47 Ronin
- 2013
- Tous publics
- 2h 8min
Une bande de samouraïs a entamé des démarches pour venger la mort et le déshonneur de leur maître aux mains d'un shogun impitoyable.Une bande de samouraïs a entamé des démarches pour venger la mort et le déshonneur de leur maître aux mains d'un shogun impitoyable.Une bande de samouraïs a entamé des démarches pour venger la mort et le déshonneur de leur maître aux mains d'un shogun impitoyable.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 nominations au total
Shû Nakajima
- Horibe
- (as Shu Nakajima)
Avis à la une
"47 Ronin" is one of those movies that takes a real historical event and tries to up the ante by throwing in some fictional elements and more impressive action sequences. Much like other movies that did this sort of thing before, like Zack Snyder's "300", this movie also has a lot of visual thrills and handles the historical aspects of the story very well. Sadly, unlike other movies of it's kind, most of the fictional elements of the movie don't contribute much to the overall experience, making them feel a bit unnecessary at times.
47 Ronin is a highly fictionalized take on the story of the 47 ronin who took revenge on a court official who had the 47's leader commit seppuku. In the film, Keanu Reeves portrays Kai, a half-British Half-Japanese outcast who is called upon by Oishi, the leader of the 47. The 47 seek revenge on Lord Kira, who also has an evil witch (Rinko Kikuchi) serving under him, who killed their master.
The movie itself looks absolutely phenomenal, with amazing visual effects, an emotional and gripping musical score, and strong performances from Keanu and Hiroyuki Sanada, who portrays Oishi. The major problem that i saw with the movie was that, it was over way too fast. They left out important character development for the witch and a few other characters, which really could have added more emotional flame to the film. Plus, the movie overall could have easily been twenty, thirty minutes longer. If it were, i would say it can rank alongside 13 Assassins and The Last Samurai. The script was well-written in terms of dialogue (some cheesy lines), but the overall script was devoid of real depth and thought. Then, Carl Erik Rinsch's directing was actually pretty good, but had a few too many cut-aways.
47 Ronin is an extremely action-packed samurai/fantasy epic that is something you don't want to miss on the big-screen (for a cheap price). Though, if you want to see something award-worthy in terms of writing and directing, hope for a Director's/Extended cut on disc, for you won't find it here. But great performances, visual effects and emotion really help make this movie stand out, even with The Desolation of Smaug as competition.
The movie itself looks absolutely phenomenal, with amazing visual effects, an emotional and gripping musical score, and strong performances from Keanu and Hiroyuki Sanada, who portrays Oishi. The major problem that i saw with the movie was that, it was over way too fast. They left out important character development for the witch and a few other characters, which really could have added more emotional flame to the film. Plus, the movie overall could have easily been twenty, thirty minutes longer. If it were, i would say it can rank alongside 13 Assassins and The Last Samurai. The script was well-written in terms of dialogue (some cheesy lines), but the overall script was devoid of real depth and thought. Then, Carl Erik Rinsch's directing was actually pretty good, but had a few too many cut-aways.
47 Ronin is an extremely action-packed samurai/fantasy epic that is something you don't want to miss on the big-screen (for a cheap price). Though, if you want to see something award-worthy in terms of writing and directing, hope for a Director's/Extended cut on disc, for you won't find it here. But great performances, visual effects and emotion really help make this movie stand out, even with The Desolation of Smaug as competition.
A band of samurai who have lost there master set out to avenge his treacherous death at the hands of Lord Kira. Enter Kai, a humble "half breed" with more to him than meets the eye, with catching favor with the fallen Lord's daughter, Kai must join the 47 Ronin to not only avenge his honor but save the woman he loves..
Very visually appealing with a nice blend of action and a wonderful nod to ancient Japanese mythology. I felt though that there could have been more to the story, simple and clichéd in some areas but overall an enjoyable film. Keanu does a decent job with his part but the true meat and potatoes comes from Hiroyuki Sanada, who does a masterful job in his portrayal as the chief ronin, Ôishi . The true pleasure and joy within this film is its nod and ode to the ancient Japanese mythology of the time, which in my opinion is done very well. Some may not understand the conclusion of this film but in a little learned knowledge of the culture one would see it for what it was intended for.. All in all an enjoyable movie and film for any fan of action films and historical fantasy.
