Rien à foutre

The lead actor played the role very well, but I didn't feel like the film was really going anywhere.

I cycle of scenes from planes, night clubs, hanging around the hotel/house.

It showed how empty and meaningless her life is. And highlighted how grim work can be at times.

In the end I loved the film. It starts off as a rather offputting look into the culture of a cheap airline. Cassandre seems willingly lost in a job she does not enjoy; at times the film seems almost a satire. Then slowly the focus shifts and the backstory of her escape becomes the main focus. She is still grieving a loss and unable to let go.

I love the authentic way the Adèle delivers the inner emotions of Cassandre. The moment when Cassandre fails to hold a 30 second smile in a corporate course; or the call with the mobile operator are simply touching.

Wow, what a fantastic, natural film of everyday life. It has the feel of a Belgium Mike Leigh film with the acting on the same par, and I imagine, a similar improvisation technique. The lead actor, who i have since seen was the youngest recipient of the Palme D'or, was amazing and gave such an outstanding performance. But, pretty much everyone was so believable it had an almost documentary feel. I'd ignore the ludicrous 1/10 marks as there are people who obviously have an ulterior motive. Maybe Michael O'Leary thought it was a little too close for comfort.

I'm really not sure why IMDB categorises this as both a drama and a "comedy". There are precious few laughs here.

Instead, we see the relentless grind of a low-end job in a budget airline, with sales targets and ever-present management oversight - not to mention the usual challenges of dealing with the passengers. There are "R&R" interludes of course but even some of these look pretty joyless, as will resonate with any business traveller who has been stuck for a few hours in a supposedly "exotic" location with nothing much to do. Maybe it's all scripted, but many of the rambling interchanges here sound amateurish and improvised - perhaps deliberately to emphasise the feeling?

Adele fortunately is charismatic enough to carry pretty much the whole film single-handedly, although some of the supporting players are not too bad either, and the exploration of the home life from which she has run away adds to the overall picture of aimlessness.

The ending is nicely balanced, I think, and can be read either way ... is she on the verge of achieving a dream, or just switching one kind of drifting for another? Sartre would empathise, I feel.

Worth a look.

This film about a young woman without any particular ambition working as a flight attendant was extremely real. It felt like a secret camera was just recording a month in the life of a few people working for the fictional Wing discount airline. The acting was terrific, and made the story feel completely believable.

I mostly enjoyed the aspects of the film that related to labor relations at her airline: how they pushed the cabin crew to be salespeople, underpaid them, & treated them like crap. There is a chance, here, for our main character to get involved with this storyline when she meets a picket line of her co-workers, but she waves off the union effort to improve conditions with a nihilistic, "nothing matters, nothing changes".

Our main character also has a chance to express something, to *do* something interesting around the death of her mother. But she doesn't. She keeps her pain bundled inside, as many of us do in the real world, and just carries on.

This character's life is boring because SHE is boring and lacks any compelling motivation. The film successfully illustrates that to the audience.

But being 100% "true-to-life" is NOT entertaining, unless the life in question is entertaining. There are millions of people in the world living non-ambitious lives worth repetitive jobs...and I don't want to watch a long-form film about each of them.

In this case, the writers and directors seem to have gone out of their way to illustrate how monotone this woman's life was. It is a symphony concert written with one note played over and over. It was "aggressively mundane", which is artistic, but *still* boring.