Ajouter une intrigue dans votre langueCash performs a concert for the inmates of California's Folsom Prison, and the show was recorded for a live album.Cash performs a concert for the inmates of California's Folsom Prison, and the show was recorded for a live album.Cash performs a concert for the inmates of California's Folsom Prison, and the show was recorded for a live album.
- Réalisation
- Scénario
- Casting principal
June Carter Cash
- Self
- (images d'archives)
Johnny Cash
- Self
- (images d'archives)
Commentaire à la une
The problem with this documentary on Johnny Cash's famous concert at Folsom Prison of course is that there is no video footage of the event itself. Yes, there are audio tapes of rehearsals, stills photography and naturally the record itself but when the producer has to resort to fleshing out the story of the concert with a featurette on Glen Sherley, the convict whose song Cash played at the concert and to whom Cash attempted to give encouragement on his release, as well as a potted history of the man himself, you feel that there's too much padding here.
Worse, it resorts to using animated sequences to illustrate some of the songs, an approach completely at odds with the seriousness of the subject matter. As far as the interviewees are concerned, these fall into two categories, the admiring but critical (Merle Haggard in particular) and the fawning and largely uncritical (almost everyone else, including his band and family), which only gets worse when they extend their comments to eulogise Cash's wife, June.
Some intelligent use is made of historical, typically no bullshit voice-overs by the man himself and there's no question the music and his performance are great, but I think on the whole, this documentary doesn't serve its subject over-well and would instead recommend the "San Quentin" documentary, a snippet of which is enticingly included here, to admirers.
Worse, it resorts to using animated sequences to illustrate some of the songs, an approach completely at odds with the seriousness of the subject matter. As far as the interviewees are concerned, these fall into two categories, the admiring but critical (Merle Haggard in particular) and the fawning and largely uncritical (almost everyone else, including his band and family), which only gets worse when they extend their comments to eulogise Cash's wife, June.
Some intelligent use is made of historical, typically no bullshit voice-overs by the man himself and there's no question the music and his performance are great, but I think on the whole, this documentary doesn't serve its subject over-well and would instead recommend the "San Quentin" documentary, a snippet of which is enticingly included here, to admirers.
Photos
Histoire
Le saviez-vous
- ConnexionsFeatures Les révoltés de Folsom Prison (1951)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Johnny Cash ja Folsom Prison
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 717 000 $US (estimé)
- Durée1 heure 30 minutes
- Couleur
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By what name was Johnny Cash at Folsom Prison (2008) officially released in Canada in English?
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