NOTE IMDb
7,0/10
3,8 k
MA NOTE
Ajouter une intrigue dans votre langueA glue-sniffing boy and his girlfriend escape the government-controlled no-hope Aboriginal community they live in and go to the city, Alice Springs, looking for a better life.A glue-sniffing boy and his girlfriend escape the government-controlled no-hope Aboriginal community they live in and go to the city, Alice Springs, looking for a better life.A glue-sniffing boy and his girlfriend escape the government-controlled no-hope Aboriginal community they live in and go to the city, Alice Springs, looking for a better life.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 22 victoires et 14 nominations au total
Mitjili Napanangka Gibson
- Nana
- (as Mitjili Gibson)
Matthew Gibson
- Samson's Brother
- (as Matthew 'MG' Gibson)
- …
Noreen Robertson Nampijinpa
- Community Lady
- (as Noreen Robertson)
Kenrick Martin
- Wheelchair Boy
- (as Kenrick 'Ricco' Martin)
Avis à la une
10manjits
Don't go by the fact, it's an Australian film made by a virtually unknown aboriginal writer-director-cinematographer Warwick Thornton on a shoestring budget with untrained first-time actors. "Samson and Delilah" is a movie Robert Bresson, Ingmar Bergman, Werner Herzog or Federico Fellini would have been proud of at the pinnacle of their glory. (And in the true Australian tradition, the next movie by Warwick Thornton may turn out to be a total dud – whatever happened to Stephan Elliott? – but I hope not.)
It's made in the austere style of minimalist emotions pioneered by Bresson in 1950s and 60s. There is no background music, other than a few recordings the two characters listen to on radio or tape; and hardly any dialogues (the two 14-year old aboriginal protagonists don't exchange a single word throughout the film).
Getting bored? Don't be. It's a profoundly touching and satisfying art film, the like of which we have not seen too many in the history of world cinema. It would easily be in my personal top-50 best movies of all times. However, if the best of Robert Bresson, Ingmar Bergman, Werner Herzog and Federico Fellini bore you, then please don't bother.
It's made in the austere style of minimalist emotions pioneered by Bresson in 1950s and 60s. There is no background music, other than a few recordings the two characters listen to on radio or tape; and hardly any dialogues (the two 14-year old aboriginal protagonists don't exchange a single word throughout the film).
Getting bored? Don't be. It's a profoundly touching and satisfying art film, the like of which we have not seen too many in the history of world cinema. It would easily be in my personal top-50 best movies of all times. However, if the best of Robert Bresson, Ingmar Bergman, Werner Herzog and Federico Fellini bore you, then please don't bother.
As an Australian and someone who loves stories that feel raw and authentic, Samson and Delilah left a real impression on me. It's a tough film to watch, but that's exactly why it works, it doesn't sugarcoat anything. Warwick Thornton has done an incredible job of capturing the isolation, struggles, and resilience of life in remote Indigenous communities.
The performances by Rowan McNamara and Marissa Gibson are remarkable, especially considering it was their first time acting. They say so much with so little dialogue, and that silence really makes you feel the weight of their lives. The cinematography is brilliant, showing the beauty of the land alongside the harsh reality of their circumstances.
But I do think the pacing dragged a bit in places, which made it harder to stay fully engaged. While the minimalism is powerful, at times it felt like the film needed just a bit more story to balance the heavy atmosphere.
That said, it's an important and beautifully made film that tells a story so many Australians don't really think about. It's confronting and heartbreaking, but it stays with you long after the credits roll. I'm glad I watched it, and I think it's the kind of film that everyone should see at least once.
The performances by Rowan McNamara and Marissa Gibson are remarkable, especially considering it was their first time acting. They say so much with so little dialogue, and that silence really makes you feel the weight of their lives. The cinematography is brilliant, showing the beauty of the land alongside the harsh reality of their circumstances.
But I do think the pacing dragged a bit in places, which made it harder to stay fully engaged. While the minimalism is powerful, at times it felt like the film needed just a bit more story to balance the heavy atmosphere.
That said, it's an important and beautifully made film that tells a story so many Australians don't really think about. It's confronting and heartbreaking, but it stays with you long after the credits roll. I'm glad I watched it, and I think it's the kind of film that everyone should see at least once.
A really good film showing the grim realities of Aboriginal life through the 'love-story' of Samson and Delilah.
What really impressed me with the film was the fact that both lead roles were played by amateurs. Both played their characters incredibly and (hopefully) have long and successful acting careers ahead of them.
