À plein temps
- 2021
- Tous publics
- 1h 28min
NOTE IMDb
7,4/10
6,6 k
MA NOTE
Julie obtient enfin un entretien pour un emploi où elle peut mieux élever ses enfants, mais se heurte à une grève nationale des transports en commun.Julie obtient enfin un entretien pour un emploi où elle peut mieux élever ses enfants, mais se heurte à une grève nationale des transports en commun.Julie obtient enfin un entretien pour un emploi où elle peut mieux élever ses enfants, mais se heurte à une grève nationale des transports en commun.
- Récompenses
- 10 victoires et 11 nominations au total
Avis à la une
Éric Gravel's "Full Time" is a well-crafted film that follows a single mother, Julie (Laure Calamy), as she tries to make ends meet in a society that seems stacked against her. The movie has a fast-paced feel reminiscent of "Run Lola Run," while also offering a story that viewers can relate to on a personal level. Julie's job as the head chambermaid of a hotel is not ideal, and she's determined to land a better job at a marketing firm. However, with a citywide transit strike and her dependence on public transportation, she faces challenges in reaching her interview on time.
The film's technical aspects, such as Mathilde Van de Moortel's editing and Irene Dresel's score, add to the tension and keep viewers on edge. Julie's determination to better herself is admirable, but the film does not shy away from showing her flaws. Although the movie lacks a strong statement about the strike and organized labor, it is an intelligent and engaging story about a familiar struggle. Gravel's film blends tension and humanism to create an impactful experience.
The film's technical aspects, such as Mathilde Van de Moortel's editing and Irene Dresel's score, add to the tension and keep viewers on edge. Julie's determination to better herself is admirable, but the film does not shy away from showing her flaws. Although the movie lacks a strong statement about the strike and organized labor, it is an intelligent and engaging story about a familiar struggle. Gravel's film blends tension and humanism to create an impactful experience.
There are days when you must wonder what the hell, as you're caught in one almighty, intense swell, fighting currents that don't ebb, trapped by an all-consuming web, in a battered, beaten, broken, burnt out shell.
It's a top drawer performance from Laure Calamy as the divorced mother of two Julie Roy, desperately trying to make ends meet and juggle a multitude of balls, while making the long commute to and from Paris working as a chambermaid. An opportunity to recover a career that she sacrificed for children is not helped on a day when strikes hit the transport system and her world becomes even more gridlocked, while an unsympathetic employer is not amused by her time keeping (amongst other things). You're left wondering how many women find themselves in the same or similar position and struggle to keep their heads above water.
It's a top drawer performance from Laure Calamy as the divorced mother of two Julie Roy, desperately trying to make ends meet and juggle a multitude of balls, while making the long commute to and from Paris working as a chambermaid. An opportunity to recover a career that she sacrificed for children is not helped on a day when strikes hit the transport system and her world becomes even more gridlocked, while an unsympathetic employer is not amused by her time keeping (amongst other things). You're left wondering how many women find themselves in the same or similar position and struggle to keep their heads above water.
Pretty much this and a pursuit of happiness are the most relatable movie I've seen to a period in my life that though hard played a big roll in making me the man I am today. Living in any major city in American can be tough high rents, low wages, marital issues... It's really tough to be a single parent especially if you don't have grandparents or family support. Watching this women sprint to a train, hustle at work, rely on the blessings of dumb luck to get home and back to work is exactly the agst and anxiety that was my life for over a decade. This film is honest and tough to watch at moments. The director did a great job of making every moment feel tense and rushed..... Because that's what it feels like in that situation always. Here are two all the hardworking good parents building trampolines in the dark when they have to get up early..... Great movie.
If you have ever had to juggle full-time work with parenting then you will appreciate this French movie, FULL TIME. The story follows Julie as she tries to secure a job that will enable her to better provide for her child. However, things do not go according to plan when a national transit strike throws a wrench in her plans.
The film does an excellent job of portraying the difficulties of working mothers. Julie is constantly torn between her responsibilities at work and her duties at home. She is also under a lot of pressure to perform well at both. This can be very relatable for many viewers who may have experienced similar situations in their own lives.
The lead actress, Laure Calamy, does an amazing job of conveying the emotional roller coaster that Julie is on throughout the film. She can capture the frustration, anxiety, and determination that comes with trying to balance work and motherhood. And the cinematography by Victor Seguin brilliantly shows the frenetic pace of the city and the director, Eric Gravel, chose to colour-correct Paris to make it look cold and hostile to Julie.
Overall, FULL TIME is a well-written and acted film that will resonate with anyone who has ever had to juggle full-time work and parenting. It is a relatable and moving story that is sure to leave you feeling empathy for single working mothers everywhere.
The film does an excellent job of portraying the difficulties of working mothers. Julie is constantly torn between her responsibilities at work and her duties at home. She is also under a lot of pressure to perform well at both. This can be very relatable for many viewers who may have experienced similar situations in their own lives.
The lead actress, Laure Calamy, does an amazing job of conveying the emotional roller coaster that Julie is on throughout the film. She can capture the frustration, anxiety, and determination that comes with trying to balance work and motherhood. And the cinematography by Victor Seguin brilliantly shows the frenetic pace of the city and the director, Eric Gravel, chose to colour-correct Paris to make it look cold and hostile to Julie.
Overall, FULL TIME is a well-written and acted film that will resonate with anyone who has ever had to juggle full-time work and parenting. It is a relatable and moving story that is sure to leave you feeling empathy for single working mothers everywhere.
I had an overwhelming feeling of watching a Ken Loach film with subtitles, but better photographed and with more interesting music. A hard-working single mother is faced with an unrelenting series of dramas and setbacks. Unlike Ken Loach nobody has to die to wrap up the story.
Le saviez-vous
- AnecdotesDirector Eric Gravel chose to color correct the Paris scenes so that it would look colder, to show that the city is hostile territory for Julie. Similarly, the palace scenes were supposed to show off different colors depending on the hotel rooms, but eventually, the colder color palette prevailed.
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- How long is Full Time?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Être en Mouvement
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 790 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 42 566 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 423 $US
- 5 févr. 2023
- Montant brut mondial
- 1 878 826 $US
- Durée1 heure 28 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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