À plein temps

If you have ever had to juggle full-time work with parenting then you will appreciate this French movie, FULL TIME. The story follows Julie as she tries to secure a job that will enable her to better provide for her child. However, things do not go according to plan when a national transit strike throws a wrench in her plans.

The film does an excellent job of portraying the difficulties of working mothers. Julie is constantly torn between her responsibilities at work and her duties at home. She is also under a lot of pressure to perform well at both. This can be very relatable for many viewers who may have experienced similar situations in their own lives.

The lead actress, Laure Calamy, does an amazing job of conveying the emotional roller coaster that Julie is on throughout the film. She can capture the frustration, anxiety, and determination that comes with trying to balance work and motherhood. And the cinematography by Victor Seguin brilliantly shows the frenetic pace of the city and the director, Eric Gravel, chose to colour-correct Paris to make it look cold and hostile to Julie.

Overall, FULL TIME is a well-written and acted film that will resonate with anyone who has ever had to juggle full-time work and parenting. It is a relatable and moving story that is sure to leave you feeling empathy for single working mothers everywhere.

There are days when you must wonder what the hell, as you're caught in one almighty, intense swell, fighting currents that don't ebb, trapped by an all-consuming web, in a battered, beaten, broken, burnt out shell.

It's a top drawer performance from Laure Calamy as the divorced mother of two Julie Roy, desperately trying to make ends meet and juggle a multitude of balls, while making the long commute to and from Paris working as a chambermaid. An opportunity to recover a career that she sacrificed for children is not helped on a day when strikes hit the transport system and her world becomes even more gridlocked, while an unsympathetic employer is not amused by her time keeping (amongst other things). You're left wondering how many women find themselves in the same or similar position and struggle to keep their heads above water.

In 1973, you had a French comedy called ELLE COURT ELLE COURT LA BANLIEUE, speaking of the hectic daily life of a suburban woman going to work every day, using public transportation, the kind of scheme in which millions of people could recognize themselves in. This one is not really a comedy, because it may be disturbing to watch, when you realize the hell this poor woman, mother of two, has to fight like a dog to survive, between a stressful job - she works in a Parisian palace, as a sort of supervisor - public transportation strike hell - so typical of France, the STRIKE KINGDOM in the world, financial problems, unbearable kids, problems to take care fo them when she works, a new job...You suffer for her, you feel dizzy for her, you may watch yourself in a mirror viewing this so realistic story. Maybe it's too much, I mean "too many" problems occur to this poor woman. It can't be possible that so many cataclysms happen on this casualty of modern world. I was surprised by the way she got rid off the big shipment from the van. Very ingenious, this is the kind of scene you may see in a crime film, about hoodlums pulling a heist. A jewel of a film, a mirror of the modern world, especially in France, my homeland, where a transportation bus line, train or subway may be stopped for hours just when a passenger feels sick, faints, or pukes. France where chaos, mess, jam everywhere is written in the Constitution. And I am in the best position to say this. France....

Pretty much this and a pursuit of happiness are the most relatable movie I've seen to a period in my life that though hard played a big roll in making me the man I am today. Living in any major city in American can be tough high rents, low wages, marital issues... It's really tough to be a single parent especially if you don't have grandparents or family support. Watching this women sprint to a train, hustle at work, rely on the blessings of dumb luck to get home and back to work is exactly the agst and anxiety that was my life for over a decade. This film is honest and tough to watch at moments. The director did a great job of making every moment feel tense and rushed..... Because that's what it feels like in that situation always. Here are two all the hardworking good parents building trampolines in the dark when they have to get up early..... Great movie.

Laura Calamy runs for her life, in a sense, and for the live of her children. There is no monster or serial killer out to get her: the challenge of this divorced mother of two, who has dropped long ago out of her career to raise her offspring, and now has to eke out a living by working as a chambermaid, is to make ends meet. We are in Ken Loach territory here, but À plein temps couldn't be more different, and frankly it's heads and shoulder above most of Loach's works. For a start, it's shot like a thriller: it's fast paced, and dry. It doesn't hector or guilt-trip the spectator; it doesn't depict its protagonist like a saint either: Julie Roy is as flawed as most people are. She is smart, can even be crafty, but has no time for moral refinement: for her, it's sink or swim, and she is determined to not sink (her only moment of genuine doubt arrives in the last third of the movie, in the scene at the station. The camera lingers on her back in one of the rare long shots in the film, and yet somehow we can read her thoughts -- this is the work of an author who truly masters their craft).

What put Julie in this situation is ultimately left to the spectator to decide. Has she at least partially brought it onto her by buying into a 50s-style suburban life myth? Is it society who has lost all empathy? Is there hope for her? I won't spoil the ending, but suffice to say, it's as powerful and dry and hard-hitting as the rest of the movie.

À plein temps is giving me hope for French cinema. It's a great movie. Don't miss it.