Millénium 3 : La Reine dans le palais des courants d'air
Titre original : Luftslottet som sprängdes
- 2009
- Tous publics
- 2h 27min
NOTE IMDb
7,3/10
76 k
MA NOTE
Lisbeth est en convalescence à l'hôpital et attend son procès pour trois meurtres. Mikael doit prouver son innocence, mais Lisbeth va devoir accepter de partager les détails de ses expérienc... Tout lireLisbeth est en convalescence à l'hôpital et attend son procès pour trois meurtres. Mikael doit prouver son innocence, mais Lisbeth va devoir accepter de partager les détails de ses expériences sordides avec le tribunal.Lisbeth est en convalescence à l'hôpital et attend son procès pour trois meurtres. Mikael doit prouver son innocence, mais Lisbeth va devoir accepter de partager les détails de ses expériences sordides avec le tribunal.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Sofia Papadimitriou Ledarp
- Malin Erikson
- (as Sofia Ledarp)
Anders Ahlbom Rosendahl
- Dr. Peter Teleborian
- (as Anders Ahlbom)
Micke Spreitz
- Ronald Niederman
- (as Mikael Spreitz)
Avis à la une
Perspective: I am 25, Danish (thus understanding Swedish) and have not read the books.
The final movie covering Stieg Larssons Millennium trilogy ties all the pieces together and explains the deeper reasons for Lisbeth Salanders unreasonable treatment by society.
Compared to its predecessors, I found the first movie highly gripping for its unique roughness and interesting characters, while the sequel didn't really catch me due to a plain storyline and little creativity. This movie however is back on track, keeping a good pace of events and complexity.
If you have already followed Salander and Blomkvist during the previous books/movies, you will surely enjoy watching how the conspiracy is being unraveled through intense investigations and court trials. You will experience how the opposition crumble beneath Salander and Blomkvists combined efforts at exposing and confronting the deeper reasons for Salanders struggles, and how they piece the puzzle together to clear her name and taking down the shady factions of society.
The movie has a nice level of well thought out detail, but also a several logical breaches. You leave the cinema with a feeling of wanting to know much more about how the initial conspiracy evolved and how parts of the investigation (not involving the key characters) is carried out. This is likely due to the dept of Stieg Larssons books, being impossible to portrait in just 150 swift minutes. This may eventually be a teaser lurking me into reading the books.
The final movie covering Stieg Larssons Millennium trilogy ties all the pieces together and explains the deeper reasons for Lisbeth Salanders unreasonable treatment by society.
Compared to its predecessors, I found the first movie highly gripping for its unique roughness and interesting characters, while the sequel didn't really catch me due to a plain storyline and little creativity. This movie however is back on track, keeping a good pace of events and complexity.
If you have already followed Salander and Blomkvist during the previous books/movies, you will surely enjoy watching how the conspiracy is being unraveled through intense investigations and court trials. You will experience how the opposition crumble beneath Salander and Blomkvists combined efforts at exposing and confronting the deeper reasons for Salanders struggles, and how they piece the puzzle together to clear her name and taking down the shady factions of society.
The movie has a nice level of well thought out detail, but also a several logical breaches. You leave the cinema with a feeling of wanting to know much more about how the initial conspiracy evolved and how parts of the investigation (not involving the key characters) is carried out. This is likely due to the dept of Stieg Larssons books, being impossible to portrait in just 150 swift minutes. This may eventually be a teaser lurking me into reading the books.
Excellent! In my opinion, maybe the best of the three installments of the 'Millenium' trilogy. I tend to disagree with Mr. Berardinelli's review in calling this 'an abject failure as a stand-alone motion picture', simply because it was never supposed to be a stand-alone motion picture. In Sweden, this was just part 5 and 6 of a TV Miniseries, and for being that it is excellent! My compliments to the Director, the writer and the entire cast.
Like Ebert, I also hope they manage to complete the 2 unfinished scripts by Stieg Larsson thus giving us parts 4 and 5 of this Saga. I will definitely be looking forward to it, both as books and movies!
Like Ebert, I also hope they manage to complete the 2 unfinished scripts by Stieg Larsson thus giving us parts 4 and 5 of this Saga. I will definitely be looking forward to it, both as books and movies!
The final instalment in the series and, I have to say it was worth the wait, I watched the two previous instalments and was left with excitement and anticipation for the third. This final instalment did not disappoint it had me gripped from beginning to end with some real tense scenes and excellent dialogue between the characters, interspersed with scenes of chilling realism and tense action. This film sums up for me what Hollywood has lacked for......well years, in that special effects and action sequences although entertaining (barely) do not work unless they actually have a story that is both engrossing and also contains actors that grab you and bring you into the film. Anyway before I get on a rant this film and the whole trilogy are worth watching and I can't recommend them enough.
