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Girl in the Basement

  • 2021
  • 18
  • 1h 28min
NOTE IMDb
6,3/10
17 k
MA NOTE
POPULARITÉ
140
43
Judd Nelson and Stefanie Scott in Girl in the Basement (2021)
Sara is a teen girl who is looking forward to her 18th birthday to move away from her controlling father Don. But before she could even blow out the candles, Don imprisons her in the basement of their home.
Lire trailer1:00
1 Video
99+ photos
Psychological ThrillerCrimeThriller

Sarah est une adolescente qui attend avec impatience son dix-huitième anniversaire pour s'éloigner de Don, son père autoritaire. Mais avant même qu'elle puisse souffler ses bougies, Don l'em... Tout lireSarah est une adolescente qui attend avec impatience son dix-huitième anniversaire pour s'éloigner de Don, son père autoritaire. Mais avant même qu'elle puisse souffler ses bougies, Don l'emprisonne dans le sous-sol de leur maison.Sarah est une adolescente qui attend avec impatience son dix-huitième anniversaire pour s'éloigner de Don, son père autoritaire. Mais avant même qu'elle puisse souffler ses bougies, Don l'emprisonne dans le sous-sol de leur maison.

  • Réalisation
    • Elisabeth Röhm
  • Scénario
    • Barbara Marshall
  • Casting principal
    • Judd Nelson
    • Stefanie Scott
    • Joely Fisher
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    17 k
    MA NOTE
    POPULARITÉ
    140
    43
    • Réalisation
      • Elisabeth Röhm
    • Scénario
      • Barbara Marshall
    • Casting principal
      • Judd Nelson
      • Stefanie Scott
      • Joely Fisher
    • 193avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 1:00
    Official Trailer

    Photos101

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 97
    Voir l'affiche

    Rôles principaux23

    Modifier
    Judd Nelson
    Judd Nelson
    • Don Cody
    Stefanie Scott
    Stefanie Scott
    • Sarah Cody
    Joely Fisher
    Joely Fisher
    • Irene Cody
    Emma Myers
    Emma Myers
    • Marie Cody
    Braxton Bjerken
    Braxton Bjerken
    • Michael Cody
    Jake Nuttall
    Jake Nuttall
    • Thomas
    Emily Topper
    Emily Topper
    • Amy Cody
    Liam Pileggi
    Liam Pileggi
    • Toddler Michael
    Madison Johnson
    Madison Johnson
    • 5 year old Marie
    Jake Etheridge
    Jake Etheridge
    • Chris
    Sydney Kowalske
    Sydney Kowalske
    • Toddler Marie
    Michael Lawson
    Michael Lawson
    • Investigative Police Officer
    • (as Mac Wells)
    Nic Starr
    Nic Starr
    • Hospital Police Officer
    Yossie Mulyadi
    Yossie Mulyadi
    • Attending Physician
    Vince Pisani
    Vince Pisani
    • Dogwalker
    Carmen Alexis
    Carmen Alexis
    • Nurse
    Alnisa Chislom
    • Hospital Reception
    • (non crédité)
    Shayla Harris
    • Nurse Giving CPR
    • (non crédité)
    • Réalisation
      • Elisabeth Röhm
    • Scénario
      • Barbara Marshall
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs193

    6,316.8K
    1
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    3
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    5
    6
    7
    8
    9
    10

    Avis à la une

    7mja58

    Unpleasant yet compelling

    This did not come off like the usual Lifetime movie - my comments:

    1. Nice to see Judd Nelson working, though the part of the dad is light years away from the Breakfast Club. 2. Though there was not a lot of it, the violence was shocking. 3. The dad character was completely unsympathetic. 4. The ending was satisfying, yet left a lot of questions.
    6Top_Dawg_Critic

    A well told true story, ruined by horrible directing.

    Why would they hire actress Elisabeth Röhm, to direct this film, when she's never been behind a camera before? This was such a troubling and horrific true story event, it needed professionals to tell it. The screenplay was on point, but Röhm's failure to direct her cast and scenes properly, really failed this film. Performances were adequate to decent, but that was strictly from the merits of the actors following a screenplay. Stefanie Scott's performance got better as the movie progressed, but I'm sure that was due to her getting comfortable with her character. Even Judd Nelson's performance was stale and amateurish, that with a better director, he would've shined. Had a seasoned director been involved, this could've been much more gut-wrenching and epic film. Nevertheless, it's a story that needed to be told, and I'm glad it was; It was a bold move for Lifetime to produce this. I just wish it was told in a better way. It's a generous 6/10 from me.
    4jackgdemoss

    My first time rating a Lifetime movie

    I knew something was off the moment our main antagonist delivered his first line of dialogue. He was such an atrociously bad actor throughout the entire film that it genuinely felt like a school project at times. It wasn't until the first cut to black during a tense moment that I realized this is a Lifetime made for TV type movie. With that taken into consideration, it held my attention well enough. What trumps even the poor acting and cinematography was the method of story telling. They attempt the classic move where they show a scene from near he end of the movie and then jump back 20 years earlier, slowly building back up to that moment to continue from it. The problem is that this particular scene shows us that any attempt at escape we see throughout the first hour will be unsuccessful, killing any tension and momentum. This was based off the harrowing real story of Elisabeth Fritzl, and more justice could have been done with it in the film realm.
    6tchitouniaram

    Knowing

    The true story behind this film , just proves ones again ,that humans are the terrible creatures , capable of unspeakable things ... Film itself is not bad , just feels that something missing ...
    6sarah-baldwin

    Extremely light version of truth

    Well done and definitely toned down for TV. I personally think people need to start making movies that actually depict the true horror of the reality we live in. Her true events were 1,000 times more horrific. It doesn't do the victims justice by making the father out to be better than he was. He is pure evil. Men like her father should be tortured every second for the rest of their life.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Based on the infamous true story of Elisabeth Fritzl, who was locked up and abused for 24 years (from 1984 to 2008) by her father Josef in Amstetten (Austria). In these years of imprisonment she became the mother of seven children as a result of these abuses.
    • Gaffes
      When the police officer is investigating Sarah's "disappearance", Chris' name and as person who last saw Sarah. When The officer says he wants to go talk to him, Amy says she's going to get Chris' number. The cop then leaves the house before Amy can come back with the phone number, an important lead when conducting an investigation. When Chris comes to bring Sarah the motorcycle helmet, he mentions to Don that the police did question him.
    • Bandes originales
      Wherever I May Go
      Performed by Jake Etheridge and Stefanie Scott

      Written by Jake Etheridge and Marie Hines

    Meilleurs choix

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    FAQ19

    • How long is Girl in the Basement?Alimenté par Alexa
    • Why isn't Elizabeth Rohm listed as a character? She appears near the end as a healthcare person in the hospital.
    • where we can watch the full movie?
    • How does it end?

    Détails

    Modifier
    • Date de sortie
      • 5 juin 2021 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Bodrumdaki Kız
    • Lieux de tournage
      • Atlanta, Géorgie
    • Sociétés de production
      • Big Dreams Entertainment
      • Lifetime
      • Swirl Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 28 minutes
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.78 : 1

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