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Le complexe du castor

Titre original : The Beaver
  • 2011
  • Tous publics
  • 1h 31min
NOTE IMDb
6,6/10
52 k
MA NOTE
Mel Gibson in Le complexe du castor (2011)
A troubled husband and executive adopts a beaver hand-puppet as his sole means of communicating.
Lire trailer2:26
5 Videos
41 photos
Drama

Cadre au travail, un mari en difficulté adopte une marionnette de castor comme seul moyen de communication.Cadre au travail, un mari en difficulté adopte une marionnette de castor comme seul moyen de communication.Cadre au travail, un mari en difficulté adopte une marionnette de castor comme seul moyen de communication.

  • Réalisation
    • Jodie Foster
  • Scénario
    • Kyle Killen
  • Casting principal
    • Mel Gibson
    • Jodie Foster
    • Anton Yelchin
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    52 k
    MA NOTE
    • Réalisation
      • Jodie Foster
    • Scénario
      • Kyle Killen
    • Casting principal
      • Mel Gibson
      • Jodie Foster
      • Anton Yelchin
    • 174avis d'utilisateurs
    • 288avis des critiques
    • 60Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 12 nominations au total

    Vidéos5

    The Beaver: Trailer #1
    Trailer 2:26
    The Beaver: Trailer #1
    The Beaver: Prescription Puppet
    Clip 0:57
    The Beaver: Prescription Puppet
    The Beaver: Prescription Puppet
    Clip 0:57
    The Beaver: Prescription Puppet
    The Beaver: Is This A Joke?
    Clip 0:52
    The Beaver: Is This A Joke?
    The Beaver: You Made This For Me?
    Clip 0:41
    The Beaver: You Made This For Me?
    Jodie Foster: The IMDb Original Interview
    Interview 4:15
    Jodie Foster: The IMDb Original Interview

    Photos40

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    + 34
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    Rôles principaux31

    Modifier
    Mel Gibson
    Mel Gibson
    • Walter Black
    Jodie Foster
    Jodie Foster
    • Meredith Black
    Anton Yelchin
    Anton Yelchin
    • Porter Black
    Cherry Jones
    Cherry Jones
    • Vice President
    Riley Thomas Stewart
    Riley Thomas Stewart
    • Henry Black
    Zachary Booth
    Zachary Booth
    • Jared
    Jennifer Lawrence
    Jennifer Lawrence
    • Norah
    Jeff Corbett
    Jeff Corbett
    • Volunteer Dad
    Baylen Thomas
    • Skeptical Man
    Sam Breslin Wright
    Sam Breslin Wright
    • Man
    Kelly Coffield Park
    Kelly Coffield Park
    • Norah's Mom
    Michael Rivera
    Michael Rivera
    • Hector
    Kris Arnold
    • Waiter
    Elizabeth Kaledin
    • Reporter
    Matt Lauer
    Matt Lauer
    • Matt Lauer
    Jon Stewart
    Jon Stewart
    • Jon Stewart
    Terry Gross
    • Terry Gross
    Folake Olowofoyeku
    Folake Olowofoyeku
    • Nurse
    • Réalisation
      • Jodie Foster
    • Scénario
      • Kyle Killen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs174

    6,651.6K
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    Avis à la une

    8ScottDMenzel

    Jodie Foster takes on depression and Mel Gibson in "The Beaver"

    "The Beaver" tells the story of Walter Black (Mel Gibson), a man who has lost his way in life and is dealing with an extreme case of depression. His wife Meredith (Jodie Foster) has told him to move out and his oldest son Porter (Anton Yelchin) hates him. Just when he is about to call it quits, Walter becomes friends with a hand puppet named The Beaver, who takes total control of Walter's life. With The Beaver constantly attached to Walter, he is able redeem himself at work and with his wife and youngest son. It isn't long though before living life through The Beaver catches up to Walter making his life even worse than ever before. It is now up to Walter to take back his life or to lose everything he has worked his entire life for and live it forever as The Beaver.

