La femme qui habitait en face de la fille à la fenêtre

I usually like movies/miniseries that set a tone and then stick with it. But I would call "TWitHAtSFtGitW" (as I like to refer to it) an experiment in mixing tones: a dramatic murder-mystery thriller with an absurdist plot and big twist ending, and simultaneously a very sarcastic dark comedy with plenty of self-deprecating humor from the lead character, Ana, played by Kristen Bell. The supporting cast is really good, too, especially Tom Riley as the handsome yet suspicious neighbor, Mary Holland as Ana's nosey BFF and Cameron Britton as the odd but nevertheless polite family handyman. For the extreme commitment required of the players, especially Kristen, who owns every scene, both figuratively and literally, I give it an extra star: 7/10.

I'm seriously questioning the cognitive skills of some reviewers. This clearly is a parody of Lifetime like mysteries. It's supposed to be silly. The handyman and the BFF always stopping by are the funniest scenes. The fact that the silliness is portrayed so serious is the hook. Lighten up amateur " film critics.

Enjoyed this as a light hearted spoof of the psychological thriller genre. Lots of funny moments, not least the guy who's forever fixing the postbox.

Disengage your brain and be like Anna - pour yourself a bottle sized glass of wine and enjoy.

I'm loving it so far!! I watched the first 6 episodes in a day because I was so hooked!! Maybe I'll have a different opinion after the finale, but so far it's super entertaining and addicting.

I came for the title, stayed for the cheap thrills, and was amused by the dark side of murder. Well played by Kristen Bell as Anna, the grieving mother under the influence of mind bending medication and cheap red wine. When you are in that state of mind, you tend to gaze out the window and observe others living. But what Anna sees sends her into a whirlwind of paranoia, that takes us for a wild spin of deadly fun and games.

Perfect series for a brain dead night, without insulting your senses, as long as you are in on the gag. And great to see Michael Lehmann (director of my cult favorite, Heathers) back to his dark comedy roots.