Stephen Shiu Jr and Mark Yu, keeps it simple, in fact perhaps a little too simplistic.

The protagonist here is a young Ming Dynasty scholar Wei Yangsheng (Hiro Hayamo) who has just gotten married with the beautiful Tie Yuxiang (Leni Lan). The couple have one problem though- Wei is just not very good in bed, and goes frigid all too quickly. His quest to better their sex life leads him to the Pavilion of Ultimate Bliss, a carnal pleasuredome reigned over by the Prince of Ning (Tony Ho in an effectively hammy performance) living a life of hedonism and unrestrained sexual pleasure.

Armed with an excuse, Shiu and director Christopher Sun trot out familiar Japanese AV stars Saori Hara and Yukiko Suo, as well as Hong Kong's very own busty beauty and wet dream fantasy Vonnie Lui. Hara and Suo are among two of the temptresses at the Pavilion, while Lui plays The Elder of Bliss, an androgynous being who looks stunning but speaks with the voice of an old man. If you're a fan of Lui, the bad news is that she doesn't go topless- nevertheless, that disappointment will probably be short-lived seeing Hara and Suo do so for the most part when on screen.

Indeed, one can pretty much guess how the rest of the girls were auditioned for this film, but we wouldn't expect less from a film like this. There is a generous amount of nudity in the film, restricted however to boobs, bums and the brief shots of Yangsheng's incompetent penis. Love-making is also copious, and most if not all of the scenes set in the Pavilion have either nudity or love-making or both in the background at least. Sun's film doesn't forget its purpose to titillate, and so at least on a visceral level, you can be assured that you will leave satisfied.

While it remains remarkably consistent in the skin department, the film is much less so in its tone. At the start, it adopts the same playful attitude as the original film, with Yangsheng's unaccomplished sex life as well as his desperate attempts to improve his endowment played up for exaggerated laughs. Especially hilarious is Yangsheng's visit to two quack village doctors (one of them played by Stephen Chow regular Tin Kai-Man) for a penis replacement operation, their wordplay and subsequent bungling of the organ utterly ridiculous but also side- splittingly funny.

Things however take a much darker tone when Yangsheng's devastated wife gets raped and both Prince Ning as well as Yangsheng's buddy Lin (Tenky Tin) reveal a nasty conspiracy to teach him a lesson for his arrogant ways. Depictions of rape and sexual violence are already toned down in the 'international version' that we are getting here in Singapore, but these later scenes, especially an extended climax which plays out like torture porn, will quite likely discomfort some audiences. Sun plays these up supposedly to strengthen the moral at the end about love and fidelity, but one wishes that he had exercised more restraint.

Restraint is also in short shrift when it comes to the use of 3D as a gimmick, and the additional dimension is primarily used in the film's action scenes to hurl some weapon or another at the audience. Granted that the film industry in Asia is just waking up to the possibilities of 3D, therefore such gimmicks are probably to be expected while the technology is still being experimented. The stereoscopy also does enhance the curves and depth of the nude female cast, but these effects tend to be much subtler.

But of course, gimmick though it may be, there's no denying that it does work after all to add to the luridness. 'Sex and Zen' was never meant to be high art in the first place, offering visceral pleasures in a rambunctious way. There will be those who will criticise it for objectifying the female sex (which any soft-core porn film is certainly guilty of to some extent), but then they are probably not the audience this film is meant for. For everyone else keen to savour in the display of flesh, this is just the carnal pleasure you'll get.

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A 3D sex movie, especially one produced in Hong Kong and especially one with a pedigree such as the Sex and Zen movies from the 1990s, should be a lot of fairly harmless fun. There should be plenty of double entendres (and single entendres!), plenty of bosoms heaving out across the audience, and a plot that is as uncomplicated as the sexual positions are complicated.

For the most part, '3D Sex & Zen: Extreme Ecstasy' is that film. Extremely handsome boy meets extremely beautiful girl. They make a lot of love, but something's not right. So, the handsome boy goes off to consult various masters in hopes of improving things. That's the first half of the film. Rather unfortunately, the second half turns to violence, sadism, rape and torture, and where five minutes ago one was chuckling about the protagonist declaring "I must make love to ten women at the same time", suddenly one is faced with genital mutilation, followed by rape, then more genital mutilation, followed by... Well, you get the idea with that one.

I suppose a film has to go in a direction, and a sex film especially, once the thrill of seeing the actors and actresses naked has waned somewhat. It can become increasingly absurd and nihilistic, like many Russ Meyer films; change tack and take in another exploitation genre (such as, ummm, 'Zombie Strippers'?); or go for a message, which more often than not is 'actually, this much sex isn't that good for you' (take 'Austin Powers', if you will). 3D Sex & Zen goes somewhere between all three, and despite being about 20 minutes too long, somehow fails to deliver satisfactorily on any count.

The message that it does have is sweet, however, and understandable to people of all nations. And there's something charming about the fact that in Hong Kong, 3D Sex & Zen made more than Avatar on its opening day. Overall, it's worth a watch, perhaps more for what it is than what it says.