Millénium 3 : La Reine dans le palais des courants d'air
Titre original : Luftslottet som sprängdes
- 2009
- Tous publics
- 2h 27min
NOTE IMDb
7,3/10
76 k
MA NOTE
Lisbeth est en convalescence à l'hôpital et attend son procès pour trois meurtres. Mikael doit prouver son innocence, mais Lisbeth va devoir accepter de partager les détails de ses expérienc... Tout lireLisbeth est en convalescence à l'hôpital et attend son procès pour trois meurtres. Mikael doit prouver son innocence, mais Lisbeth va devoir accepter de partager les détails de ses expériences sordides avec le tribunal.Lisbeth est en convalescence à l'hôpital et attend son procès pour trois meurtres. Mikael doit prouver son innocence, mais Lisbeth va devoir accepter de partager les détails de ses expériences sordides avec le tribunal.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Sofia Papadimitriou Ledarp
- Malin Erikson
- (as Sofia Ledarp)
Anders Ahlbom Rosendahl
- Dr. Peter Teleborian
- (as Anders Ahlbom)
Micke Spreitz
- Ronald Niederman
- (as Mikael Spreitz)
Avis à la une
The Girl Who Kicked the Hornet's Nest (2009)
Made to the same high technical standards as the other two in the trilogy, this final installment continues along the same lines without flagging.
And that's the problem. After five hours previously, and already weary of the complex plot and some repeating strains, we have this two plus hours of more of the same. It is never bad, it is often good, but enough is enough.
And the leading forces in the events, the couple who cemented the magic of the first movie (which is quite good), are in this one less than ever. So if you love Noomi Rapace as the "girl" int he title, you'll see almost nothing of her, and in much of it before the semi-exciting climax she is sitting in a courtroom or in a car. That is, nothing much happens. In fact, much of the movie is a matter of wrapping things up--for two hours straight. And the brooding insistence of Michael Nyqvist is here on and off, reminding us how we need more of him, too.
If you are total fan I think you'll enjoy parts of the movie enough to make it worthwhile, but if you're someone like me who flagged in the second movie you'll be better of skipping this third one. If you need to know what happened, read the plot summary on wikipedia. Or I hear the books, which are long, are much more consistently engaging. The movie-making here, the photography and editing, and even the acting, is on a very high plane, so don't get me wrong there. It's just the story that is increasingly redundant and nuanced out of normal engagement.
Oh--and if you haven't seen the other two, don't even think of watching this one. It will make little sense on its own.
Made to the same high technical standards as the other two in the trilogy, this final installment continues along the same lines without flagging.
And that's the problem. After five hours previously, and already weary of the complex plot and some repeating strains, we have this two plus hours of more of the same. It is never bad, it is often good, but enough is enough.
And the leading forces in the events, the couple who cemented the magic of the first movie (which is quite good), are in this one less than ever. So if you love Noomi Rapace as the "girl" int he title, you'll see almost nothing of her, and in much of it before the semi-exciting climax she is sitting in a courtroom or in a car. That is, nothing much happens. In fact, much of the movie is a matter of wrapping things up--for two hours straight. And the brooding insistence of Michael Nyqvist is here on and off, reminding us how we need more of him, too.
If you are total fan I think you'll enjoy parts of the movie enough to make it worthwhile, but if you're someone like me who flagged in the second movie you'll be better of skipping this third one. If you need to know what happened, read the plot summary on wikipedia. Or I hear the books, which are long, are much more consistently engaging. The movie-making here, the photography and editing, and even the acting, is on a very high plane, so don't get me wrong there. It's just the story that is increasingly redundant and nuanced out of normal engagement.
Oh--and if you haven't seen the other two, don't even think of watching this one. It will make little sense on its own.
The final instalment in the series and, I have to say it was worth the wait, I watched the two previous instalments and was left with excitement and anticipation for the third. This final instalment did not disappoint it had me gripped from beginning to end with some real tense scenes and excellent dialogue between the characters, interspersed with scenes of chilling realism and tense action. This film sums up for me what Hollywood has lacked for......well years, in that special effects and action sequences although entertaining (barely) do not work unless they actually have a story that is both engrossing and also contains actors that grab you and bring you into the film. Anyway before I get on a rant this film and the whole trilogy are worth watching and I can't recommend them enough.
Perspective: I am 25, Danish (thus understanding Swedish) and have not read the books.
The final movie covering Stieg Larssons Millennium trilogy ties all the pieces together and explains the deeper reasons for Lisbeth Salanders unreasonable treatment by society.
Compared to its predecessors, I found the first movie highly gripping for its unique roughness and interesting characters, while the sequel didn't really catch me due to a plain storyline and little creativity. This movie however is back on track, keeping a good pace of events and complexity.
If you have already followed Salander and Blomkvist during the previous books/movies, you will surely enjoy watching how the conspiracy is being unraveled through intense investigations and court trials. You will experience how the opposition crumble beneath Salander and Blomkvists combined efforts at exposing and confronting the deeper reasons for Salanders struggles, and how they piece the puzzle together to clear her name and taking down the shady factions of society.
The movie has a nice level of well thought out detail, but also a several logical breaches. You leave the cinema with a feeling of wanting to know much more about how the initial conspiracy evolved and how parts of the investigation (not involving the key characters) is carried out. This is likely due to the dept of Stieg Larssons books, being impossible to portrait in just 150 swift minutes. This may eventually be a teaser lurking me into reading the books.
