Dredd

Dredd is a simple action film with a simple premise that suffers from the legacy of a horrid 1995 Hollywood film adaptation to a British cult comic (2000 AD). It's a shame a sequel never saw the light of day, since Karl Urban was superb in his portrayal of Judge Dredd.

This definitely isn't one of those movies with a lot of character development, but its not your typical action flick either. This is a beautiful work of art with a lot of stylized violence, desolate alleys with shady characters and ill intentions. The grungy neon lights of a dystopian future, the scarlet blood and glimmering glass, the hauntingly beautiful slow motion, what makes this movie great is definitely the visual aspects.

Dredd himself is very one dimensional, forcedly so. Stern, analytical, gruff, his toughness masking a side of him the audience never actually gets to see. His character is described perfectly in the first few minutes by his new psychic apprentice, which is the last look you get inside of his head before its slammed shut. He is a man who takes his duty seriously to the point that it consumes him, defines him.

Ma-ma is sadistically brilliant. Her mob-style domination of peach tree creates a claustrophobic apprehension for a threat far too big to take on in a box far too small to escape. The terror by which she controls the people is believable and vicious. Whats lost in character development is regained by the subtle twisted moments and reactions to the threats imposed on each of the characters.

The psychic scenes were perhaps the most well done and paints a very nice psychological battle between the judge in training and her prisoner. I would've actually enjoyed more of these as they were very surreal and artistic. Its also cool to see the way she breaks him down even after he thinks he has the upper hand.

Slow mo, the drug this movie centers around, makes for some very awesome fight scenes on par with Sherlock Holmes 2: a Game of Shadows and the Matrix. The visual effects were very well executed and i myself being a visual effects artist, have only one complaint. At some points the blood was a bit oversaturated and toonish, which was likely in attempt to match the comic but draws away from a few scenes.

A gritty ride that jumps right in & doesn't stop. It's simple & effectively meets its goals of hyper violent suspenseful crime content. The world building is brief but immersive with dull colors except for the gorgeously shot intoxication scenes.

In a dystopian future, the world is devastated. Judge Dredd (Karl Urban) is the last word in Law & Order within Mega-City One. Judge Cassandra Anderson (Olivia Thirlby) is his junior partner. They are battling drug lord Ma-Ma (Lena Headey) who is operating out of a massive apartment block.

The previous version of Judge Dredd (1995) starring Sly is a campy affair. Consider that it had Rob Schneider in it. 'nuff said. This one brings us into the comics once again but this time, they drop the camp. It is well written probably because they had Alex Garland who also wrote 28 Days Later... and Sunshine among others. Karl Urban is not as imposing as Sly but he does a solid job. Most importantly, he's not impersonating Sly. Olivia Thirlby is great as a foil or conscience to Dredd. Their relationship is the heart of the movie. Lena Headey does a good job as the baddie. It's an interesting unusual choice. It's certainly not your average muscle bound villain.

I did have 2 problems. First, Slo-Mo happens too many times. The first couple of times are interesting. I'm sure it's cool 3D fun, but even that would get tiresome. It's a balancing act between pace and cool and the climax needs pace more than cool. Second problem is the ending. The final fight with Lena Headey is not as climatic as needed. It's a bit of a letdown. Overall, this is super-fun despite the minor problems.

DREDD is the second adaptation of the cult comic book series Judge Dredd, following on from a poorly-received Stallone flick in the '90s (for the record, I thought that version was passable but weak in places, as is the case with a lot of mid-'90s cinema). This one's a lot more gutsy and compelling, thanks to the lean script and emphasis throughout on bloody action and adult entertainment. No pandering to the teenage crowd here.

Karl Urban, long since a favourite of mine (since his excellent turn as the Russian assassin in THE BOURNE SUPREMACY) headlines as Dredd, never taking his helmet off throughout the film. Thus he's reduced to acting via his chin and gravely voice, and the surprise is that it works, to a degree. The helmet serves to distance the viewer from warming to the character, but then that's the point. I did like him though, and enjoyed his totalitarian attitude towards keeping crime off the streets.

Many reviewers have commented on the movie's similarity in plot to the Indonesian action epic THE RAID, and it's clear the two films share plenty. However, I think there's space for both of them in the market; DREDD is an unashamed shoot-em-up while THE RAID is an unashamed martial arts movie. They cater to different markets, and both are equally good.

DREDD's grim, claustrophobic setting is a strong one (bringing to mind the likes of '80s nihilist cinema like TENEMENT and DEATH WISH 3) and the action never lets up from start to finish. The scene with the huge guns is the stand-out, of course, but there's plenty of good minor stuff along the way, where encounters between Dredd and various bad guys are well directed and choreographed. Lena Headey's villain is utterly imposing and my only disappointment was with the ultra-slow-motion sequences, which are a bit pretentious and overused; thankfully they virtually disappear once the novelty wears off. I watched the 3D version of this movie, and while it's not the most visually impressive 3D film I've seen, it does make the film feel more immersive as a whole.