Günesi Gördüm

How the movie started, you expect a war movie. But it was not more then the reason for the consequences what could occur. Everything what could occur, only just one family suffered very much, at the cost of the trustworthiness. Leaving your homeland concerned all families and all other consequences were forced. Although this is not a political movie stones were thrown to politicians.

The casting was almost the same like in other films where Kurdish people are involved. Sometimes it is boring. In this movie the great actors were under their level. No facial emotions only physical presence. But shouting women were touching.

The name of the movie has been also explained. A minor issue cannot carry the title, it is misleading not because of director's creativity but the story is not set right. Who lives in Turkey knows a lot about this subject. This knowledge will fill in when it is not right. The intention will be understood.

Further, technical things are in conformity with standards.

"Günesi Gördüm" unfolded like a tapestry of emotions, weaving a tale of family, love, and the complexities of human connection. The acting was a standout, with performances that resonated with authenticity and depth. The film editing seamlessly navigated through timelines, creating a poignant narrative that unfolded with grace. The musical score, though not overpowering, complemented the storytelling, enhancing the emotional impact of pivotal scenes. The film's strength lay in its ability to capture the essence of Turkish culture and the intricacies of familial bonds. The cinematography beautifully depicted the landscapes of Istanbul, providing a visual feast for the audience. With a rating of 7/10, "Günesi Gördüm" is a testament to the power of storytelling, offering a heartfelt and nuanced exploration of the human experience.

Popular Turkish arabesque singer-songwriter turned actor-director Mahsun Kırmızıgül ("The White Angel") followed this sceptically received freshman melodrama with this equally sceptically received sophomore melodrama which topped the Turkish box office and took an unappreciated trip to the Academy Awards selection committee.

Davut (Altan Erkekli) and Ramo (Mahsun Kırmızıgül) head two wings of an extended Kurdish family forced from their village by the conflict in Turkey's south-eastern region with one resettling in Istanbul and the other attempting to illegally enter Norway as the driving force of this epic melodrama of interwoven story lines.

Mahsun Kırmızıgül remains true to his arabesque roots with a demagogic central performance whilst more stoic support comes from veteran character actor Altan Erkekli ("O... Çocuklari" & "Waiting for Heaven"), stunning starlet Demet Evgar ("Shattered Soul" & "Banyo") and Yeşilçam award-winning up-and-comer Cemal Toktaş ("Black Dogs Barking").

The emerging director still suffers from the excess of sentimentality that lead his debut film to box-office success and critical drubbing but here he has a wealth of story lines worthy of his didactic style as his cardboard characters espouse messages of tolerance to a sweeping musical score that even the most cynical can't help but be moved by.

"You rarely ever see the sun here."

I watched the movie yesterday and thought on it for a while. Let me share my humble opinion on some aspects of the movie. The story was crafted to make it as tragic as possible by putting problems of people who were forced to migrate in the focus and spicing it with social adaptation. While trying to point some problems like terror and the social pressure, the choices were too far from each other. If the story was focusing only on the migrating family, it could have been much better. The gay issue didn't fit the whole movie at all and it looks like a patch trying to gain sympathy. So, for the plot, it is over exaggerated tragedy. Acting is good, especially the main characters did a pretty good job. I am afraid, I can't be that positive for the directing and technical aspects. The fighting scene was very clumsy. Overall camera usage was pathetic. This movie is an Oscar candidate by now. I don't think it has the slightest chance. Although the movie is quite good in some aspects, it is far far away from being a classic or what so ever...

The film explains the truths about Turkey. Mahsun Kirimizigul is a singer in fact. And nearly half of the Turkish population thinks he is a caveman in Istanbul. But he is the best. He just does his work. He doesn't like magazines like another famous people. He just does his work and disappears.. But our citizen can't understand it. Mahsun knows much more things than the people who say him caveman.. That's OK i love him and his projects, his music, his personality although who whatever says..

Film is really good, you should watch if you are a smart and objective watcher. Thanks!