Beyond Sherwood Forest

There are four reasons to watching this film-- the CGI were-dragon, Katherine Isabelle as Alina the were-dragon, the CGI wolf-lions, and Erica Durance as Marian. The were-dragon sequences are incredibly well done and very realistic. The creature's design is distinctive, with a body like a winged puma. The transformations are very well done, limited only by Katherine Isabelle's refusal to do more than bare her shoulders or back for scenes where she should be nude. The animators get around this fairly well although it is obviously the nude Alina at the beginning of the transformation is a Poserette. Katherine Isabelle, who played the title character from the GINGER SNAPS series, is great at playing troubled, distressed, terminally sad characters. She's right up her alley here. She really does steal the film with her portrayal of the tragic Alina. Okay, her refusal to do nude scenes did limit the filmmakers somewhat. In scenes where she is ostensibly nude and vulnerable, Miss Isabelle is only shown from the shoulders up. The filmmakers couldn't afford to pay for her usual body double? The lion-like wolves in "Beyond" section of Sherwood Forest are quite believable as well. They are a nicely executed hybrid of natural wolf and magical hell-beast. Their interaction with their would-be human victims is spot-on. Erica Durance..... anything from her post-Smallville debut is worth watching just for a chance to watch her. She gets a few action scenes in, either practicing on a helpless dummy or fighting the were-dragon Alina. And she looks great in a medieval pantsuit.

Bad points? Robin Dunne, Robin Dunne, and Robin Dunne. He was at best phoning in his performance. Apparently no one taught him how to believably fire an arrow. The few times you see him fire an arrow, it is obvious the arrow only flew a dozen feet before dropping to the floor.

All in all, there was no reason to call this "Robin Hood" aside from the chance to skip over explaining who these various characters were. Friar Tuck for example shows up, talks to Robin and Marian a little, then gets killed. By calling him "Friar Tuck" the filmmakers spared themselves the five minutes or so of screen time they'd've needed to set him up as an original character.

I have to say, I bought this film for two reasons after I stumbled upon it at a Silver Platters store. I am a self-professed Robin Hood junkie- every film adaption I can get my hands on, I willingly try to buy- ranging from the 1930's Errol Flynn version to the BBC series...I think I have about 10 different movie versions at the moment. Secondly, Erica Durance is in it as Marian and I absolutely loved her as Lois Lane on Smallville- she was everything in this that she is in Smallville: beautiful, feisty, spirited, yet compassionate. I have to say, I found this film very, very entertaining. Its not by any means an Oscar worthy movie with A-list acting and a Christopher Nolan script- but its entertainment value is endless, especially for a made-for-TV movie. I mean, come on, its Robin Hood vs. a dragon!? It's got adventure, romance, sci-fi, monsters, beautiful scenery, a fun cast- what's not to love? I thought the actors did a fine job, the special effects were good, and I thought the interplay between the characters was great- from the flirtation between Robin and Marian, to Little John complaining about being hungry, to the tense relationship between Robin and Will, to Alina's pleading to the unfeeling Malcolm. I think you have to give credit to the writer's too for creating a unique plot for such a frequently adapted tale; its definitely unlike any other Robin Hood adaption- it goes beyond (like the title) your typical rob-the-rich-to- feed-the-poor Robin Hood plot. They found a way to create a new twist and I really appreciate that about the film. Even the way Robin Hood questions himself (as do the other characters) is a bit different- in other adaptions, Robin usually has no qualms about what he's doing and is a bit roguish and cocky, and everyone is pleased with him, rather than angry with his provoking the monarchy. This Robin almost seeks approval in a way, while still maintaining those lovable snarky swashbuckler qualities. I have to say, Robin Dunne may be one of my favorite Robin Hood actors (and also one of the handsomest ;) )- up there with the likes of Richard Todd (the Disney live-action version), Errol Flynn, and Jonas Armstrong (of course, my opinion). So, if you are looking for just simple entertainment, this is for you. If you are expecting Inception or Gladiator- you will be disappointed.

Once upon a time, in 1174 England, a flying dragon attacked a man before turning into a young woman's belly. As a result, Robin Hood's father is killed near a giant blue circle in Sherwood Forest. Possibly thinking of the blue hole causes handsome Robin Dunne (as Robin Hood) to wake up a few years later. The flying dragon is still causing problems for Mr. Dunne, along with dastardly Julian Sands (as Malcolm). The dragon turns in and out of attractive Katharine Isabelle (as Alina), probably due to a curse. Erica Durance (as Maid Marian) is also pretty...

This story, courtesy of actor-turned-director Peter DeLuise and Syfy Channel fantasy writer Chase Parker, is sometimes difficult to comprehend. The cast is very good looking and adding a dragon to the Robin Hood mythos is an interesting idea. We can't determine much about the giant blue hole. It could be the threshold to dragon world. We do know Dunne keeps the most perfectly trimmed beard in Sherwood Forest. And, everyone has excellent eye make-up. Modern eye make-up really counts for something, especially during the Middle Ages.

**** Robin Hood: Beyond Sherwood (11/24/09) Peter DeLuise ~ Robin Dunne, Erica Durance, Julian Sands, Katharine Isabelle

The SyFy channel go all-out with fantasy nonsense for this virtually unwatchable Robin Hood epic. Like those dodgy Asylum films that came out a few years ago that had Sherlock Holmes fighting octopi and the like, BEYOND SHERWOOD FOREST takes a very loose grasp of the original legend and turns it into something completely unfamiliar - and, unfortunately, very bad indeed.

You know the film's off to a bad start when we're subjected to silly portals in the woods and a lame CGI dragon that looks like it's come from a computer game, but that's just the beginning of the problems. The worst thing about the film by far is the acting; the likes of Robin Dunne (as Robin Hood) and Erica Durance (Maid Marian) are astonishingly poor and some of the supporting cast were even worse. The worst thing about the acting? Those accents, which grated on my ear throughout. It doesn't help that the dialogue is reduced to the level of "Prithee, fair maiden" type nonsense.

The film muddles along, throwing in some half-hearted romance and plenty of scenes that copy the likes of ROBIN HOOD: PRINCE OF THIEVES, with Julian Sands delivering another hammy turn as the villain of the piece. Then, thankfully, it's over, and I couldn't be happier because the only thing truly monstrous about this production is that horrible CGI.

I don't have any new Simon Cowell to add, so I'll only go into depth about what was good about this film: not a whole heck of a lot, but it was batting 1.000 when the guy came up with the idea. (I'm really interested in this genre since Origin Systems stopped producing Ultima) That idea was that a young woman who comes from another world (a murky one at that!) is somehow cursed for breaking a law and spends part of her day as a winged monster. A cynical government-actor captures her to use her as a weapon. This story is woven into a Robin Hood one. (How that last part works, I don't know, but I guess someone else does.) Unfortunately, the movie kept putting me to sleep (figuratively) so I missed some of the finer points of the plot.

The acting and English accents have a serious credibility problem, the dialogue isn't exactly chancy, and sometimes the seams show on the CGI. I don't think the plot was executed in a very good way either. There was a romantic dimension, but that looked like they remembered to throw it in at the last minute.

There are a couple of things that I can respect a movie like this for: one is that it didn't have a lot of silly modern slang (the worst was a single "a little help"). Also, while Katharine Isabelle does show a lot of skin, there is no bona fide nudity (possibly because Isabelle refuses to do any). A movie like this should be going for such cheap thrills, but it doesn't. Good for it!

I wish it was Steven Spielberg who'd gotten ahold of this idea. I think it would have made a fine story, but instead what we have is typical Canadian B.