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Guy and Madeline on a Park Bench

  • 2009
  • Not Rated
  • 1h 22min
NOTE IMDb
6,0/10
2 k
MA NOTE
Guy and Madeline on a Park Bench (2009)
The story of two separated lovers, a young jazz trumpeter (Palmer) and an introverted woman (Garcia), who slowly wind their way back into each otherÂ’s lives through a series of romances and near-romances punctuated by song.
Lire trailer1:16
2 Videos
22 photos
Comédie musicaleDrame

Ajouter une intrigue dans votre langueAfter connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two ... Tout lireAfter connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.

  • Réalisation
    • Damien Chazelle
  • Scénario
    • Damien Chazelle
  • Casting principal
    • Jason Palmer
    • Desiree Garcia
    • Sandha Khin
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    2 k
    MA NOTE
    • Réalisation
      • Damien Chazelle
    • Scénario
      • Damien Chazelle
    • Casting principal
      • Jason Palmer
      • Desiree Garcia
      • Sandha Khin
    • 22avis d'utilisateurs
    • 39avis des critiques
    • 83Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 5 nominations au total

    Vidéos2

    Guy and Madeline on a Park Bench
    Trailer 1:16
    Guy and Madeline on a Park Bench
    A Guide to the Films of Damien Chazelle
    Clip 1:58
    A Guide to the Films of Damien Chazelle
    A Guide to the Films of Damien Chazelle
    Clip 1:58
    A Guide to the Films of Damien Chazelle

    Photos21

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 16
    Voir l'affiche

    Rôles principaux33

    Modifier
    Jason Palmer
    • Guy
    Desiree Garcia
    Desiree Garcia
    • Madeline
    Sandha Khin
    • Elena
    Frank Garvin
    • Frank
    Andre Hayward
    • Andre
    Alma Prelec
    Alma Prelec
    • Alma
    Bernard Chazelle
    • Paul
    Eli Gerstenlauer
    • Eli
    Keith Gross-Hill
    • Keith
    Willie Rodriguez
    • Willie
    Elizabeth Tingue
    • Sophie
    Gonzalo Digenio
    • John
    Zerek Palmer
    • Zerek
    Karen Adelman
    • Karen
    Beverly Palmer
    • Guy's Mom
    Sharee Palmer
    • Guy's Sister
    Tj Palmer
    • Guy's Brother
    Daniel the Juggler
    • Juggler
    • Réalisation
      • Damien Chazelle
    • Scénario
      • Damien Chazelle
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    6,02K
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    Avis à la une

    Red_Identity

    Solid debut

    I definitely sought this out because of a particular reason- Damian Chazelle and Whiplash. Whiplash is an amazing film, intense, full of passion, and so I wanted to see his debut. It's a solid debut, if unremarkable and sort of dull at times. It's very natural and there's really nothing that would indicate the strong intensity in Whiplash. The only similarities are really that instruments and music are at the core (just like, also, the film he co-wrote grand Piano). Yeah, I could see many not liking this at all or liking Whiplash, or even, liking this or not Whiplash because both are so different in style so there's no telling which way the passion will go. I recommend it slightly, but it's not totally recommended and not a home run by any means
    7ASuiGeneris

    A marvelous jazz musical debut worth more for its subtlety!

    3/3 Damien Chazelle films for me.

    Tap dancing and jazz at its finest.

    The youngest director to win an Academy Award for "La La Land" and first discovered by most with his sophomore film, "Whiplash", this is his debut from when he was still attending Harvard University.