Very visually appealing with a nice blend of action and a wonderful nod to ancient Japanese mythology. I felt though that there could have been more to the story, simple and clichéd in some areas but overall an enjoyable film. Keanu does a decent job with his part but the true meat and potatoes comes from Hiroyuki Sanada, who does a masterful job in his portrayal as the chief ronin, Ôishi . The true pleasure and joy within this film is its nod and ode to the ancient Japanese mythology of the time, which in my opinion is done very well. Some may not understand the conclusion of this film but in a little learned knowledge of the culture one would see it for what it was intended for.. All in all an enjoyable movie and film for any fan of action films and historical fantasy.
It never bodes well for a film when its release date is delayed - much less when it's been pushed back a whole year, ostensibly to accommodate reshoots that would bump up Keanu Reeves' completely imaginary role in a Western blockbuster take on a classic, awe-inspiring tale right out of the Japanese history books. That way lies disaster and madness, one would think - and certainly the bland, monster-heavy trailers for 47 Ronin did the film no favours. Smack down your inner critic, however, and this epic fantasy flick - for that's what it is - turns out to be reasonably palatable fare.
The bare bones of the true story are all there: the kindly Lord Asano (Min Tanaka) is ordered to commit seppuku - ritual suicide by disembowelment - when he almost mortally offends Lord Kira (Tadanobu Asano - a nicely ironic name if ever there was one). This renders all the honourable samurai in Asano's service masterless i.e., ronin. Led by the noble Oishi (Hiroyuki Sanada), the loyal band of 47 ronin vow to avenge Asano - even though they have been ordered by their Shogun (top military commander) not to do so.
What's less accurate, of course, is pretty much all the rest of it. Reeves plays Kai, a half-British, half-Japanese orphan who's taken in by Asano but treated like an outcast by everyone in the household - except, of course, for Asano's loving daughter Mika (Kou Shibasaki). Kira's nefarious plans have the support of Mizuki (Rinko Kikuchi), a witch who can apparently take any form she likes: wolf, snake or dragon. It's all a bit nonsensical, especially when Kai tries to get swords for the ronin amongst some pretty creepy folk who have gone from society's outcasts to being part of what looks like a supernatural cult.
In other words, 47 Ronin is a faintly ridiculous addition to the wealth of Chūshingura - fictionalised accounts of the 47 ronin tale - that already exist in Japan. It's the kind of big, dumb blockbuster in which the good guys literally live to die another day as long as the plot calls for it. These fearless ronin even survive when the villain is protected by a witch with crazy mystical powers! She can set an entire field on fire, create poisonous spiders and turn into a dragon! And the ronin - at least 47 of them - live anyway! It's crazy!
That's what makes it all the more surprising when 47 Ronin turns out to be... well,actually not half-bad. Once you've accepted the sillier aspects of the film for what they are, it's easy to get swept along by its very earnest drama and spectacle. Reeves' storyline is a made-up jumble of nonsense, but is played very straight - this is, in effect, Sad Keanu: The Movie - and it just about works. Casting Reeves as the outsider allows him to do what he does best: play the role with stony-faced reserve, whether he's levelling up by battling demons in cage matches or pining moodily after Mika. Kai's restrained love story with Mika is fairly predictable stuff, with the girl fading a little too much into the background (don't expect any bloodletting from Shibasaki, Battle Royale fans), but it's salvaged by the rather non-Hollywood way in which it all ends.
For all that Reeves takes centre stage in the publicity campaign, the film belongs just as much to Sanada's Oishi. He undertakes a more arduous emotional journey: one that takes him from grudging to full-hearted acceptance of Kai's worth as a warrior and comrade. His relationship with his family is more fully examined than Kai's unwavering loyalty to the Asano clan. As Oishi plots his course of action, one that will bring him shame for disobeying the Shogun even as he avenges his master, he warns his wife and son Chikara (Jin Akanishi) to disavow him. Their reactions provide some of the most emotionally resonant moments in the entire film.
All things considered, the title of the film is a bit of a misnomer - it would more accurately be called 2 Ronin, subtitled Oishi And Kai's Excellent Adventure - and it suffers from a lamentable lack of humour and historical accuracy. But it's not a complete travesty. Tucked away beneath a layer of mystical beasts and witches lies a story with enough heart, nobility and soul to survive even the oddest twists and turns.
