À plein temps
- 2021
- Tous publics
- 1h 28min
NOTE IMDb
7,4/10
6,7 k
MA NOTE
Julie obtient enfin un entretien pour un emploi où elle peut mieux élever ses enfants, mais se heurte à une grève nationale des transports en commun.Julie obtient enfin un entretien pour un emploi où elle peut mieux élever ses enfants, mais se heurte à une grève nationale des transports en commun.Julie obtient enfin un entretien pour un emploi où elle peut mieux élever ses enfants, mais se heurte à une grève nationale des transports en commun.
- Récompenses
- 10 victoires et 11 nominations au total
Avis à la une
There are days when you must wonder what the hell, as you're caught in one almighty, intense swell, fighting currents that don't ebb, trapped by an all-consuming web, in a battered, beaten, broken, burnt out shell.
It's a top drawer performance from Laure Calamy as the divorced mother of two Julie Roy, desperately trying to make ends meet and juggle a multitude of balls, while making the long commute to and from Paris working as a chambermaid. An opportunity to recover a career that she sacrificed for children is not helped on a day when strikes hit the transport system and her world becomes even more gridlocked, while an unsympathetic employer is not amused by her time keeping (amongst other things). You're left wondering how many women find themselves in the same or similar position and struggle to keep their heads above water.
It's a top drawer performance from Laure Calamy as the divorced mother of two Julie Roy, desperately trying to make ends meet and juggle a multitude of balls, while making the long commute to and from Paris working as a chambermaid. An opportunity to recover a career that she sacrificed for children is not helped on a day when strikes hit the transport system and her world becomes even more gridlocked, while an unsympathetic employer is not amused by her time keeping (amongst other things). You're left wondering how many women find themselves in the same or similar position and struggle to keep their heads above water.
Two years after this film was released, it is more relevant than ever. Increased prices for food, heating, petrol and public services have taken off in Europe over the past year. Many feel enormous pressure. Especially those in low-wage jobs, like the main character in this poignant social drama that unfolds in Paris. Rarely have I seen a film that gets the message across to such an extent. Social drama yes, but the pace of the lead actor almost takes your breath away. Time is of the essence here. And to make both the money last, in a world where being poor makes them incredibly vulnerable and with very little to go on before the disaster is a fact. If so, this film is a wake-up call. Because it gives an insight into how many people live now. Gripping and topical film that I highly recommend. Thank you and praise that films of this format are still being made. Eye-opening film.
In 1973, you had a French comedy called ELLE COURT ELLE COURT LA BANLIEUE, speaking of the hectic daily life of a suburban woman going to work every day, using public transportation, the kind of scheme in which millions of people could recognize themselves in. This one is not really a comedy, because it may be disturbing to watch, when you realize the hell this poor woman, mother of two, has to fight like a dog to survive, between a stressful job - she works in a Parisian palace, as a sort of supervisor - public transportation strike hell - so typical of France, the STRIKE KINGDOM in the world, financial problems, unbearable kids, problems to take care fo them when she works, a new job...You suffer for her, you feel dizzy for her, you may watch yourself in a mirror viewing this so realistic story. Maybe it's too much, I mean "too many" problems occur to this poor woman. It can't be possible that so many cataclysms happen on this casualty of modern world. I was surprised by the way she got rid off the big shipment from the van. Very ingenious, this is the kind of scene you may see in a crime film, about hoodlums pulling a heist. A jewel of a film, a mirror of the modern world, especially in France, my homeland, where a transportation bus line, train or subway may be stopped for hours just when a passenger feels sick, faints, or pukes. France where chaos, mess, jam everywhere is written in the Constitution. And I am in the best position to say this. France....
I had an overwhelming feeling of watching a Ken Loach film with subtitles, but better photographed and with more interesting music. A hard-working single mother is faced with an unrelenting series of dramas and setbacks. Unlike Ken Loach nobody has to die to wrap up the story.
If you have ever had to juggle full-time work with parenting then you will appreciate this French movie, FULL TIME. The story follows Julie as she tries to secure a job that will enable her to better provide for her child. However, things do not go according to plan when a national transit strike throws a wrench in her plans.
The film does an excellent job of portraying the difficulties of working mothers. Julie is constantly torn between her responsibilities at work and her duties at home. She is also under a lot of pressure to perform well at both. This can be very relatable for many viewers who may have experienced similar situations in their own lives.
The lead actress, Laure Calamy, does an amazing job of conveying the emotional roller coaster that Julie is on throughout the film. She can capture the frustration, anxiety, and determination that comes with trying to balance work and motherhood. And the cinematography by Victor Seguin brilliantly shows the frenetic pace of the city and the director, Eric Gravel, chose to colour-correct Paris to make it look cold and hostile to Julie.
Overall, FULL TIME is a well-written and acted film that will resonate with anyone who has ever had to juggle full-time work and parenting. It is a relatable and moving story that is sure to leave you feeling empathy for single working mothers everywhere.
The film does an excellent job of portraying the difficulties of working mothers. Julie is constantly torn between her responsibilities at work and her duties at home. She is also under a lot of pressure to perform well at both. This can be very relatable for many viewers who may have experienced similar situations in their own lives.
The lead actress, Laure Calamy, does an amazing job of conveying the emotional roller coaster that Julie is on throughout the film. She can capture the frustration, anxiety, and determination that comes with trying to balance work and motherhood. And the cinematography by Victor Seguin brilliantly shows the frenetic pace of the city and the director, Eric Gravel, chose to colour-correct Paris to make it look cold and hostile to Julie.
Overall, FULL TIME is a well-written and acted film that will resonate with anyone who has ever had to juggle full-time work and parenting. It is a relatable and moving story that is sure to leave you feeling empathy for single working mothers everywhere.
Le saviez-vous
- AnecdotesDirector Eric Gravel chose to color correct the Paris scenes so that it would look colder, to show that the city is hostile territory for Julie. Similarly, the palace scenes were supposed to show off different colors depending on the hotel rooms, but eventually, the colder color palette prevailed.
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- How long is Full Time?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Être en Mouvement
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 790 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 42 566 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 423 $US
- 5 févr. 2023
- Montant brut mondial
- 1 878 826 $US
- Durée1 heure 28 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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