I will not call this a third part in the Millennium series, since it starts exactly where The Girl Who Played with Fire left off and continues with the same story. However, if the first film was a classic mystery thriller and the second film was more of an action thriller, The Girl Who Kicked the Hornets Nest goes in the direction of a political thriller. Spies, government agencies, covert operations, etc. It successfully explains things and closes all avenues opened by the first two films.
I have to say that I felt the movie both unreal and gratifying. Trained with US films about shadow agencies that kill anyone stand in their way, I found the Swedish counterparts meek and overly cautious. But what version is the more realistic one, I have no idea. So, yes, it felt strangely different from American thrillers, but it also made sense. Clearly it has a refreshing point of view on the matter.
Bottom line: I guess there is little purpose in watching this film and not watch the other two preceding it in the trilogy. And since you liked the other two, you should see this one as well. I enjoyed it, it explained everything that was left unexplained and everybody got their share. Of course, there is still room for another Micke and Lisbeth story, but clearly with a new plot.
I have to say that I felt the movie both unreal and gratifying. Trained with US films about shadow agencies that kill anyone stand in their way, I found the Swedish counterparts meek and overly cautious. But what version is the more realistic one, I have no idea. So, yes, it felt strangely different from American thrillers, but it also made sense. Clearly it has a refreshing point of view on the matter.
Bottom line: I guess there is little purpose in watching this film and not watch the other two preceding it in the trilogy. And since you liked the other two, you should see this one as well. I enjoyed it, it explained everything that was left unexplained and everybody got their share. Of course, there is still room for another Micke and Lisbeth story, but clearly with a new plot.
The final film in the Millennium Trilogy and what a great film is it, right up there with it's precursors.
We learn even more about Lisbeth's, hidden organisations, and how everything is linked. The pieces of the puzzle come together, and I felt the film explained almost everything pretty cleverly, though this does involve some concentration from the viewer, because some of the links are not emphasised that well and maybe can be missed.
This is more similar to the first one, in the style of directing and also the ruthless reporting is back. Less action than the first, but no less enthralling for it. There is a lot of tension in this movie, and it made for compulsive viewing.
These three films have turned me more onto more modern Swedish Cinema. I was always a fan of Bergman and I have seen a few movies over the last few years from there, but this makes me want to keep a closer eye on the Swedish Film Making Industry. Great success guys, I look forward to seeing much more cinema from Sweden. Now I will read the books.
9/10 Excellent
We learn even more about Lisbeth's, hidden organisations, and how everything is linked. The pieces of the puzzle come together, and I felt the film explained almost everything pretty cleverly, though this does involve some concentration from the viewer, because some of the links are not emphasised that well and maybe can be missed.
This is more similar to the first one, in the style of directing and also the ruthless reporting is back. Less action than the first, but no less enthralling for it. There is a lot of tension in this movie, and it made for compulsive viewing.
These three films have turned me more onto more modern Swedish Cinema. I was always a fan of Bergman and I have seen a few movies over the last few years from there, but this makes me want to keep a closer eye on the Swedish Film Making Industry. Great success guys, I look forward to seeing much more cinema from Sweden. Now I will read the books.
9/10 Excellent
Who Was Almost 'The Girl with the Dragon Tattoo'?
Who Was Almost 'The Girl with the Dragon Tattoo'?
Lisbeth Salander has been played by three different actresses, including Clarie Foy in the newest version of the film The Girl in the Spider's Web. Who else was up for the role?
Le saviez-vous
- AnecdotesShot at the same time as Millénium 2 : La Fille qui rêvait d'un bidon d'essence et d'une allumette (2009).
- GaffesIt is not explained how Lisbeth knows that the MC-gang wants to kill Niedermann. She has not witnessed the controversy between Niedermann and the bikers.
- Versions alternativesThere are two different versions, available: the theatrical release, 2 hr 27 min (147 min) and an extended cut, 3 hr 5 min (185 min) (TV).
- ConnexionsEdited into Millénium (2010)
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Millennium 3: La reina en el palacio de las corrientes de aire
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 5 190 196 $US
- Week-end de sortie aux États-Unis et au Canada
- 881 737 $US
- 31 oct. 2010
- Montant brut mondial
- 44 276 335 $US
- Durée2 heures 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Millénium 3 : La Reine dans le palais des courants d'air (2009) officially released in India in English?
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