Dans une ville violente et futuriste où la police a le pouvoir d'agir comme juge, jury et bourreau, un policier fait équipe avec un stagiaire pour faire tomber un gang qui vend de la drogue ... Tout lireDans une ville violente et futuriste où la police a le pouvoir d'agir comme juge, jury et bourreau, un policier fait équipe avec un stagiaire pour faire tomber un gang qui vend de la drogue qui change la réalité, SLO-MO.Dans une ville violente et futuriste où la police a le pouvoir d'agir comme juge, jury et bourreau, un policier fait équipe avec un stagiaire pour faire tomber un gang qui vend de la drogue qui change la réalité, SLO-MO.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 14 nominations au total
Avis à la une
I really hope that everyone goes out to see the movie, because how often do we really get an extremely violent, faithful, intelligent science fiction movie in cinemas nowadays. I also want them to make more sequels. There is so much potential for sequels, as this movie has set up the character and the scenario, and we can really get into the more epic storytelling. The story in 'Dredd' is very confined, 85% of the film takes place in one of the huge tower blocks, and I kinda wanted to see more of the city and more of Dredd's world. But for what it is, 'Dredd' is a very good movie. There are also lots of nice character moments in between all the action, and some truly breathtaking slow-motion sequences, that almost makes the extra price of the 3D worthwhile.
Dredd is such a great character. He is a challenging anti-hero and an uncompromising bad-ass. And don't worry, the film does not glamorise violence, or justify Mega City One's judicial system. People often compare Dredd to 'Dirty Harry', but I would argue that Dredd is a more heroic character, because he would never break the rules, like Dirty Harry does. He isn't a hero because he executes bad guys, but because he is incorruptible, and will always fight for what he believes is right, despite the danger of doing it. If it is right or not, the movie leaves to the audience.
Its such an enjoyable movie that deserves success. Now go watch 'Dredd'. Creep!!
Performances are fine across the board, Karl Urban does a good job as the titular character, giving the character a good level of ruthless efficiency combined with slight hints of human decency. Olivia Thirlby as Anderson also does a good job. Both characters are simple with not much to speak of when it comes to development and while that does mean the action is the sole focus, I prefer action films to have some semblance of character arcs. The antagonist is serviceable, Lena Headey does a decent job.
As for the action, its pretty good. They did not hesitate to push the violence to extreme levels. The sequences are creative, gory and satisfying. There are some instances of CG looking a tad fake, but that can be excused due to some characters' perspectives being affected by a drug.
This film also does a decent amount of worldbuilding. It gives you just enough information to understand the premise and the system. This film definitely feels like it needed a bigger budget sequel but alas, we have none. Despite the plot being simple, there are definitely aspects that I wish were more developed and definitely odd moments of contrivance and convenience.
Overall, Dredd is a solid 90 minute thrill ride and a great way to just switch off and enjoy the violent spectacle, which the film succeeds at. Those wanting more substance may be left hanging, but those in for a fun time should definitely give this film a shot.
The previous version of Judge Dredd (1995) starring Sly is a campy affair. Consider that it had Rob Schneider in it. 'nuff said. This one brings us into the comics once again but this time, they drop the camp. It is well written probably because they had Alex Garland who also wrote 28 Days Later... and Sunshine among others. Karl Urban is not as imposing as Sly but he does a solid job. Most importantly, he's not impersonating Sly. Olivia Thirlby is great as a foil or conscience to Dredd. Their relationship is the heart of the movie. Lena Headey does a good job as the baddie. It's an interesting unusual choice. It's certainly not your average muscle bound villain.
I did have 2 problems. First, Slo-Mo happens too many times. The first couple of times are interesting. I'm sure it's cool 3D fun, but even that would get tiresome. It's a balancing act between pace and cool and the climax needs pace more than cool. Second problem is the ending. The final fight with Lena Headey is not as climatic as needed. It's a bit of a letdown. Overall, this is super-fun despite the minor problems.
Karl Urban, long since a favourite of mine (since his excellent turn as the Russian assassin in THE BOURNE SUPREMACY) headlines as Dredd, never taking his helmet off throughout the film. Thus he's reduced to acting via his chin and gravely voice, and the surprise is that it works, to a degree. The helmet serves to distance the viewer from warming to the character, but then that's the point. I did like him though, and enjoyed his totalitarian attitude towards keeping crime off the streets.
Many reviewers have commented on the movie's similarity in plot to the Indonesian action epic THE RAID, and it's clear the two films share plenty. However, I think there's space for both of them in the market; DREDD is an unashamed shoot-em-up while THE RAID is an unashamed martial arts movie. They cater to different markets, and both are equally good.
DREDD's grim, claustrophobic setting is a strong one (bringing to mind the likes of '80s nihilist cinema like TENEMENT and DEATH WISH 3) and the action never lets up from start to finish. The scene with the huge guns is the stand-out, of course, but there's plenty of good minor stuff along the way, where encounters between Dredd and various bad guys are well directed and choreographed. Lena Headey's villain is utterly imposing and my only disappointment was with the ultra-slow-motion sequences, which are a bit pretentious and overused; thankfully they virtually disappear once the novelty wears off. I watched the 3D version of this movie, and while it's not the most visually impressive 3D film I've seen, it does make the film feel more immersive as a whole.
Le saviez-vous
- AnecdotesKarl Urban insisted on riding the Lawmaster motorcycle himself.
- GaffesWhen Dredd throws Kay across the room, he rolls over a desk and his arms come apart even though he is handcuffed.
- Citations
Anderson: [reads Kay's mind] Sir, he's thinking about going for your gun.
Judge Dredd: Yeah.
Anderson: [reads it again] He just changed his mind.
Judge Dredd: Yeah.
- ConnexionsEdited into 5 Second Movies: Dredd 3D (2014)
- Bandes originalesJubilee (Don't Let Nobody Turn You Around)
Written by Bobby Womack, Harold Payne, Damon Albarn and Richard Russell
Published by ABKCO Music, Inc. (BMI), Chrysalis Music Ltd, Copyright Control
Performed by Bobby Womack
Licensed courtesy of XL Recordings Ltd.
By arrangement with Beggars Group Media Ltd.
(p) 2012 XL Recordings Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Hội Thẩm Phán
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 414 714 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 278 491 $US
- 23 sept. 2012
- Montant brut mondial
- 41 037 742 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1