The Big Gay Musical

An off-Broadway musical-in-the-film vaudeville, the musical is called"Adam and Steve, Just the Way God Made Them", so the skeletal story, one could effortless divine is a blasphemous entertainment, aftr Adam and Eve failed to achieve what God's expectancy to blossom in the Eden (thanks to the forbidden fruit), he instead dabs in molding a gay couple, the new Adam and Steve, but the film has no consistence in promoting the musical, since its absolutely small- scale theater and its episodic occurrences only methodically adjusts itself to be the perfect foil in mirroring two leading actors' mundane lives, nevertheless the musical parts are arguably the redeeming features with a patchwork of the angelic dancing routines (the angel Dorothy is horridly over-the-top), corrective therapy to cure gayness and the Catholic kitsch sermons, which are partly insanely funny, partly inanely tedious.

There are no single ugly boys in the film, eye-candies are permeating, but the two leaders are considerably capable of doing more than just meet the eyes, Daniel Robinson gives an edge in his both physical movements and emotional thrust, (after a sudden and completely unexplained disappearance of his 3-weeks boyfriend, the once-believed-in-love boy decides to go wild), his rendition of "I WANNA BE A SLUT" is the crest of the entire film. Joey Dudding, who is dealing with the virgin coming-out cliché (with a bluff of HIV-panic), has his own moment in some strip- dancing solo presentation, but compared with Robinson's go-slutty transformation, his section has barely any praiseworthy flickering.

By and large the film is as kitschy as any of its peers, thinking it too much is plain pointless and it is a timely reminder of us to cherish the day.

This movie is superficial in every way possible. Characters completely undeveloped. Story non existent. As for the script, it's possible to hear more meaningful dialog between two drunks after 2:00am in the most looser laden gay dive than in this shallow attempt at a musical. Speaking of music, it's terrible in this "musical". It begins and ends as a meaningless parade of gay stereotypes and cliché plot points: Cue the promiscuous sex, AIDS panic, and familial redemption.

A few unsuccessful shots are taken at religion but with nothing more than over done makeup and southern accents they just fall flat. There's a lot of skin and sex between guys, which for porn might be enough but for a feature length "film" seems a little out of place since there is basically no established characters with any depth or a plot line with any interesting detours. It's possible to tell this story in a meaningful way and even put it too song. But this movie falls flat in every possible way, bad script, bad music, bad acting, and wistful Broadway type vocals. It's actually difficult to comment on this movie because it's barely worth the effort. Bottom line, when a movie doesn't give you any reason to care about anything or anyone in it then there's, nothing to see here. Move along...

I enjoyed this, and lord knows I didn't expect to. It's exactly what it says it is, a musical about being gay, stereotypes and all.

The premise is a show within a movie. The off-b'way musical in the movie maintains that god created adam and steve because he found adam and eve boring. Adam and steve are transported to modern times and have to deal with Christian guilt and self-hate. There's a lot of that. Maybe a tad too much.

The characters who play the leads in the musical have problems of their own, mirroring, to a degree, those of the characters they play. Well, one of them does, anyway. And, yes, the leads are gay stereotypes, as are most of the other characters in the movie.

But you know what? Stereotypes are based on truth. What that means is that the actors playing the stereotypical roles have to work a little harder to make the sell. I think they accomplish that in this movie.

The singing and dancing is all perfectly competent. The choreography blends a lot of trademark routines from hit shows of the last 40 years. It's kind of funny, actually. You just wish they had a slightly larger stage to work on.

Unlike the other reviewer here who hated the music and lyrics, I thought they were just fine. I found the songs pleasant, if not particularly memorable. So if you approach this not expecting Sondheim, you might find that aspect tolerable and maybe even entertaining. I did.

Plus the boys are all adorable.

Synopsis. It's a kinda cheesy gay movie with singing. Pretty much what the title reveals. What we do get extra is some serious topics and relatable situations that sometimes don't get the cheesy treatment and it's here what the movie is at it's best

Analysis: It's not a super serious movie. But more some something to enjoy without to much thinking (kind of like a Christmas movie.

Onto the story: Coming of age in New York City story with two main characters finding themselves and love

Dialogue: not bad, sometimes a bit unrealistic just to make a point come across

To close off, would I recommend this movie. Just especially for crowd that related to American shows and lifestyle. Not to most memorable film, but entertaining and easy on the eye with the attractive actors.

Superficial and stereotypical. No substance of any kind. Not up to date with the times. As someone else wrote. Move along. The musical numbers should never long and boring, especially in something billing itself a musical. Not what people want to see these days. When the acting is so-so, not the storyline indeed nothing can hold interest. Stereo types be it southern accents or whatever ... and such cannot save what could have been a worthwhile venture. If it had only sought to distinguish itself in some way that modern audience could relate to. That's not to say there is not a small niche audience. There clearly could be an audience for a collection of show tunes done by unknown or little known artists. But this would be quite small. Those expecting something truly 'big' will be disappointed? Too much emphasis on bodies and hook-ups moves any movie away from something to be taken seriously and into just an excuse to show these things. That is never a good thing to project to the serious movie going public. In a musical, singing and dancing should be first rate, the story should be engaging and if in fact it is based on cliché, at least it could be original in scope and context, not the same tired venues and story lines that someone would expect from similar projects 20 years ago. If you are looking for a musical that is significant to life in the 2000s, then you may better off looking elsewhere.