Dans une ville violente et futuriste où la police a le pouvoir d'agir comme juge, jury et bourreau, un policier fait équipe avec un stagiaire pour faire tomber un gang qui vend de la drogue ... Tout lireDans une ville violente et futuriste où la police a le pouvoir d'agir comme juge, jury et bourreau, un policier fait équipe avec un stagiaire pour faire tomber un gang qui vend de la drogue qui change la réalité, SLO-MO.Dans une ville violente et futuriste où la police a le pouvoir d'agir comme juge, jury et bourreau, un policier fait équipe avec un stagiaire pour faire tomber un gang qui vend de la drogue qui change la réalité, SLO-MO.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 14 nominations au total
Avis à la une
After the debacle that was Stallone's Judge Dredd (1995), the makers of this movie have clearly made their prime directive to please hardcore Dredd fans, and it shows: the screenplay, by Alex Garland, remains very faithful to the spirit of the comic, and in Karl Urban, we now have the perfect Dredd-all raspy voice and humourless grimace, it looks as though the character has jumped straight onto the screen from the pages of 2000AD (helmet intact). Similarly, it would be hard to imagine anyone more suitable than Olivia Thirlby as rookie Psi-Judge Anderson (and believe me, I've tried!).
Is Dredd 3D my 'ideal' Dredd movie? Not quite... made for a comparatively meagre budget of $45million, it would be hard pushed to live up to my impossibly high expectations (just realising the Mega-City One of my dreams would require way more money than it cost to make this entire film). That said, it is definitely a massive step in the right direction, and if it is the financial success that it genuinely deserves to be, who knows what treats await us in the future: The Cursed Earth, Judge Cal, Judge Death, The Apocalypse War.... I'm salivating like a Klegg just thinking about it.
** EDIT - 5th April 2021 ** Just watched Dredd again, this time without the benefit of 3D, and found it less impressive than I remembered. I was struck more than before by how poorly Mega City One is presented, with vehicles that look like they're from now instead the end of the 21st century. Little effort was spent in making the environment appear futuristic - things like computer keyboards and electric fans are still as they are today. Budget was clearly an issue, and it shows.
Also, the whole 'Wait' conversation doesn't work for me. The bad judge would've plugged Dredd in the head instead of allowing him to buy time.
I still love Urban's portrayal, and the violence is cool, but I really hope that if there is a next time, they make the film look more like the comics.
Old rating: 8/10 New rating: 6.5/10, rounded up to 7. It's still good, just not great.
Karl Urban, long since a favourite of mine (since his excellent turn as the Russian assassin in THE BOURNE SUPREMACY) headlines as Dredd, never taking his helmet off throughout the film. Thus he's reduced to acting via his chin and gravely voice, and the surprise is that it works, to a degree. The helmet serves to distance the viewer from warming to the character, but then that's the point. I did like him though, and enjoyed his totalitarian attitude towards keeping crime off the streets.
Many reviewers have commented on the movie's similarity in plot to the Indonesian action epic THE RAID, and it's clear the two films share plenty. However, I think there's space for both of them in the market; DREDD is an unashamed shoot-em-up while THE RAID is an unashamed martial arts movie. They cater to different markets, and both are equally good.
DREDD's grim, claustrophobic setting is a strong one (bringing to mind the likes of '80s nihilist cinema like TENEMENT and DEATH WISH 3) and the action never lets up from start to finish. The scene with the huge guns is the stand-out, of course, but there's plenty of good minor stuff along the way, where encounters between Dredd and various bad guys are well directed and choreographed. Lena Headey's villain is utterly imposing and my only disappointment was with the ultra-slow-motion sequences, which are a bit pretentious and overused; thankfully they virtually disappear once the novelty wears off. I watched the 3D version of this movie, and while it's not the most visually impressive 3D film I've seen, it does make the film feel more immersive as a whole.
The previous version of Judge Dredd (1995) starring Sly is a campy affair. Consider that it had Rob Schneider in it. 'nuff said. This one brings us into the comics once again but this time, they drop the camp. It is well written probably because they had Alex Garland who also wrote 28 Days Later... and Sunshine among others. Karl Urban is not as imposing as Sly but he does a solid job. Most importantly, he's not impersonating Sly. Olivia Thirlby is great as a foil or conscience to Dredd. Their relationship is the heart of the movie. Lena Headey does a good job as the baddie. It's an interesting unusual choice. It's certainly not your average muscle bound villain.
I did have 2 problems. First, Slo-Mo happens too many times. The first couple of times are interesting. I'm sure it's cool 3D fun, but even that would get tiresome. It's a balancing act between pace and cool and the climax needs pace more than cool. Second problem is the ending. The final fight with Lena Headey is not as climatic as needed. It's a bit of a letdown. Overall, this is super-fun despite the minor problems.
Le saviez-vous
- AnecdotesKarl Urban insisted on riding the Lawmaster motorcycle himself.
- GaffesWhen Dredd throws Kay across the room, he rolls over a desk and his arms come apart even though he is handcuffed.
- Citations
Anderson: [reads Kay's mind] Sir, he's thinking about going for your gun.
Judge Dredd: Yeah.
Anderson: [reads it again] He just changed his mind.
Judge Dredd: Yeah.
- ConnexionsEdited into 5 Second Movies: Dredd 3D (2014)
- Bandes originalesJubilee (Don't Let Nobody Turn You Around)
Written by Bobby Womack, Harold Payne, Damon Albarn and Richard Russell
Published by ABKCO Music, Inc. (BMI), Chrysalis Music Ltd, Copyright Control
Performed by Bobby Womack
Licensed courtesy of XL Recordings Ltd.
By arrangement with Beggars Group Media Ltd.
(p) 2012 XL Recordings Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Hội Thẩm Phán
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 414 714 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 278 491 $US
- 23 sept. 2012
- Montant brut mondial
- 41 037 742 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1