1066

As a reasonably educated Englishman of the 80's, (I scored the highest boy's total in the London Borough of Sutton's 11+ exams in 1978... and then went on to attend the Grammar School with the highest 'O' Level Pass Rates in the UK), I recall a trip to view the tapestry and writing our thoughts on it... scene by scene. We also enjoyed standard, compulsory, Latin and French lessons, alas, subjects now relegated to 'Higher Edukashun'... Consequently I have watched this several times. Most recently I, again, had tears in my eyes for most of the first 2 hours; until, I, too, like Leofric, became hardened to a life that could be considered, back then, 'customary'.

I've visited the Battle site twice before... and will be doing so again shortly... as a direct result of this film.

What abuses?... What cowardice?...What hardships?... and what joys ALL of our shared ancestors duly orchestrated, enjoyed and suffered to enable eacvh and every one of us to be here now? My mitochondrial DNA shows 'Viknigr' links, whilst my Best Friend has a proved lineage back to a specific '1066' Norman Chevalier... Whilst my Wife has a proved lineage back to Alfred the Great.

My Step-daughter asked me..."What's the point of this film"?... and I explained that within a generation of the Norman Invasion no land was owned by an 'Anglo_Saxon' Englishmen and that withiin the same time-frame the 'Top 5' names for boys changed from the traditional Anglo-Saxon ones to 'William' and 'Henry' and 'John' etc... and those 'new' "Top 5" boys' names hardly changed for over 1000yrs!! Just look at how many with Norman names drafted the American declaration of Independence!?! The most poignant point is right at the end: That in 1066 just 190 people were given a 5th of England as bounty... and that now, over 1000yrs later, one fifth of England is still owned by descendants of those very same people. Research a bit more and you'll find they are our bankers, ours politicians, our Town Mayors and our 'Celebs'... The rest of us are, and always will be, just "the little people of the Shire" Alas.. That's why History is now so poorly taught! A subservient, "X-factor" voting, plebeian is SOOO much easier to manipulate :(

This is a very interesting and very well made reenactment of the famous Battle of Hastings and the events around it. It takes its time to bring the whole medieval period closer to the viewer, introduces various characters that may or may not have necessarily existed but are here very useful in conducing the sentiment and the point of view of a common man of the ages.

Acting and cinematography are very good. Directing not so good. Obviously great effort was undertaken to conceal the low budget, which is a good thing, but it also gives a pretty claustrophobic viewing experience (for instance, there are too many close-ups) and at times unconvincing and static battle scenes.

What is really annoying, however, is the bias the story of William's conquest is told with. It paints pictures of poor "true Englishmen", Saxon Englishmen, suffering horrors of defeat at hands of merciless, almost inhumane, Norman invaders who came uninvited to harass peaceful sedentary civilization. As if Saxons themselves, a couple of centuries prior, didn't do exactly the same thing to Romano-Celtic population on the Island. Should we pity them? I'm not quite sure.

But the series wants us to do just that - to identify with one side. And while it makes for some really poignant scenes worth watching, it also makes for a poor history show. The dialog is also sometimes abhorrently naive or inane, completely devoid of humor at that. It would have been so much better show if they didn't turn it into a litany of a loser.

A lot of effort went into this production. Just as I think there was too much estrogen in "The Devil's Whore", another UK tail about the English Civil War, so too do I think that this suffers from a bit too much testosterone. Ton's of what veteran period aficionados call hack- n-slash, there's little in the way for much anything else.

We see the grim realities of warfare in the purported "dark ages", and some of the pillaging that was characteristic of the period, but little else. The idea here being that since this show is aimed at men, and men like to see violence (and some sex), this film will therefore show lots of sword play violence, and some sex.

The truth about the battle of Hastings is that both sides slugged it out on the lower grade of the hill, broke for lunch, then had at it again. The Norman forces feinted back, the English charged, and were defeated. The battle depicted in the film shows the tactics being somewhat more complex.

The one thing I really like about this TV mini series are the explanations of Tolkien's inspiration for his own "Middle Earth" saga. The explanation of terms is interesting and adds something to the piece.

The acting is what it is, good and passable. No one gives a bad performance. But the material the actors have to work with is a bit spartan. We essentially see a kill or be killed plot line, with little else operating as a story mechanism. That's too bad.

The props are okay. The armor worn by the actors looks like the stuff you can buy off any medieval website, and I'm sure that's not too far off the mark. The cloths seem authentic, but don't feel authentic. This is, after-all, the dark ages, and the machine clean linens and overall look to the film seems a bit out of place.

Most of the money seems to have gone into staging the battle sequences, and putting sword fighting onto the screen. Again, perhaps there could have been a bit more as to how and why the battle of Hastings was fought. But perhaps that's a job for another production.

An interesting miniseries. I'm glad I took a chance on it, but I think it could've have been more than what it ultimately became.

Anyone else a bit shocked to see this: "In doing this, King Edward disregards his earlier promises to give the throne of England to one of his legitimate successors from among his Flemish, Viking or Norman relatives.As a result of this unwise decision, a contest for the English crown begins. "

Uhm, succession to Anglo Saxon ingship was NOT inherited not conveyed by the prior monarch. It was decided by a Witenagemot ("Witen"), and Harold was chosen by the witan. Harold was the "legitimate successor" to Edward.

Now to be sure we need to put the context of invaders into its historic frame, The Celts invaded and dominated the prior populations, the Aglo Saxons invaded and dominated prior populations, and so to did the Normans. So one can say that no one is truly legislate or illegitimate because no population is truly "autochthonous" and every single place on earth is dominated by invading populations who simply invaded prior invading populations and that no population on earth is actually "native."

BUT the Normans were different than what had happened in the British isles beforehand. The pre Celtic populations were settlers, the Celtic populations were settlers, the Anglo Saxons were settlers, all bringing in 25% or more added population in a "demic" movement, ie a mass immigration of men women and children. The Norman invasion by William was not demic nor did it include settlers. it was soley a foreign military war-lord class.

As far as the the pair of films that comprise 1066, given it appears to be low budget, is ok. the battle scenes are cheap but in many ways better than high budget but historically completely bogus ones you would see on "Vikings."

This ' DocuDrama ' follows the battle of hastings through the eyes of the peasants (portrayed brilliantly by their respective actors) and the Huscarl they're forced into following; and where their journey takes them across the UK and tries to show the opinion of what life was like for a lowly foot-soldier of the era.

Its nowhere near the high production values of Gladiator or any other blockbuster medieval romp... But it can hold its head high whilst standing next to them.

Because they've used their budget effectively and tell the story well...

It's not a history lesson.. But it does a great job of being sneaky and educating you whilst you're watching. I completely agree with another reviewers' assertion that it was great to learn how Tolkiens own 'middle earth' tales had taken inspiration and where he had adapted a lot of terminology from.

I gave this 9/10 because i thought the acting was brilliant, the story was well told given the obvious budget restrictions (they were clearly trying to show the massive scale of the conflict but didn't have hundreds/thousands of people to work with) and personally i found the music/soundtrack to be icing on the cake.

Which is why i'm here 3 years later writing a review.