    "The Beaver" is a really dark and depressing piece of cinema. As the film continues, you really saw how deep Walter's depression is and that he is in serious need of help. The man is living his life through a stuffed beaver! It's really an original and interesting take on depression, which has never been seen before. The subplot, which was focused around Anton Yelchin was also interesting and kind of played hand and hand as the same situation that Walter was dealing with.

    Mel Gibson gives us an extremely powerful and dark performance in this film. This is something that you have never seen him do before and it's extremely scary to watch him portray this character. This is the most unique take on depression that I have currently seen and Gibson nails it. Jodie Foster is good as the dedicated wife and gives an emotional performance. You can tell that Meredith cares deeply for Walter and will stop at nothing to be with him. Anton Yelchin, gives the best performance of his career in this film. He is a kid who hates his father so much that he lives his life through others. He is so focused on hating his father that he doesn't realize he can't live his own life. That is until Jennifer Lawerence's character Norah comes along and helps him find himself. The acting in this film is just ravishing with everyone involved showcasing some of the best performances of their careers.

    While I admired the film's creative and unique take on depression as well as everyone's acting, there were a few elements of the film that didn't sit well with me. The first being why the heck didn't anyone have Walter committed to a mental institute? About 30 minutes in, I couldn't suspend belief that an entire company would allow its CEO to run a company through a hand puppet. That just wasn't plausible. I also didn't get how Meredith didn't take more active role in helping Walter out. There is a scene where Meredith and Walter go to dinner and Meredith tells the Beaver that she wants Walter to come out. This scene is quite disturbing as it shows just how much the Beaver has taken control. At this point, however, why Meredith doesn't bring him to counseling is just unbelievable. He has obviously lost his mind at this point. I just didn't get it those two factors of the film. It's like everyone cared yet no one really took the time to guide him to the light so to speak.

    Despite those minor hiccups, I really enjoyed the film. I liked that it was about two stories in one. There was Walter living life through depression aka The Beaver and there was Porter living his life through writing about others. Both of these stories were showing how much Walter and Porter were alike and how much Meredith and Norah are alike. It was a very unique way to view living life through others or other things but it worked out perfectly. My favorite thing about the film was the last 30 minutes. The entire third act was remarkable and really overshadowed all my initial dislikes in the film in regards to no one committing Walter. It was a truly powerful and scary because it showed the true side effects of depression and just how deep into the depression Walter really was. I don't want to give anything away but I will let you know that something does happen to Walter in the last 30 minutes that truly impacts his life. It brings the overall tone of the film to a very dark and depressing state but I feel it was an important part of the film. This film wouldn't have worked out to be so good if it wasn't for how deep it got in that last 30 minutes.

    In the end, "The Beaver" will definitely not be a film for everyone. If you are going expecting a comedy, I will warn you right now that you should stay far away. This is not a comedy and it's not even a dramedy. While it does have a few light-hearted moments here and there, this is probably one of the darkest mainstream films that I have come across in quite some time. I don't know how well this is going to do, one for the obvious reason of Mel Gibson, but also because of the small niche market for this film. It obviously has great performances, good direction, and a well written story but the subject matter isn't what most people want to see. I think it's great to see a film be as ballsy and real as this one but I also know this isn't what sells tickets. I would be curious to see how this does when it's released. I personally think it's a must see and recommend those who are into really serious dramas to put this on the top of your list. It's a really unique take on depression, as well as a unique piece of cinema.
    8gringogigante

    Good movie. Great drama. Depression awareness all in one.

    I loved this movie. It found it sad that the timing of his personal implosion over-shadowed the importance and quality of this movie, but I loved it. All of it. Is it an Academy Award Nominee? No, but I'll recommend it to all who ask about it.

    I wish his personal life had not unraveled to such a degree....who would want that for anyone. I wish Hollywood and the press wouldn't have exploited every last second of it, but such is the shallow world of both. I found it particularly fascinating and ironic that he was booted from the cast of The Hangover II because none of the actors wanted to support his woman abusing ways.....and then they brought back Mike Tyson (a wife beater and rapist)for a recurring role. Why would one be surprised by the shallowness of H-town.