Sure, there was little dialogue between them (Samson only says one word in the whole film) but to be honest as the film went on I grew to like this. Yes, you could argue that more dialogue would have developed their characters more, but by the end I had become comfortable with it and was glad that the director had taken this approach.
The cinematography is superb and the topic both harrowing and sad.
I scored the film an 8 because the last 10 minutes is basically romantic nonsense. Really the film should have finished at the car accident, but after a film that had so little light and positiveness then I can understand that it needed the solace that the 'romantic' ending gave it.
What really impressed me with the film was the fact that both lead roles were played by amateurs. Both played their characters incredibly and (hopefully) have long and successful acting careers ahead of them.
Sure, there was little dialogue between them (Samson only says one word in the whole film) but to be honest as the film went on I grew to like this. Yes, you could argue that more dialogue would have developed their characters more, but by the end I had become comfortable with it and was glad that the director had taken this approach.
The cinematography is superb and the topic both harrowing and sad.
I scored the film an 8 because the last 10 minutes is basically romantic nonsense. Really the film should have finished at the car accident, but after a film that had so little light and positiveness then I can understand that it needed the solace that the 'romantic' ending gave it.
This movie is one that demands something from the movie goer. It needs to grow on you slowly. The pace is slow and if the audience is patient and prepared to give something back to the film it will affect you. I found it repetitive at first but rather than switching off I stayed with it and was glad I did. The acting is excellent. It is not a movie for the feint hearted and it is depressing. It should be. It is a film about hopelessness. Its hard to like Samson yet there are moments he smiles and your heart goes out to him. Della is superb as is the old woman and the drunken man who lets them share his home. Films like this should be made as there is an honesty you rarely see, the film is not dogged by political correctness. There is a danger people will not feel compassion for the characters as they are not glamorous likable people. The more you allow the film to touch you and you open your heart and your mind you will feel great compassion and love.
Saw this at Cinema Nova in Carlton this afternoon..There was a lineup of 100 deep to get into the cinema, something I have never experienced before at Cinema Nova..The movie started and there was silence..around us and in the movie! Words weren't needed..Things we have read, things we have been told about, we watch unfold in front our eyes..Unflinching in in it's portrayal of a culture and people abandoned and victimized by us Australians..The movie itself is brilliant, but what message will we take away from it? Go to work tomorrow and discuss with people how brilliant it is? Have lunch/dinner with friends and rave on about it's searing truth? We were ready to help the people affected by "Black Saturday" so generously, but what about these people who need such a huge helping hand and who have been truly abandoned by us even though they are the original bearers of this great land of ours? Such fantastic pictures we paint of Australia, mate! Sunny, beaches, seafood, Opera House, the Harbour bridge etc..but for these people the reality is painfully far from all that..
Deeply affecting for me, I hope that everyone at the cinema today felt the same..As a nation, we need to galvanize ourselves so that we may save this important heritage from becoming completely extinct..But I fear many of us will shy away at the magnitude of the task ahead..It's a race of people we have hardly ever understood and so different that we steer clear..Yes, I have been one of those people who have looked at them with suspicion in stores, in super-markets, in restaurants and cafés etc..I have learned a few things today and hope I can help in some way..
Watch this please, it's an important movie with huge social implications for our society and for us as Australians..Too beautiful for words, Samson and Delilah will take your breath away
Deeply affecting for me, I hope that everyone at the cinema today felt the same..As a nation, we need to galvanize ourselves so that we may save this important heritage from becoming completely extinct..But I fear many of us will shy away at the magnitude of the task ahead..It's a race of people we have hardly ever understood and so different that we steer clear..Yes, I have been one of those people who have looked at them with suspicion in stores, in super-markets, in restaurants and cafés etc..I have learned a few things today and hope I can help in some way..
Watch this please, it's an important movie with huge social implications for our society and for us as Australians..Too beautiful for words, Samson and Delilah will take your breath away
Le saviez-vous
- AnecdotesWarwick Thornton cast his own brother Scott in the film as Gonzo, despite his sibling being an alcoholic since the age of 16. Thornton insisted that his brother go into rehab before starting on the movie. Scott managed to clean up for the film but relapsed back into alcoholism two weeks after shooting completed.
- ConnexionsFeatured in At the Movies: Cannes Film Festival 2009 (2009)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Samson & Delilah?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Samson & Delilah
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 2 528 731 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Samson et Delilah (2009) officially released in India in English?
Répondre