The final movie covering Stieg Larssons Millennium trilogy ties all the pieces together and explains the deeper reasons for Lisbeth Salanders unreasonable treatment by society.
Compared to its predecessors, I found the first movie highly gripping for its unique roughness and interesting characters, while the sequel didn't really catch me due to a plain storyline and little creativity. This movie however is back on track, keeping a good pace of events and complexity.
If you have already followed Salander and Blomkvist during the previous books/movies, you will surely enjoy watching how the conspiracy is being unraveled through intense investigations and court trials. You will experience how the opposition crumble beneath Salander and Blomkvists combined efforts at exposing and confronting the deeper reasons for Salanders struggles, and how they piece the puzzle together to clear her name and taking down the shady factions of society.
The movie has a nice level of well thought out detail, but also a several logical breaches. You leave the cinema with a feeling of wanting to know much more about how the initial conspiracy evolved and how parts of the investigation (not involving the key characters) is carried out. This is likely due to the dept of Stieg Larssons books, being impossible to portrait in just 150 swift minutes. This may eventually be a teaser lurking me into reading the books.
The final film in the Millennium Trilogy and what a great film is it, right up there with it's precursors.
We learn even more about Lisbeth's, hidden organisations, and how everything is linked. The pieces of the puzzle come together, and I felt the film explained almost everything pretty cleverly, though this does involve some concentration from the viewer, because some of the links are not emphasised that well and maybe can be missed.
This is more similar to the first one, in the style of directing and also the ruthless reporting is back. Less action than the first, but no less enthralling for it. There is a lot of tension in this movie, and it made for compulsive viewing.
These three films have turned me more onto more modern Swedish Cinema. I was always a fan of Bergman and I have seen a few movies over the last few years from there, but this makes me want to keep a closer eye on the Swedish Film Making Industry. Great success guys, I look forward to seeing much more cinema from Sweden. Now I will read the books.
9/10 Excellent
We learn even more about Lisbeth's, hidden organisations, and how everything is linked. The pieces of the puzzle come together, and I felt the film explained almost everything pretty cleverly, though this does involve some concentration from the viewer, because some of the links are not emphasised that well and maybe can be missed.
This is more similar to the first one, in the style of directing and also the ruthless reporting is back. Less action than the first, but no less enthralling for it. There is a lot of tension in this movie, and it made for compulsive viewing.
These three films have turned me more onto more modern Swedish Cinema. I was always a fan of Bergman and I have seen a few movies over the last few years from there, but this makes me want to keep a closer eye on the Swedish Film Making Industry. Great success guys, I look forward to seeing much more cinema from Sweden. Now I will read the books.
9/10 Excellent
After watching Hornet's Nest, you'll want to go back to Dragon Tattoo and experience all three films again in sequence. Like coming to the end of an exceptional book, you'll hope for more, surely another way to eke out a Lisbeth Salander film to enjoy. She has become with this trilogy one of the strongest female characters in 21st century film. No wonder actresses were battling to play her--she is the equivalent to Jason Bourne in any regard. (I can't imagine Hollywood doing a better job of these films--can you?)
I believe Hornet's Nest is best of the bunch. Salander is cornered, in hospital and under arrest, in danger of being recommitted to the institution that held her under guardianship. Despite her uncommunicative nature, Salander has friends, true friends who'll stick their necks out to protect her. But Salander is always willing to fight for herself, and she finds ways to do battle.
Hornet's Nest gives us a better film than the other in terms of suspense and dramatic flow. The pieces assemble, the foes are distinguished from the good guys, there is conflict and threat launched in surprising ways. Of the three, Hornet's Nest is the most suspenseful and best executed of the films in my opinion, a superb finish to a wonderful series.
Excuse me while I start reading the books.
I believe Hornet's Nest is best of the bunch. Salander is cornered, in hospital and under arrest, in danger of being recommitted to the institution that held her under guardianship. Despite her uncommunicative nature, Salander has friends, true friends who'll stick their necks out to protect her. But Salander is always willing to fight for herself, and she finds ways to do battle.
Hornet's Nest gives us a better film than the other in terms of suspense and dramatic flow. The pieces assemble, the foes are distinguished from the good guys, there is conflict and threat launched in surprising ways. Of the three, Hornet's Nest is the most suspenseful and best executed of the films in my opinion, a superb finish to a wonderful series.
Excuse me while I start reading the books.
Who Was Almost 'The Girl with the Dragon Tattoo'?
Who Was Almost 'The Girl with the Dragon Tattoo'?
Lisbeth Salander has been played by three different actresses, including Clarie Foy in the newest version of the film The Girl in the Spider's Web. Who else was up for the role?
Le saviez-vous
- AnecdotesShot at the same time as Millénium 2 : La Fille qui rêvait d'un bidon d'essence et d'une allumette (2009).
- GaffesIt is not explained how Lisbeth knows that the MC-gang wants to kill Niedermann. She has not witnessed the controversy between Niedermann and the bikers.
- Versions alternativesThere are two different versions, available: the theatrical release, 2 hr 27 min (147 min) and an extended cut, 3 hr 5 min (185 min) (TV).
- ConnexionsEdited into Millénium (2010)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Millennium 3: La reina en el palacio de las corrientes de aire
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 5 190 196 $US
- Week-end de sortie aux États-Unis et au Canada
- 881 737 $US
- 31 oct. 2010
- Montant brut mondial
- 44 276 335 $US
- Durée2 heures 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Millénium 3 : La Reine dans le palais des courants d'air (2009) officially released in India in English?
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