    Rent this. Besides the fact that everyone deserves a second chance, it's a good movie.
    8Glock_Boy

    Watch it once ... then never again.

    Give it to Mel Gibson. The man can act. He is one of the best and does not disappoint.

    I rented this simply because I couldn't take the curiosity any longer. I had no idea what it was about.

    Every performance here is solid and believable and deep.

    The movie is about depression. So don't be surprised if you are left feeling ... depressed. I was. The movie concluded with an upbeat feel, but left me yearning for more.

    This is one of those movies that, well, you watched it; you knew you had to - kind of like Schindler's List - then you put it away to never visit it again because you know the emotional pain that it delivers.
    8lmelnick-999-260424

    Broken Man Facing His Demons Works for Gibson

    Although it's difficult to watch Mel Gibson now without the backdrop of alcoholism, abuse, bigotry, rants and disappointment, this role may actually be the perfect role for him to re-appear on the screen with sympathy and hope of redemption. He plays this role perfectly and the viewer is sucked into the emotion and distress of all characters dealing with their own challenges. It's a beautiful movie with a powerful message. Some have criticized Jodie Foster's directing, but I found the film to be very balanced with the right amount of comedy and tragedy. I loved the camera work and editing, especially with the Beaver as its own character. I also liked the secondary storyline about the teenagers. All the performances were very good. I think the entire movie is very well done, and although I have not changed my personal opinion of Mel Gibson at all, the movie does make you very sympathetic towards families dealing with crisis including his own, and as an actor, he pulls off a very difficult role.
    6axismladen

    Acting is amazing all around, especially Gibson's, but the script fails at certain levels that are really important for this kind of story.

    The Beaver is the story of Walter Black, a hopelessly depressed individual who finds the way out in a puppet that speaks for him. He finds a beaver puppet in a dumpster and decides to take it with him to the hotel room where he get's drunk and tries to commit a suicide. After the first attempt fails he climbs on the edge of the balcony and is about to jump, but than, all the sudden, the beaver speaks out and brings him to his senses. The idea, as simple and dull as it may sound, is actually quite good and interesting when you think about it. Unforunatelly, the script lacks a great deal in structure and character development which is ultimately why the movie is not nearly as good as it could've and should've been.

    Jennifer Lawrence and Anthon Yelchin are both brilliant in the movie and a big talent is really visible in their performances. Unfortunately, while Yelchin is obviously very, very talented, i just can't see the leading man in him. His charisma is, i think, really not on the same level with his talent. However, that being said, i do not doubt it that both of them are gonna be Academy Award winners one day. Jennifer Lawrence is already almost there. With one nomination behind her, the second one is surely gonna come. And i think that one day, with the right choice of roles, she could even be Hollywood's best leading lady. She definitely has what it takes for it.

    However, all the good performances in this movie really fall to water compared to the one of Mel Gibson. I don't know if he's acting or is it him self in the movie, and honestly i don't care. All i know is that he's brilliant. If only the character had more to offer, i'm sure the role would be remembered for a long, long time. But even though the movie fails at certain levels, Gibson's performance was definitely worthy of a much larger recognition. If you ask me, the reason he wasn't at the Oscars this year, if not as a winner than definitely as a nominee, is the fresh new scandal that happened in his life. And that's, i think, unfair because he is an actor and he should be judged as an actor and not as a human being. In fact, i don't think anyone can judge him as a human being since none of us knows him like one. The only way we (the audience), and the critics, can know him is as an actor. As Mad Max, William Wallace, Walter Black and so on.... As far as this role goes, at my opinion, he was definitely robbed of all the recognition he well deserved for the portrayal of Walter Black. An amazing performance that was unfairly overlooked by the Academy's voters.