    This reminds me considerably of John Carney's "Once". A heartfelt, character driven, low budget musical that has the inklings of a true artist about to inevitably succeed in the mainstream, refining their craft slowly but surely. It should be appreciated even more for this, for their later award winning masterpieces will be far more influenced by Hollywood. Nothing much happens, but that is perfectly fine- because it is focused on the exceptional score and soundtrack. Cherish it.
    6ThomasDrufke

    The Struggle of Love

    Damien Chazelle's first feature length film isn't an easy one to dissect. Filmed like an early John Cassavetes' movie and told with little to no dialogue at all, Guy and Madeline on a Park Bench is much more so an exploration into how difficult it is to maintain love than it is a musical like Chazelle's latest feature, La La Land. But it's Chazelle's grasp on the ups and down's of relationships that make this yet another interesting directorial effort from him. All 3 of his films to this point have involved Jazz, and all 3 of them have also dealt with characters trying to balance their love life with pursuing their Jazz related dreams. 'Guy and Madeline' isn't as intense as Whiplash nor as viscerally memorable as La La Land, but for a first- time feature, it definitely impresses. An occasional dance number, unique camera movement, and long unedited takes make for quite the viewing experience. Again, there's little dialogue, so I can't say I was as invested in the characters as I should have been, but sometimes scenes are more powerful when less is said (see: the final scene). If anything, this was an interesting watch considering all we know about Chazelle's career up to this point.

    6.7/10
    CinemaClown

    Here's To The Ones Who Dream

    Damien Chazelle's feature film debut may not hold a candle to his subsequent films but it does showcase many of the themes & trademarks that he would go on to refine & perfect in his later works, especially the role of music in driving his narratives and his penchant for talented & ambitious protagonists. Not a memorable start by any means but a start nonetheless. And the creative leaps he's made since this film only speaks of his quick grasp & understanding of the filmmaking medium.
    6Movie_Muse_Reviews

    Chazelle's debut brings together indie filmmaking and movie musical elements

    Damien Chazelle's debut feels somewhere between a Jim Jarmusch indie and an Astaire-Roger musical. Here's a filmmaker with a deep love of the movie musical trying to make it work on a shoestring budget. The musical genre begs for rich production, so Chazelle tries to circumvent it with a nontraditional script; the central relationship is told in undefined fragments and almost exclusively in the less-sexy aftermath of their love. The musical elements are instead used as flourishes - sometimes daydreams, sometimes as breaks from the story. It's a mess, but one with its charms.

    Chazelle's directorial strength is in detail shots and closeups that evoke a tenderness and the vulnerability of the characters. The film excels in these little character moments far more than it does in telling a complete story. Despite Chazelle's decision not to build the characters from the ground up, every so often he strikes a deeply familiar chord with just a few well-executed shots that it becomes possible to connect to Guy, Madeline and Elena's emotions.

    The centerpiece of the film though is Justin Hurwitz's score, which feels timeless yet not overly cliche and predictable. The quality of the music, including what was presumably Jason Palmer's (Guy) own trumpet playing, puts the score in a class that the movie's visual quality can't keep up with to the point that you might assume Chazelle just purchased or borrowed professional music.

    It's always nice to see how a now-esteemed director pulled together a project with minimal resources. Chazelle wanted to tell a love story that married jazz and musicals and he finds a way to do it, even if the finished project is rough around the edges and a little defiant of mainstream tastes.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Shortly after completing the film, a friend suggested to writer/director Damien Chazelle to watch Barry Jenkins's film Medicine for Melancholy (2008) given it was another black and white contemporary film gaining momentum among the indie circuit. Ironically, a friend of Barry Jenkins' told him to watch Guy and Madeline on a Park Bench (2009) shortly after completing his film. Both directors were up for several Academy Awards in 2017 for their films La La Land (2016) and Moonlight (2016) respectively and only discovered this after speaking to one another during The Hollywood Report's Oscar's Roundtable.
    • Gaffes
      When Guy and Elena meet on the train, a recorded announcement says "Entering Charles/MGH, Mass. General Hospital," but they are on a Green Line train, which doesn't go to Charles station.
    • Connexions
      Featured in Ebert Presents: At the Movies: Épisode #1.16 (2011)
    • Bandes originales
      Cincinnati
      Music by Justin Hurwitz

      Lyrics by Damien Chazelle

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    FAQ19

    • How long is Guy and Madeline on a Park Bench?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 novembre 2009 (Grèce)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • 公園長凳上的蓋伊和艾德琳
    • Lieux de tournage
      • Boston, Massachusetts, États-Unis
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 60 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 35 556 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 233 $US
      • 7 nov. 2010
    • Montant brut mondial
      • 35 556 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 22min(82 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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