En 1979, un groupe de jeunes cinéastes compte faire un film pour adultes dans la campagne du Texas, mais lorsque leurs hôtes les surprennent en flagrant délit, les acteurs sont obligés de se... Tout lireEn 1979, un groupe de jeunes cinéastes compte faire un film pour adultes dans la campagne du Texas, mais lorsque leurs hôtes les surprennent en flagrant délit, les acteurs sont obligés de se battre pour leur vie.En 1979, un groupe de jeunes cinéastes compte faire un film pour adultes dans la campagne du Texas, mais lorsque leurs hôtes les surprennent en flagrant délit, les acteurs sont obligés de se battre pour leur vie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 43 nominations au total
Geoff Dolan
- Deputy
- (as Geoffrey Dolan)
Matthew J. Saville
- Officer Mitchell
- (as Matthew Saville)
Résumé
Reviewers say 'X' is a horror film that blends 1970s slasher aesthetics with modern elements, praised for its atmosphere and visual style. Mia Goth's dual performance is lauded for complexity, while themes of aging and sexuality resonate deeply. The film's practical effects and gore receive mixed opinions. Some appreciate its thematic richness and artistic qualities, while others criticize its slow pace, predictability, and lack of originality. The transition between the film's halves sparks debate, with varied reactions to its pacing and structure. Overall, 'X' is a mixed bag, appealing to horror enthusiasts yet disappointing some with its flaws.
Avis à la une
An interesting slow burn, but without enough to make it stand against the countless other slasher films, X is a fine film and another tribute to the iconic genre that made horror so popular in the first place. Granted, I do enjoy myself a slasher film from time to time- I'm quite fond of films like Nightmare on Elm Street and My Bloody Valentine, but where X faults among the others is through using a rather familiar formula without any true unique purpose. Throughout the film the characters often talk about an X factor, something that makes Mia Goth's character special and starworthy- but unlike its mentionings- this film just doesn't have that. The acting is really good, I love the underrated Mia Goth as always- as well as Brittany Snow, Martin Henderson, and even Kid Cudi did a rather impressive job. The cinematography is fantastic and perfectly fits the amitpshere and tone the film is going for. The music is enjoyable and tense, and its pacing can be a bit slow at times, but does allow for an interesting point of view. Its main problem lies solely in its script, which revolves largely around a smut film production- but takes too many elements and formulaic tendencies from other horror films like Evil Dead, Friday the 13th, The Visit and most obviously Texas Chainsaw Massacre to really stand out on its own and become its own thing. In the end, its not a bad watch, I wouldn't watch it again, but I certainly didn't mind watching it. It isn't the most memorable, but I certainly don't have any disdain for it. It just could have been more, especially given the talent involved, but ironically it settled for less.
My Rating: 5.8/10.
My Rating: 5.8/10.
I liked it. It's a nice old-fashioned (flawlessly 70's styled) slasher horror-flick, with a fairly original premise. As in any comparable horror movie the motives for the killings are pretty farfetched, but who cares, when they are pictured so relentlessley gruesome, the gore here is definitely not for the tender-hearted. Another strong point is how the movie very gradually builds up the tension, this is a real slow burner, the apprehension of looming doom is palpable throughout the movie. This is helped by a strong direction, a very clever and inventive editing, and some great photography, see for instance the scene of one of the girls swimming in the lake, while... well, I won't give it away, but it's beautiful and hair-raisingly scary at the same time!
Add to all this some very funny dialogues and goings-on at the start, and you're in for a well made, old-school horror flick, maybe not life-changing but absolutely entertaining for those who can apprciate this kind of movie (like me!).
Add to all this some very funny dialogues and goings-on at the start, and you're in for a well made, old-school horror flick, maybe not life-changing but absolutely entertaining for those who can apprciate this kind of movie (like me!).
Didn't expect much. Paid homage to classic 70's horror movies. Unlikeable characters that were given sufficient depth to make you care enough to not want them to be the next kill which made it refreshing. A little too gorey in parts for me but a well shot movie none the less. Cannot understand for the life of me why they didn't just cast older people as the central characters though. Just pointless having younger actors in prosthetics for the sake of it. Would have been much better if they just cast older aged actors. A simple yet fun movie that was original enough but with clear nods to some of the classics from the past.
Zero expectations or knowledge about this movie when I turned this one on. I knew it was a horror movie and that was it. Watching it, I could feel the love that the creators had for the old age of horror movies, the era of slashers and all the things that Scream once dissected and made light of, an age of horror movie rules where you expect sex to equal death and the final girl to surmount all odds and take on the horrible entity terrorizing them.
The idea of this movie seems like something I should have really enjoyed. The reality of it was more underwhelming. I never found myself connecting to the characters, so when things start to go awry, I had no investment in their existence. They were just red shirts in a horror movie. I expected them to die and most of them met that expectation. It was fine. It never really tipped the scales into love, never into hate, it lingered in the realm of quiet acceptance of what was going on, a positive tolerance that never reached proper enjoyment.
The idea of this movie seems like something I should have really enjoyed. The reality of it was more underwhelming. I never found myself connecting to the characters, so when things start to go awry, I had no investment in their existence. They were just red shirts in a horror movie. I expected them to die and most of them met that expectation. It was fine. It never really tipped the scales into love, never into hate, it lingered in the realm of quiet acceptance of what was going on, a positive tolerance that never reached proper enjoyment.
I originally watched this film as an introduction to Mia Goth's acting, which I must say is incredible this film. I was thrilled to see such a star studded cast including Jenna Ortega and Brittany Snow. That being said I think the writing did not live up to the casts potential. If you are looking for a nostalgic 70's/80's style slasher film, this might fit the bill. Motives of characters in this film left a lot to be explained and fell short in my eyes. That being said, this film serves as the introductory film to the prequel, "Pearl" which is far more better excecuted and "X" is totally worth the watch just to experience "Pearl" in all it's glory. Overall, his film was good but not great. However, I look forward to the character development in the partner films surrounding this plot line.
Le saviez-vous
- AnecdotesThe day after X (2022)'s South by Southwest premiere, writer/director Ti West revealed that during a mandatory two-week COVID-19 quarantine in his New Zealand hotel, before production could begin on this film, he wrote a prequel, Pearl (2022). A24 saw the script and greenlit the movie even before production on "X" had wrapped. He asked star Mia Goth if she wished to remain in New Zealand and film "Pearl," and she readily accepted. The prequel released later in 2022.
- GaffesThe film set in 1979 makes reference to missing persons ads on milk cartons. However, the first usage of milk cartons for missing persons was not until 1984.
- Crédits fousThere are no opening credits. The title doesn't even appear on screen until the end.
- ConnexionsEdited into MaXXXine (2024)
- Bandes originalesAct Naturally
Performed by Loretta Lynn
Written by Vonie Morrison, Johnny Russell
Courtesy of Geffen Records under license from Universal Music Enterprises
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is X?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 769 469 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 275 126 $US
- 20 mars 2022
- Montant brut mondial
- 14 745 049 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.90 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant