NOTE IMDb
3,6/10
2,1 k
MA NOTE
Ajouter une intrigue dans votre langueA serial killer unleashes his blood-lust at a remote environmental camp. Years later a horror novelist relocates to rural England and is plagued to the point of madness by horrific hauntings... Tout lireA serial killer unleashes his blood-lust at a remote environmental camp. Years later a horror novelist relocates to rural England and is plagued to the point of madness by horrific hauntings of a massacre.A serial killer unleashes his blood-lust at a remote environmental camp. Years later a horror novelist relocates to rural England and is plagued to the point of madness by horrific hauntings of a massacre.
- Réalisation
- Scénario
- Casting principal
Darren J. Bransford
- Giro
- (as Darren Bransford)
Avis à la une
Charisma Carpenter does a reasonable job here as Susan Golden, an American crime writer who relocates to England (Somerset?) with her English husband, David, played by Paul Sculfor. He's not so convincing though and, if this film were to work, he would have needed to be. However, the script writers have a lot to answer for in giving him such rubbish dialogue.
Glossing over the first five minutes which features a bunch of eco-warriors getting slaughtered (and that's not a reference to the Special Brew they drink), the pace here is just too slow. The wooden acting, predictable plot through the middle of the film and unsparkling dialogue all conspire to make this hard work to get into.
Ricci Harnett, as Peck the cock-flasher, has been in some better things than this. He just needs a bigger part (ahem! ).
I was interested to watch Justin Hawkins in a straight part, as I only know him as a rock star. Guess what he appears as here? Yep. And is he any good in that part? What do you think?
This could be edited into a half-decent 30 minutes, maybe 45. The last few minutes, tying everything together, were well done, which gets the film a second star. But as it stands, it's really not very good.
Glossing over the first five minutes which features a bunch of eco-warriors getting slaughtered (and that's not a reference to the Special Brew they drink), the pace here is just too slow. The wooden acting, predictable plot through the middle of the film and unsparkling dialogue all conspire to make this hard work to get into.
Ricci Harnett, as Peck the cock-flasher, has been in some better things than this. He just needs a bigger part (ahem! ).
I was interested to watch Justin Hawkins in a straight part, as I only know him as a rock star. Guess what he appears as here? Yep. And is he any good in that part? What do you think?
This could be edited into a half-decent 30 minutes, maybe 45. The last few minutes, tying everything together, were well done, which gets the film a second star. But as it stands, it's really not very good.
I'm a massive fan of this movie, it's a perfectly executed re-imagining of 1983's Scream Time. Charisma Carpenter is a great choice for the lead role of 'Susan' and she successfully pulls off a difficult character arch that sees her transform from a settled, confident woman into a truly tortured soul. Ricci Harnett is also great as the rather creepy groundsman 'Peck' and Paul Sculfor is a very clever choice for Susan's husband - adding a level of credibility and logic to the film that I won't spoil with this review. If like me, you like your horror to be full of suspense, thrills, sex and deception - you should watch this movie.
Reg Traviss and fellow screen writer Micahel Carpenter have crafted a supremely frightening script and the cinema results are extraordinary. Directed as well by Traviss with flair and originality, he creates an atmosphere of almost surrealistic suspense and a unholy, dark environment of overwhelming dread. Charisma Carpenter gives a superb performance in the role of the young woman haunted by visions of what she believes to be remnants of violent episodes that have taken place in the house where she lives. There is incredibly disturbing imagery and horrific scares as she strives to discover the answers to all the terrifying mysteries. No one who sees this superior horror film will ever forget the unendurable suspense, stunning visions, and lightning like intensity that is Psychosis.
I really wanted to love this movie. I just can't though. For all its good intentions and all the nice ideas, it is too flawed in the end. While obviously not a big production, it does feel bad from the get go. Poor editing choices and cinematography do not help the case either. It's not badly done, but you can see that it was rushed and therefor not much care has been given to some shots and performances. There are a few occasions where Charisma seems out of it. And while some may call it a nice addition to her role it is obvious that this was not meant that way.
Charismas husband (in the movie that is) is even worse than any other player in the film. There is the gardener, but you almost don't care about his performance (especially during a dinner scene). But the husband does a good job at being bad. Which is a bad thing for the movie. The ending might feel like a saving grace (and I don't know the movie another reviewer who's ecstatic about it, raves about), but don't let that fool you.
Charismas husband (in the movie that is) is even worse than any other player in the film. There is the gardener, but you almost don't care about his performance (especially during a dinner scene). But the husband does a good job at being bad. Which is a bad thing for the movie. The ending might feel like a saving grace (and I don't know the movie another reviewer who's ecstatic about it, raves about), but don't let that fool you.
I didn't find this movie as slow-moving as most, but it WAS as pointless as they've written. At first the ending was marginally surprising until I thought about it for five seconds. The only reason it was surprising is because of the misdirection of the movie's first 10 minutes. Remove that and the lease ingenuous viewer will know what the deal is after about 30 minutes.
Very linear and predictable with extra characters that really do nothing to advance or even influence the story. It really could have been told with about five characters.
Very little was done to explain why the lead sees what she sees other than a few vague words from a medium, but even at that there is no explanation as to why she sees things now, but apparently never did the first 35 (or so) years of her life.
Still, it's decent enough for ambient viewing while loading a dishwasher or doing some paperwork. You've seen it enough times to not have to pay rapt attention, but it's not some obviously cheap, horribly acted flick that shoots entirely in day-for-night blue.
Very linear and predictable with extra characters that really do nothing to advance or even influence the story. It really could have been told with about five characters.
Very little was done to explain why the lead sees what she sees other than a few vague words from a medium, but even at that there is no explanation as to why she sees things now, but apparently never did the first 35 (or so) years of her life.
Still, it's decent enough for ambient viewing while loading a dishwasher or doing some paperwork. You've seen it enough times to not have to pay rapt attention, but it's not some obviously cheap, horribly acted flick that shoots entirely in day-for-night blue.
Le saviez-vous
- AnecdotesBernard Kay's last film.
- GaffesSusan is lying on the bed with one leg dangling over the edge, waiting for David to return from checking downstairs; her leg is seen dangling in the mirror, not touching the floor. The camera then goes to a floor-level close-up of a hand reaching for her foot, which now touches the floor. Right before the hand grabs her ankle the camera goes back out to show Susan and the mirror, which shows Susan's foot off the floor again with the hand around it.
- ConnexionsRemake of Screamtime (1983)
- Bandes originalesWhichever Way You Wanna Give It
by Hot Leg
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Psychosis: La Mort dans l'Ame
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 200 000 $US (estimé)
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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By what name was Psychosis (2010) officially released in Canada in English?
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