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Policier, adjectif

Titre original : Politist, adjectiv
  • 2009
  • Tous publics
  • 1h 55min
NOTE IMDb
6,9/10
5,5 k
MA NOTE
Policier, adjectif (2009)
Cristi is a policeman who refuses to arrest a young man who offers hash to two of his school mates. "Offering" is punished by the law. Cristi believes that the law will change, he does not want the life of a young man he considers irresponsible to be a burden on his conscience. For his superior the word conscience has an entirely different meaning...
Lire trailer2:04
3 Videos
13 photos
CriminalitéDrameComédie noire

Ajouter une intrigue dans votre langueA police officer refuses to arrest a young man for offering drugs to his friends.A police officer refuses to arrest a young man for offering drugs to his friends.A police officer refuses to arrest a young man for offering drugs to his friends.

  • Réalisation
    • Corneliu Porumboiu
  • Scénario
    • Corneliu Porumboiu
  • Casting principal
    • Dragos Bucur
    • Vlad Ivanov
    • Ion Stoica
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    5,5 k
    MA NOTE
    • Réalisation
      • Corneliu Porumboiu
    • Scénario
      • Corneliu Porumboiu
    • Casting principal
      • Dragos Bucur
      • Vlad Ivanov
      • Ion Stoica
    • 45avis d'utilisateurs
    • 131avis des critiques
    • 81Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 15 victoires et 15 nominations au total

    Vidéos3

    Police, Adjective
    Trailer 2:04
    Police, Adjective
    Police, Adjective: Clip 2
    Clip 2:47
    Police, Adjective: Clip 2
    Police, Adjective: Clip 2
    Clip 2:47
    Police, Adjective: Clip 2
    Police, Adjective: Clip 1
    Clip 1:21
    Police, Adjective: Clip 1

    Photos13

    Voir l'affiche
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    Voir l'affiche
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    + 6
    Voir l'affiche

    Rôles principaux19

    Modifier
    Dragos Bucur
    Dragos Bucur
    • Cristi
    Vlad Ivanov
    Vlad Ivanov
    • Anghelache
    Ion Stoica
    • Nelu
    Irina Saulescu
    Irina Saulescu
    • Anca
    Cerasela Trandafir
    • Gina
    Marian Ghenea
    • Prosecutor
    Cosmin Selesi
    • Costi
    Serban Georgevici
    • Sica
    George Remes
    George Remes
    • Vali
    • (as Remes George)
    Adina Dulcu
    • Dana
    Dan Cogalniceanu
    • Gica
    Constantin Dita
    • Officer on Duty
    • (as Costi Dita)
    Alexandru Sabadac
    • Alex
    Anca Diaconu
    • Doina
    Radu Costin
    • Victor
    Viorel Nebunu
    • Alex's Father
    Emanoela Tigla
    • Alex's Mother
    Daniel Bîrsan
    • Barman
    • Réalisation
      • Corneliu Porumboiu
    • Scénario
      • Corneliu Porumboiu
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs45

    6,95.4K
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    Avis à la une

    7filmalamosa

    character study

    This film is good... by contrast last night I watched Two Women with Sophia Loren (1960)...a film that had a veritable circus of characters none of which stayed with me more than 15 minutes.

    I will remember Christi in this film for a long time. Yes it is slow at times especially the scene of them waiting in the office to see Christi's boss. And the dictionary sequence was tedious. But the pay off is you come to really know this character.

    This is just the sort of film I like to stumble on.. something that stays with you. Distant (A Turkish film) is a similar slow moving film.

    One actor has to carry this film entirely for almost two hours--it was a flawless performance by him.
    jerkwade

    It grows on you

    I first watched this film about a year ago, and I struggled through it because it truly is one of the slowest and uneventful films you'll ever see, but It has grown on me a lot and isn't a film that you'll forget after seeing. The film deals with themes like guilt, responsibility, choice, patience, with some underlined political themes. Its one thing to conceptualize a film effectively but it's another to execute it correctly, and I think Corneliu Porumboiu did a very honorable job in both those departments. It's one of my favorite films, actually. there's a scene near the end of the film where the main character, one of his colleagues, and his boss are sitting in his office discussing the main character's struggle between the law and his own conscience. This scene goes on for close to 30 minutes if i remember correctly, and it's all done on one shot, with the exception of a few little overlapping shots to view the contents of a dictionary in the main character's hands. I was really impressed by that whole scene. Even if you don't love it, it's definitely worth at least one watch.
    7markedasread

    Police, subjective.

    In "Police, Adjective", Romanian director Corneliu Porumboiu devotes himself to the story of a small town cop reluctant of busting a minor for endorsing hashish with friends. Although vague at first, we learn that the civil police Cristi is having an unease conscience about nailing the young man, which may inflict seven years in prison for what Cristi believes to be a petty crime that will – soon enough – be looked upon more liberated. Throughout pic we follow his daily routines and interactions in the downbeat and austere town of Vaslui, including scenes of parodic bureaucracy and laudable lengthy takes.

    "Police, Adjective" is admittedly in many ways difficult to interpret. The first half of the film deals with classic police work (classic as in reality, not classic as in previously depicted on film) including Cristi's pursuit of suspects and filing reports. For an audience used to clustered action flicks, this may seem as tedious and unbearable to endure. From a more objective perspective, I find it somewhat original and daring. This course of the film is harmless, it is on the contrary a certain, yet inevitable cul-de-sac initiated by a mere typo, that pushes it in a slightly too academic stand. On the other hand, it could also be considered an ironic twist when deciding how Cristi's moral dilemmas should be solved.