The bare bones of the true story are all there: the kindly Lord Asano (Min Tanaka) is ordered to commit seppuku - ritual suicide by disembowelment - when he almost mortally offends Lord Kira (Tadanobu Asano - a nicely ironic name if ever there was one). This renders all the honourable samurai in Asano's service masterless i.e., ronin. Led by the noble Oishi (Hiroyuki Sanada), the loyal band of 47 ronin vow to avenge Asano - even though they have been ordered by their Shogun (top military commander) not to do so.
What's less accurate, of course, is pretty much all the rest of it. Reeves plays Kai, a half-British, half-Japanese orphan who's taken in by Asano but treated like an outcast by everyone in the household - except, of course, for Asano's loving daughter Mika (Kou Shibasaki). Kira's nefarious plans have the support of Mizuki (Rinko Kikuchi), a witch who can apparently take any form she likes: wolf, snake or dragon. It's all a bit nonsensical, especially when Kai tries to get swords for the ronin amongst some pretty creepy folk who have gone from society's outcasts to being part of what looks like a supernatural cult.
In other words, 47 Ronin is a faintly ridiculous addition to the wealth of Chūshingura - fictionalised accounts of the 47 ronin tale - that already exist in Japan. It's the kind of big, dumb blockbuster in which the good guys literally live to die another day as long as the plot calls for it. These fearless ronin even survive when the villain is protected by a witch with crazy mystical powers! She can set an entire field on fire, create poisonous spiders and turn into a dragon! And the ronin - at least 47 of them - live anyway! It's crazy!
That's what makes it all the more surprising when 47 Ronin turns out to be... well,actually not half-bad. Once you've accepted the sillier aspects of the film for what they are, it's easy to get swept along by its very earnest drama and spectacle. Reeves' storyline is a made-up jumble of nonsense, but is played very straight - this is, in effect, Sad Keanu: The Movie - and it just about works. Casting Reeves as the outsider allows him to do what he does best: play the role with stony-faced reserve, whether he's levelling up by battling demons in cage matches or pining moodily after Mika. Kai's restrained love story with Mika is fairly predictable stuff, with the girl fading a little too much into the background (don't expect any bloodletting from Shibasaki, Battle Royale fans), but it's salvaged by the rather non-Hollywood way in which it all ends.
For all that Reeves takes centre stage in the publicity campaign, the film belongs just as much to Sanada's Oishi. He undertakes a more arduous emotional journey: one that takes him from grudging to full-hearted acceptance of Kai's worth as a warrior and comrade. His relationship with his family is more fully examined than Kai's unwavering loyalty to the Asano clan. As Oishi plots his course of action, one that will bring him shame for disobeying the Shogun even as he avenges his master, he warns his wife and son Chikara (Jin Akanishi) to disavow him. Their reactions provide some of the most emotionally resonant moments in the entire film.
All things considered, the title of the film is a bit of a misnomer - it would more accurately be called 2 Ronin, subtitled Oishi And Kai's Excellent Adventure - and it suffers from a lamentable lack of humour and historical accuracy. But it's not a complete travesty. Tucked away beneath a layer of mystical beasts and witches lies a story with enough heart, nobility and soul to survive even the oddest twists and turns.
70U
Interesting movie, false advertising about the guy with the pistol, the fights were good, I do not know the full story about the 47 Ronin but I think this modern adoption was a good version of it, but they probably could have been more accurate to the original story and it would have been even better.
Le saviez-vous
- AnecdotesAccording to Keanu Reeves, filming was first done in Japanese for the sake of the supporting cast, and then filming was done in English.
- GaffesMika is awoken by the witch and told that Kai has been killed. The witch sticks a knife into the floorboard beside Mika's head. It is shown from different angles, however, when the witch is leaving the room, the knife is lying on a pillow. In the next shot, the knife is once again stuck in the floorboard.
- Crédits fousThe Universal spinning Earth begins normally, but after the camera backs away to show the full globe and logo it then slowly zooms back in with the Earth still spinning to Japan and the movies title is drawn over the Pacific Ocean. Clouds then obscure everything then clear as the view zooms in to Japan and the narration begins.
- ConnexionsFeatured in WatchMojo: Top 10 Worst Movies of 2013 (2014)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- 47 Ronin: La Leyenda del Samurai
- Lieux de tournage
- Isle of Skye, Highland, Écosse, Royaume-Uni(on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 175 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 38 362 475 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 910 310 $US
- 29 déc. 2013
- Montant brut mondial
- 151 783 839 $US
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