Simon

The film "Simon" is a powerful allegory that transcends the borders of Venezuela to depict a reality unfortunately repeated in many nations. With a captivating narrative and outstanding performances, this film immerses the viewer in the subtle yet relentless transformation of an ostensibly democratic and inclusive political movement into a repressive and corrupt regime.

Through its intertwined characters and their stories, the movie allows us to witness how promises of equality and social justice gradually fade away, giving way to the persecution of dissidents, censorship, and systematic human rights violations. This harsh reality forces many to embark on the painful path of exile, in search of the freedoms and opportunities that have been stripped away in their own country.

Director Diego Vicentini's solid and emotional script manages to connect with the viewer on a profound emotional level. The impeccable performances by the entire cast breathe life into complex, multidimensional characters, allowing us to understand the motivations and dilemmas they face in an increasingly oppressive environment.

"Simon" is not only a wake-up call about the dangers of authoritarianism disguised as progressivism but also a reminder of the importance of remaining vigilant and defending democratic values at all costs. It is an invaluable document for those nations that have gone through or are currently experiencing similar political challenges, and an invitation to reflect on the price paid when freedom is sacrificed for false promises.

In summary, "Simon" by director Diego Vicentini is a highly recommended film that combines a powerful narrative with a profound social message, making it an essential cinematic work to understand the risks and consequences of allowing authoritarianism to take root in a society.

Just Amazing! A film that makes you reflect on the current Venezuelan problems but with a universally moldable context. Flawless direction and photography with such a small budget. An exquisite plot twist and performances that invite you to look beyond the typical Hollywood. In addition, the political controversy that surrounds it gives it an extra flavor... I went to see it at the cinema and I only saw the faces of the spectators as they felt it, they cried... and in advance I tell you, no matter how fictional it may seem, this is absolutely nothing compared to what Venezuelans have actually experienced.

From its captivating narrative to its exceptional performances and stunning visuals, this film is an absolute masterpiece that deserves all the praise it receives.

One of the most notable scenes of the film was SIMON's last act with Chucho; It was a brilliant script. The story is a perfect combination of moving and thought-provoking moments, creating a deep emotional connection with the characters and a vision of the reality that Venezuela experiences. The character development is top notch and you will find yourself completely invested in his journeys.

The cast delivers exceptional performances, with each actor bringing their respective roles to life. SIMON is nothing short of phenomenal and conveys a wide range of emotions that will tug at your heartstrings.

DIEGO VICENTINI has really outdone himself with this film. His direction is masterful and the pace keeps you engaged at all times.

In short, SIMON is a must see. It is a triumph in storytelling, acting and cinematography. It is a film that will make you laugh, cry and reflect on the human experience. I can not recommend it highly enough; is a true cinematic gem that will stay with you long after the lights go up in the theater.

This is the movie on everybody's mouth right now in Venezuela.

It deals with one of the most, if not the most trying, horrifying and heart wrenching moment in Venezuelan history, which were the 2014 and 2017 protests when hundreds of young people (most of them students) were mercilessly killed by the national army.

Well, the movie doesnt depict those moments, it just shows you glimpses of it, as the movie is about a young man who participated in those protests and then moved to Miami, and now he is dealing with PTSD, basically.

Even though I am Venezuelan and I lived through those times, the film didnt really impacted me emotionally for the most part.

I think maybe it was the lack of Venezuela in general, as the majority of the movie takes place in Miami. There's only one shot of Caracas, and then the scenes that take place in Venezuela happen in a run down abandoned horrible place where our protagonist was held captive.

The monologue by Franklin Virguez was definitely the highlight of the film. The lighting in that scene, everything was terrifying. The protagonist's acting was pretty good too.

But in general, I think it lacked contrast, it would have been more effective if they showed some happy times in our protagonist's life in his home country and they should have definitely added his parents to the story since dozens of parents lost a child during those protests, and many of them were constantly on the news.

I also was not sold on the action of the film being the whole situation with the medicine.

I dont know, I think this movie is by Venezuelans for Venezuelans, it really doesnt have that universal thing about it, it feels way too specific, if that makes sense.

And that universal aspect is precisely the amazing thing about movies. You can watch a movie that has absolutely nothing to do with you or your country, that was made in a time when you weren't even born, and that movie can resonate with you in ways you Never imagined.

But as I mentioned in the title, this film will probably only resonate with venezuelans for the most part.

And it is the type of movie people will love simply because of the subject matter, not because the movie itself is actually great.

Vicentini's script is extraordinary, very well done, rounded. It is not a predictable story. Martínez's cinematography elevates the script with its beauty and softens the strongest scenes. Very good performances, especially Mcgaffney's, who carries the weight of the entire film.

Special mention for Virguez, who despite his short participation, his character remains embedded in the memory of those who watch the film. "Simón" is very well produced/cared for by González and Rasquín. Sheinfeld's music is beautiful, he understood the script perfectly and takes it to another level.

The direction is incredible, and even more so taking into account that it is Vicentini's debut film (the one directed when he was 27 years old). The editing (also by Vicentini) achieves a perfect meshing of the story, which moves between present and past.

Regarding the subject, "Simón" manages to strike a very sensitive chord not only for Venezuelans, but for anyone who is empathetic with issues as complex as migration and the violation of human rights.

Excellent combination of well-made cinema and relevant subject matter.