    One of the more unfortunate aspects of Porumboiu's directing, in particular substantial for "Police, Adjective" but nonetheless equally visible in previous film "12:08 East of Bucharest", is that the (black) humor sometimes may appear so subtle that when juxtaposed to foreigners it can be completely lost (in translation.)

    Watching Porumboiu's battle between an objective and supreme law versus Cristi's subjective conscientious law is evidently quite fascinating, despite being a bit too submissive at times.
    DataCraft

    One of the most boring film I ever watched

    As a romanian I can not believe that some people actually liked this. The action is so slow. I mean we spend 10 minutes watching the main character eat soup, in another scene we see him for about 15 minutes undressing when he comes home.

    I mean ... come on what were they trying to do ? Waste film. IMHO

    As for the directing goes I have no objection, as this is very easy to film.

    You can honestly fit the script into 1 A4 page. Just trash IMO. But that does not mean that we do not make good films.

    Better luck next time.
    10howard.schumann

    Provides a welcome dose of conscience

    Like Bruno Dumont's epic police procedural L'Humanité, Police, Adjective is a film of mood, silence, and soul. Winner of the Un Certain Regard Jury Prize at the 2009 Cannes Film Festival, the second feature by Romanian director Corneliu Porumboiu is a follow-up to his black comedy 12:08 East of Bucharest which won the Camera D'Or at Cannes in 2006. Police, Adjective is about a taciturn, plain-clothed police officer who has developed a conscience over making an arrest, an unusual occurrence in the bureaucratic, post-Communist society of Romania where the law is rigidly enforced regardless of its logic. Like Phaaron of L'Humanité, Cristi (Dragos Bucur) is an unlikely cop, an unglamorous member of the working class who wears the same pullover sweater four days in a row and goes about his job in a mechanical and emotionally unexpressive manner.

    Shown at the Vancouver Film Festival, Police, Adjective is set in the director's hometown of Vaslui in northeastern Romania, a venue that looks unbearably bleak. The general atmosphere is one of decay with paint inside the houses peeling and chipped, lockers rusted, mailboxes broken, and computers looking like Model Ts. There are no camera tricks here, only long takes delivered from a horizontal pan, cinematography that deliberately enhances the tedium. Porumboiu devotes long stretches of the film watching Cristi simply going about his routine. On orders from his superior, Nelu (Ion Stoica), he follows Alex (Alexandru Sabadac), a teenager at the local high school who is suspected of buying hash and selling it to his fellow students, shadowing the boy daily from home to school in hopes of finding out the source of the drugs.

    In the course of his investigation, however, Cristi realizes that Alex is just a kid who occasionally smokes pot with some of his pals and is not a threat to society. Taking detailed notes, Cristi avoids meeting with his boss, waiting to find out the source of the hash before making a move, knowing that arresting a sixteen year old boy for smoking will mean a prison term of at least three years and possibly seven. Finally, when he is ordered to make a full report and take action, Cristi refuses to follow orders from the Police Captain, citing his conscience and the fact that the law will soon be repealed. Like Phaaron of L'Humanité, Cristi is willing to remain faithful to what he believes in but his feelings are ignored by those in a position of power.

    In a memorable sequence, Cristi's boss, Captain Anghelache (Vlad Ivanov) brings in a Romanian dictionary and asks him to look up the meaning of the words "conscience", "law", "moral", and "police", attempting to show him that as a police officer he must obey the letter of the law, not impose his own morality on the situation. The scene is cold, efficient, and persuasive but it is obvious that the law he is asked to follow is based more on semantics than on morality. While most of the first half of the film is filled with uneventful surveillance, a scene at home between Cristi and his wife Anca (Irina Saulescu) adds some humor to the dour proceedings. Husband and wife discuss the meaning of the lyrics of a popular song that Anca is playing over and over again, Cristi giving the words a literal meaning which make little sense, while his wife ascribes to them their proper symbolic and poetic meaning.

    Police, Adjective provides a welcome dose of conscience to a genre that has been buried in technology and filled with violence, car chases, and ugliness, a genre that has dealt only with methods and not consequences. While the film is austere and requires a great deal of patience, with little dialogue and no musical score, Porumboiu forces us to relate to the characters by observing their eyes, their physical movements, and their facial expressions. He expects us not only to see but to think about what we are seeing and, in the process, to bring us face to face with what makes us truly human.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Romania's official submission to 82nd Academy Award's Foreign Language in 2010.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Extraordinary Measures/Fish Tank/Creation/Police, Adjective/Crazy on the Outside (2010)
    • Bandes originales
      Nu te parasesc iubire
      Performed by Mirabela Dauer

      Arranged by Dan Dimitriu

      Lyrics by Dan Ioan Pantoiu

      Produced by Roton Music

      Played and discussed at Cristi's home

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    FAQ17

    • How long is Police, Adjective?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 mai 2010 (France)
    • Pays d’origine
      • Roumanie
    • Site officiel
      • Official site
    • Langue
      • Roumain
    • Aussi connu sous le nom de
      • Police, Adjective
    • Lieux de tournage
      • Vaslui, Roumanie
    • Sociétés de production
      • 42 Km Film
      • Periscop Film
      • Racova
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 800 000 € (estimé)
    • Montant brut aux États-Unis et au Canada
      • 53 206 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 19 452 $US
      • 27 déc. 2009
    • Montant brut mondial
      • 162 974 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 55 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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