Les voyages de Gulliver

I generally don't like to review a movie according to how close it is to the book... but I noticed that many of the negative reviews are comparing it to the book; so to answer those comparisons.

1. "The movie is rude and crude and a disgrace to the classic." I assume they have either not read the book or read some sanitized abridge children version of the book. Not only does the book contain the crude parts in the movie but the books is more crude and descriptive. The movie didn't add "potty humor" but took out most toilet humor from the book.

2. "The movie only had Gulliver rather than the many islands in the book." True. But the book had years between each adventure and would have been a lot to try to put into one movie.... besides the 2nd half of the book sucked (somewhat joking somewhat serious).

Anyway... reviewing the movie. It's a good movie but not great. They did a good job changing from the 18th century to modern times. If you are looking for a fun Jack Black movie you won't be disappointed. And this movie inspired a couple of my friends to even read the book.

In the latest Gulliver go round ( there have been at least a dozen variations since 1902) we have a production of enormous precise detail vividly brought alive by state of the art special effects, grand set design and lavish costuming all crushed by the uninspired casting of the slobbering one note buffoon Jack Black in the title role. In his pudgy mitts the Swiftian satire becomes another heavy handed, predictable goof ball routine of sly eyed impishness and soft hearted sweetness applied in the same manner as in the rest of his "zany" canon.

Lemuel Gulliver sets out for the Bermuda Triangle to prove himself as a journalist and to win the heart of the girl of his dreams. Blown off course by a raging tropical storm he finds himself on the the tiny island of the tiny people, Liliput. Gaining their trust he is soon the rage of the land improving infrastructure and counseling the lovelorn. All goes well until he is challenged by General Edward and is humiliated before all who look up to him. Can Gulliver redeem himself? What's more important is that the filmmakers have enough story to fill the second half with fun pyrotechnics.

Black's cuddly bear, man child grows more tiresome with each performance and in Gulliver it's lights out early with the same boorish routine the ubiquitous media gadfly projects whether playing a role or doing an interview. Director Rob Letterman's film does have a precious look and he does inject some nice Python humor here and there but it is all obscured by Black's beached whale of a Gulliver. For lazy parents looking for a baby sitter, the film might serve as that crazy and funny uncle that can occupy the kiddies for two hours. Make sure though you send them with an older sibling. Unlike this loser of a film it will be a win, win for you to abstain.

In my lifetime, I've seen a few previous adaptations of "Gulliver's Travels", 1) a series of short cartoons by Hanna-Barbera on the "Banana Splits" TV program, 2) the Max Fleischer animated feature from 1939, and 3) the NBC miniseries starring Ted Danson. And so, I've now seen this new movie starring Jack Black which, unlike the others I've just mentioned, initially takes place in modern day-New York City where the title character is a mail room deliverer who yearns to be a writer for the newspaper he works for but doesn't always put himself out there. Oh, and he also has a crush on the stunning editor (Amanda Peet) whose office he always passes through despite not always having mail for her. Anyway, when he finally bluffs his way through an assignment, Black's Gulliver uses a boat to go to the Bermuda Triangle where he finds himself shipwrecked to an island...Guess where he winds up? Okay, I didn't expect this movie to be faithful to the book at all especially judging from the previews so I wasn't too disappointed on that point. And I did find many scenes-especially those that parodied Episode V: The Empire Strikes Back, Titantic, and the rock group KISS-pretty funny. And Black, along with supporting players Emily Blunt, Jason Segel, and occasionally Ms. Peet provide their moments. But if this was your first time encountering Lemuel Gulliver, you'd definitely wonder what was so classic about the book he's in (assuming you even knew about it). Actually, I admit I only read about his adventures in Lilliput and Brobdingnag since the book I borrowed from my elementary school library was condensed to only those two adventures though like I said, I did see the Ted Danson miniseries that also had his other travels. So in summary, if you know what to expect from Jack Black, you probably won't be too disappointed. Others, beware...

There is something brilliant about this project, something absolutely brilliant. You will find it hard to locate in the storm of distracting bad decisions elsewhere.

The bad? Well, you can read about that elsewhere. A cheap film factory and story meets the three Jack Black jokes.

The clever idea is this: Black plays a character who is a repressed nobody. In his own apartment, he acts out dramas from films with his collection of action figures. He goes to sleep, and dreams — maybe not because the fantasy doesn't need an explanation. He ends up in a land full of people the size of his action figures.

Once there, he tells them stories about himself drawn from all those movies, with him as the hero. They believe him of course. This is somewhat interesting. The brilliant part is how he inverts the inversion, by having the little people on stage reproducing scenes from the films with him as the hero. Later, they build him a replica of his real world as filtered through this lens.

The idea is pretty cool, and would have been worthy of something like "Synecdoche" and Philip Seymour Hoffman.

How this could have been spliced to Swift's original vision is too delicious. Swift was vulgar, offensive and unsettling in his truths. There is none of Swift here. I actually would have preferred seeing Travolta's Scientology disaster again rater than this. Cool idea though.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

I've seen the version of the story starring Ted Danson, which was quite good. This is nothing like that.

Jack Black's Gulliver starts out in the real world of the present day, with a smart phone. That's all you really need to know about when this took place.

He's not happy with his life in the mail room, and he wants more. A relationship with travel writer Darcy, and more opportunities to do the real work of the New York Tribune.

The Internet makes things easy. When I was in high school and college, there was plagiarism, but it was more challenging because what we know today as the Internet didn't exist. Gulliver has an easy time impressing Darcy and gets sent to the Bermuda Triangle. Oh, so this is how it will work.

And it's actually a pretty exciting scene as Gulliver gets sent into another dimension. Then he has the experience that Danson had, only funnier. This version of the story, pretty much limited to Lilliput, will go for laughs.

And Lilliput is quite a complete nation, but with very small people compared to Gulliver. The castle where the royal family lives is huge. There is a city with lots of people, with varying ethnic backgrounds, and a countryside outside that city. And the Lilliputians have wars against other very small people from other nations.

Only after Gulliver shows his value in fighting a war is he treated with respect. He is a hero. And then things get quite silly. Every movie Gulliver has ever seen becomes a detail of his life, and pop culture references show up in abundance. We later see a giant R2D2 from "Star Wars", combined with "Transformers", used in battle, for example. All because Gulliver's plans for a video game become a fighting robot.

Meanwhile, the prisoner Horatio vies with the nasty Edward for the heart of Princess Mary. Horatio is released only because Gulliver is his friend.

There is one scene where Mary is kidnapped, and I'm not sure whether it is atrocious writing or atrocious acting. No, it's actually brilliant writing and good acting, because most of the acting in this movie is quite good. I mean for the material. It takes real effort to make the acting look really bad.

I am curious about one thing. Of course Gulliver loses cell phone service when he gets close to the Bermuda Triangle. How then is it possible he can receive the voice mails he missed--AFTER he crosses over? And these voice mails are quite important--if you think about it, there's an interesting plot twist coming.

The battle scenes are pretty impressive. I watch several CW super hero shows, and it's a lot like that. Even Horatio gets involved.

There is one cute scene in the world where everyone is big. It only has a little girl, who is quite big compared to Gulliver. Imagine what she would look like to Lilliputians.

And the movie has a big musical number which is quite well done. Again, it seems silly to have the entire cast performing a song Gulliver likes. Also, the music here is quite old compared to, say, a romantic comedy starring teenagers. It comes closer to what I like. Let's say that.

No, it doesn't rank as the most impressive of the productions based on the literary work. No, it is not literary work on its own. But it is enjoyable and somewhat well done. If you're the type of person who can enjoy Jack Black, you will probably like this.