From Black

A Dark Song is one of the most surprising movies I've ever seen. Its intense atmospheric buildup, flawed characters, and absolutely beautiful cinematography draw you in, but the film's attention to detail and reverence for its subject matter are what truly stand out.

From Black is such an obvious ripoff of A Dark Song that it's embarrassing. From bits of score that seem ripped directly from the latter film, to poorly recreated scenes, to a nearly identical story it's more than clear what inspiration the filmmakers were drawing from. If this film had absolutely anything interesting to add to that concept, I would have been extremely interested to see where it went. But it doesn't. In fact, it's almost impressive how this film butchers every single aspect of its inspiration.

The beautiful scenic vistas of Ireland are replaced with drab, ugly views of Mississipi. The old house with so much character and detail is instead a boring modern build with white walls and bland dark wood. The lighting is universally bad, with overlit exteriors and incompetently simple keylights for anything on a set. All of that is bad, but the acting is truly what ruins this film. The delicate performances of A Dark Song really draw you to the characters, who start so harsh and guarded but slowly reveal more and more of what they're truly seeking.

At their core, both films are about broken mothers desperately desiring to see their children one last time. Except From Black is afraid to even commit to that. Cora expressed trepidation at every single step of the way, too afraid and completely unresolved to actually see the ritual through. Where we see the painstaking detail of the incantation in A Dark Song - a process almost impossible to master with months of work and heavy risks - the ritual in From Black seems all too easy, with our characters connecting almost instantly with the other side.

There is truly nothing about this film that succeeds at what it sets out to do. The atmosphere is cheap, the acting is awful, and the only major change from A Dark Song (which I won't spoil here) is a truly horrible deviation from the story that steals away any tiny bit of meaning or growth our character could have. Do yourself a favor and don't waste 90 minutes of your life. Just watch A Dark Song.

From Black (2023) is a movie that was released on Shudder last week. The storyline follows a woman who became a drug addict after her son mysteriously disappeared. As she is released from the clinic and begins adjusting to society she is approached by an individual who offers to tell her what happened to her son that day, but at what cost?

This movie is directed by Thomas Marchese (Fallen) and stars Anna Camp (Pitch Perfect), John Ales (Euphoria), Jennifer Lafleur (Nope) and Travis Hammer (Godless)

This is another one of those movies where nothing happens for over an hour into the movie. The storyline, acting and dialogue were all mediocre to bad. There's some scenes that were not needed at all (the baby daddy scene). I will say the first action scene was really good. The mask, makeup and costume of the villain was solid. As the movie progresses and the main character evolves, this ends up concluding better than it starts.

Overall, this is a very average addition to the horror genre with nothing new. I would score this a 3.5/10 and only recommend it to diehard horror enthusiasts.

Total rip off of A Dark Song with a little bit of "black Phillip" thrown in for good measure. I can't imagine copying another person's work,making a movie out of it and expecting praise for it. Sure, there are some differences but not enough to let me forget where the idea for this story came from. Even the creepy music was copied and it just wasn't that creepy here. Acting was just so-so and the make up was deplorable....junkies should look like junkies and a person should be sweating after battling a demon...not perfectly coiffed. I never once was scared or had even a jolt. Writer should be ashamed.

I was intrigued into watching this one by seeing the trailer for movie first. I am a seasoned horror fan. I have been watching horror films made from the 1920's till the present. I also watch foreign language horror films.

Occultism has taken a recent trend into mainstream and independent horror movies. I don't know what the agenda is, but films of this sort get me disturbed. Especially if the younger generation of moviegoers are watching these types of films.

This movie is about a drug-addicted mother who loses her young son while in a stupor. When she wakes up, her son is gone. Try as she might her son is never found.

Years later while in a group of similar people who are discussing their problems, a man approaches her and tells her that he knows a ritual that will bring her son back.

Desperate to get her son back at any cost the woman yields to all the man's terms. Watch the movie to see what happens next...

Verdict: the movie is not all that bad for a one-time viewing. The film held my attention through-out which is rare. The acting, photography, background-music and direction is professional. The special-effects though very meager are inspired from Clive Barker's Hellraiser. I loved the special effects however short they were in the film. This is the only plus point of the movie.

Movies like these definitely spawn a sequel and I won't be surprised if this one does. Shall I recommend another film similar to this? It's called Pumpkinhead(1988) directed by the legendary special-effects wizard Stan Winston(Predator, The Terminator, Aliens) and stars the legendary actor Lance Henriksen(Hard Target, The Nature Of The Beast, Johnny Handsome, Millennium TV Series).

I really like horror movies and liked the premise of this movie very much, but it could have been way better.

The directing and sets are good, the story is good, the soundtrack is good, the special effects are good, but....

I don't know if it's the writing or Anna Camp's acting, but at no point did I find her character believable. John Ales was really the stand-out actor is this movie, and even Jennifer Lafleur who played Anna's sister put on a good performance. Every time Anna had any dialog though, it just slapped me in the face and popped me out of the atmosphere.

Anna has a number of acting credits, so maybe it's the writing, but it just seemed like she was monotone and her emotions didn't seem reasonable, nor matched the dialog correctly.

It's funny, I only watched this movie with actors I never heard of because it was rated a whopping 9.0, but by the time I finished the movie it had already fallen to 4.5 which is a bit harsh. I would say this is what I expect from the low 6's.

The movie is worth watching because the premise of the movie is kind of cool, but don't expect too much. Honestly, this could have easily been more on the level of the movie Seven if they had some more seasoned actors, or possibly writers.