Absolute Evil

This is simply a beautiful film to watch. The characters are all believable and the story is true love equates redemption. David Carradine is spectacular and I left the film wanting more of him. The 2 leads, unknowns, will not remain unknown for long. The chemistry between the two was palpable. Caroyn Neff,lovely and petulant at times works her favor upon Rusty Joiner and I actually wondered if these two were an item. There is a "montgomery Cliff" type of sadness that Joiner brings to the genre and I actually felt as though I needed to embrace him...He is easy on the eyes in a Brad Pitt way, as well. Ulli Lommel's cameo sets the record straight that the man still has it. I'd love to see him star in a film. There is a screen presence that is stellar. He plays an aging hit-man with conviction and just a hint of tongue in cheek attitude. I will certainly buy this film when released, but I am hoping to see it again on the big screen here in the U.S. Anyone who his loved and lost cannot help but identify with this film.

What a pathetic excuse for a film. Ulli Lommel is infamous for his zero-budget slasher flicks, so incompetently made that even Aunt Martha's home movies look like Kurosawa, but with this abomination Lommel really hit rock bottom. The script and dialog is nonsensical and ridiculous and the "photography" doesn't deserve to be called that (just put the camera in a corner on auto setting, push record and pray for the best). Seeing other "reviewers" compare it to Fassbinder is a joke. It is obvious that the persons responsible for this laughable excuse for a movie have absolutely zero clue about film-making, framing, acting, writing, structure or taste. To be avoided at all cost.

Absolute Evil is Carradine's best film since Kill Bill. And that is strange, because Absolute Evil is very much along the lines of Tarentino's narrative. The good becomes the bad and the bad turns good. Evil is a complex force in this fascinating twist of film noir and horror film and suspense thriller. The film itself is a love declaration to the horror genre, and pumps new life in it. And Ulli Lommel, who also wrote and directed, is terrific as the Private Eye that tortures a killer. The film is short and sweet. 80 minutes of inspired suspense, and a total departure from Lommel's previous low-budget true-crime horror flicks.

I saw "Absolute Evil' at Berlin International Film Festival in Zoo Palast theater. The premiere and the next screening of the movie were sold out and it's one of the biggest theaters - if not the biggest - in Berlin. It had a great review on a German magazine so I wanted to see it and I was lucky enough to get the ticket.

"Absolute Evil' is simply the best film Ulli Lommel has made since 1980s. And the important thing is that it proofs that the director still has his talent after all these serial killer movies and everything.

The movie tells a story about Savannah (Carolyn Neff) who's boyfriend Cooper (Rusty Joiner) gets killed after she finds out who Cooper really is. She wants to find out the killer of Cooper, and things leads to the old leader of 17th street gang, Raf (David Carradine). I don't want to tell too much about the movie, so that's all I say about the story.

There is some great performances by the actors. Neff is beautiful, believable and good in her first big film role, Joiner gives a touching performance and the "old stars" Christopher Kriesa, Ulli Lommel and David Carradine are as good as always. It's nice to see that Carradine has made at least one good movie after "Kill Bill" films.

It's a must see and it was b-e-a-u-t-i-f-u-l on the big screen in a theater with 1,000 people.

After being caged in a Lionsgate Serial Killer Contract for more than two Years exiled German Indie Cult Director Ulli Lommel is back at his best. At the Berlin film festival he premiered and succeeded with the audience, but , as I experienced at a press screening, led also into a real controversy..Love is not colder than death,, because Death is not cool anymore. Sure Lommels new Flic is a hell of a genre mix of film noir, road movie and western with a lot of violence and torture, sure it's still a Lommel with its unique style somewhere between indie and big screen movie, but he's changing the subject. of a modern thriller. Before there were innocents who became bad, or villains, who couldn't cope with their past. But for the very first time, without playing on one's heart strings. Love and Forgiveness are presented as a solution in this deeply violent story . Maybe this alienates, because viewing habits are going to be mixed up, but you can't cheer Obama and enjoy ego shooters at the same time. Lommels Absolute Evil is more a vision for the next 40 years than a reminiscence to Love is colder than death from 1969. And to all you critics who won't understand now: You buried Fassbinder in a Museum , but you're afraid of Lommel, because he is alive!