La Prophétie de l'anneau

The score is terrific, the scenery is gorgeous, the acting is mostly pretty good, and the story is... nonsensical.

There are two story timelines. The opening story timeline is set in the fairly near future, sometime later in the 21st century, with what appear to be Americans. But we spend very little time there. The main story timeline is 18th century India.

The backdrop of the main storyline, in India in 1778, was interesting and realistic, except that the British East India Company leaders were all hopelessly one-dimensional villains. The lead roles were well-played, the lead characters were sympathetic, and the story was drew me in.

But when you tell a great, big, long story, it ought to have a point. It ought to have something to do with the climax. This one left me wondering, "what was the point of all that?"

Plus, there was almost no meaningful connection between the two timelines. It just didn't make sense.

And the story made a promise that it didn't keep. At the beginning, we see an interesting artifact -- a ring -- in the wreck of a long- sunken ship. Someone with the initials "D.E." must have greatly valued it, we're told, because he or she drowned while clinging to the purse which contained that ring.

So, who was D.E., we wonder, and what was his story? The next scene takes us back in time, to 18th century India, and we settle back expecting to learn the story of D.E. and the ring. But we never do.

We do, indeed, hear a great long story -- but we never find out about D.E. and the ring, or how it got onto that shipwreck. That was very annoying.

And what's with the two names for this movie, anyhow? Is it called "The Lovers" or "Singularity?"

As Maxwell Smart would say, "missed it by THAT much." I'll be generous and give it a 4, mainly just because I liked the music.

This is essentially an epic love story which was supposed to have transcended time and space. Josh Hartnett plays dual characters: one as a diver/archaeologist type in the 21st Century and the second being a Scotsman working under the British colonials in the Indian subcontinent in the 17th Century. Tamsin Egerton plays his wife in the 21st Century and Bipasha Basu plays his love interest in 17th Century India.

Having read an interview by director Roland Joffé about the film, I was expecting much more involvement of quantum physics to be present in the film. Not necessarily the entire film to be explaining the theory but at least more play on parallel universe and different realities. I was expecting more sci-fi along the lines of the Source Code or Interstellar. Instead what we got was Titanic crossed with Bollywood.

If you are a sci-fi fan then you may be disappointed but if you are a romance fan then you may enjoy the film. Think Time Traveller's Wife, The Age of Adaline and other paranormal romances.

Immersive, ironic I think soo. Had to watch twice to really appreciate the acting and directing as well. Made sense character positioning and script had been thought over it's only obvious. Great scenic views and I'm thrilled that there was even a super villain moment with a *spoiler alert people!!* woman positioned in power. The use of props was clearly evident for all to see so I guess overall, this gave movies a whole new meaning. And to ask anyone who knows Bollywood Bipasha does not underdeliver, mixed with abit of Hollywoods sweet heart Josh Hartnett great and awesome duo. Thanks to them, another great film.

There's a Neapolitan saying that describes how bad this movie is perfectly: La aqua e pocca e a papera nun galeggia. There is so little water, not even a duck could swim.

While researching on the Great Barrier Reef, Josh Hartnett is injured and rendered comatose. His wife, Tamsin Egerton, is distraught beyond words. But Hartnett is unaware of this. He is in a dream state in which he is an officer in the East India Company in the 18th Century. While his bosses are in a war to gain hegemony over the subcontinent, fighting goes on, and Hartnett and a woman fighter, Bipasha Basu, travel together and fall in love.

Roland Joffe directs, the visuals are superb, the actors are fully committed and up to their roles. And the script is a piece of romantic junk out of a bad romance novel, with a desperate attempt to give it some depth by reference to quantum entanglement that brings people together over the centuries. It doesn't work. It's shocking that Joffe, who has directed some great movies about the power of simple, decent emotions in the context of great and horrifying events, could have fallen for this. I suppose that's the problem with great artists. When they're right, they're magnificent. When they're wrong, they're horrifyingly bad. Here, Joffe was horrifyingly wrong and bad.