    The weakest link as far as the acting goes is, and i can't believe i'm actually saying this, Jodie Foster. It could be because she was busy working as a director on the movie, but her performance, even though good, is really not on the same level as those of Yelchin and Lawrence, and needless to say, as the one of Mel Gibson. Another thing i felt was very weak is the score. Well, it's not bad, it's good. It just doesn't fit this film. It's too melodic and.... Italian. I just don't think it's right for this kind of story. The score that this movie desperately needed should've been something like the one from American Beauty. That would fit great! Slow, sad, tragic... It would've been great!

    I really wish the script was longer. And simply because you can't build so many complicated characters in ninety pages. Not convincingly anyway. And especially in a movie like this one which was supposed to be a deep story that deals with a very important subject. What i really like about the movie is the feeling of a solution circling around all the time, but staying unreachable to everyone. Like for example, Walter's wife showing him pictures of their family back when everyone was happy hoping that he'll see some hope or inspiration in it.... and so on... which he fails at doing. That could've been a real good description of the state he, and the depressed people in general, are usually in. But, once again, the script fails terribly in structure and it prevents it's character's from going in whatever direction they were supposed to go. Truth be told, i don't think it's the writer's fault so much as it is Hollywood's. Producer's rarely allow the movie to be a piece of art these day's, even when some movies like this one are meant to be just it. I wouldn't be surprised if the first draft was way better than the one they made the movie on.

    To conclude my review, i wasn't bored, but i was definitely not blown away either. The only thing that was great about the movie is acting. Gibson's especially. Maybe it's because i had really high hopes for this movie, but i was a bit disappointed. It's a good movie, but i expected it to be great!!!! It's definitely worth a watch, but i wouldn't put my hopes into being left speechless.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Before Summit Entertainment settled for a release date in Spring 2011, this film had been shelved, due to Mel Gibson allegedly assaulting his ex-girlfriend, Oksana Grigorieva.
    • Gaffes
      When Anton Yelchin's character bangs his head into the wall and it goes through the side of the house, that's impossible as shown. The cedar shake siding is not shown as held to the side of the house with anything, whereas in reality is has to be nailed down. The house would have some cladding such as plywood to nail the shakes to, and then a barrier such as asphalt or homewrap, at the very least. It is not possible to make a small hole in the interior wall and push one shake off the outside of the house in the same location.
    • Citations

      Walter Black: We reach a point where, in order to go on, we have to wipe the slate clean. We start to see ourselves as a box that we're trapped inside and no matter how we try and escape, self help, therapy, drugs, we just sink further and further down. The only way to truly break out of the box is to get rid of it all together... I mean, you built it in the first place. If the people around you are breaking your spirit, who needs them? Your wife who pretends to love you, your son who can't even stand you. I mean, put them out of their misery. Starting over isn't crazy. Crazy is being miserable and walking around half asleep, numb, day after day after day. Crazy is pretending to be happy. Pretending that the way things are is the way they have to be for the rest of your bleeding life. All the potential, hope, all that joy, feeling, all that passion that life has sucked out of you. Reach out, grab a hold of it and snatch it back from that bloodsucking rabble.

    • Crédits fous
      A letter or two from each cast/crew member remains and forms part of the next credit.
    • Connexions
      Featured in Trailer Failure: Bieber Meets Beaver (2010)
    • Bandes originales
      Kung Fu Underscore
      Composed by Jim Helms

    Meilleurs choix

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    FAQ

    • How long is The Beaver?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 mai 2011 (France)
    • Pays d’origine
      • États-Unis
      • Émirats arabes unis
    • Site officiel
      • Vidio (Indonesia)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Beaver
    • Lieux de tournage
      • 1125 Grand Concourse, Bronx, New York City, New York, États-Unis
    • Sociétés de production
      • Summit Entertainment
      • Participant
      • Imagenation Abu Dhabi FZ
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 21 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 970 816 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 107 577 $US
      • 8 mai 2011
    • Montant brut mondial
      • 7 294 800 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 31 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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