[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
Guide des épisodes
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Moi, Christiane F., 13 ans, droguée, prostituée

Titre original : Wir Kinder vom Bahnhof Zoo
  • Série télévisée
  • 2021
  • 18
  • 1h
NOTE IMDb
6,3/10
3,7 k
MA NOTE
Moi, Christiane F., 13 ans, droguée, prostituée (2021)
Wir Kinder Vom Bahnhof Zoo (German Teaser Trailer)
Lire trailer0:44
1 Video
38 photos
Drame

Interprétation moderne et contemporaine inspirée des mémoires de Christiane F. sur six jeunes qui se battent pour leur rêve. Ce ne sont pas des victimes, mais des jeunes, courageux et forts.Interprétation moderne et contemporaine inspirée des mémoires de Christiane F. sur six jeunes qui se battent pour leur rêve. Ce ne sont pas des victimes, mais des jeunes, courageux et forts.Interprétation moderne et contemporaine inspirée des mémoires de Christiane F. sur six jeunes qui se battent pour leur rêve. Ce ne sont pas des victimes, mais des jeunes, courageux et forts.

  • Création
    • Oliver Berben
    • Annette Hess
    • Philipp Kadelbach
  • Casting principal
    • Jana McKinnon
    • Lena Urzendowsky
    • Lea Drinda
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    3,7 k
    MA NOTE
    • Création
      • Oliver Berben
      • Annette Hess
      • Philipp Kadelbach
    • Casting principal
      • Jana McKinnon
      • Lena Urzendowsky
      • Lea Drinda
    • 74avis d'utilisateurs
    • 14avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 5 nominations au total

    Épisodes8

    Parcourir les épisodes
    HautLes mieux notés1 saison2021

    Vidéos1

    Wir Kinder Vom Bahnhof Zoo (German Teaser Trailer)
    Trailer 0:44
    Wir Kinder Vom Bahnhof Zoo (German Teaser Trailer)

    Photos38

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 32
    Voir l'affiche

    Rôles principaux96

    Modifier
    Jana McKinnon
    Jana McKinnon
    • Christiane
    • 2021
    Lena Urzendowsky
    Lena Urzendowsky
    • Stella
    • 2021
    Lea Drinda
    Lea Drinda
    • Babsi
    • 2021
    Michelangelo Fortuzzi
    Michelangelo Fortuzzi
    • Benno
    • 2021
    Jeremias Meyer
    Jeremias Meyer
    • Axel
    • 2021
    Bruno Alexander
    Bruno Alexander
    • Michi
    • 2021
    Angelina Häntsch
    Angelina Häntsch
    • Karin
    • 2021
    Sebastian Urzendowsky
    Sebastian Urzendowsky
    • Robert
    • 2021
    Bernd Hölscher
    • Günther Breitweg
    • 2021
    Valerie Neuenfels
    Valerie Neuenfels
    • Nati
    • 2021
    Nik Xhelilaj
    • Dijan
    • 2021
    Gerhard Liebmann
    Gerhard Liebmann
    • Master Locksmith
    • 2021
    Tonio Arango
    Tonio Arango
    • Tristan
    • 2021
    Stella Brückner
    • Nicole
    • 2021
    Franz Schmidt
    • Nils
    • 2021
    Dimitrij Schaad
    • Milos
    • 2021
    Heide Simon
    • Luise
    • 2021
    Hildegard Schmahl
    • Anni
    • 2021
    • Création
      • Oliver Berben
      • Annette Hess
      • Philipp Kadelbach
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs74

    6,33.6K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Résumé

    Reviewers say 'Wir Kinder vom Bahnhof Zoo' garners mixed reactions. Strong acting, especially Jana McKinnon, and high production values are praised. However, critics argue significant deviations from the original book and movie, including changes in character ages and settings. Some feel it glamorizes drug use and lacks the original's gritty realism, while others appreciate the modern interpretation and deeper character exploration.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    4toktok1

    it just feels wrong

    In the original book Christiane F is a 13 year old child and in the original movie she is played by a little 13 year old girl. so it seems odd that in this version Christiane is played by a 18 year old woman, dressed and groomed like an adult and wearing makeup like a grown woman and yet seems oblivious to the fact that women have periods. it is not a bad show but if you expect anything like the original you will be disappointed.
    7horrorules

    not as good as the movie, but however an interesting show.

    Uli Edel's originale movie is better than this show, but, however I find Philipp Kadelbach did a good job of telling an intense and painful story, but what I appreciated most is the performance of the young actors, all very talented, in particular Jana MacKinnon, who is truly exceptional in the role of Christianne.

    In collective this new version of the story is not great, but not bad either, it is good and this is enough for me and advances.
    4mark01254

    This is just a 480 minute long Indie Dream Pop music video

    There's not much else left to say. Cinematography is decent, some of the actors deliver a pretty good performance (Angeline Häntsch, Bruno Alexander, Gerhard Liebmann, Bernd Hölscher) - the main character's, however, is not really convincing at times. Other than that, it's completely overproduced, drifting away from reality since minute 1. A rather cringeworthy take on David Bowie, massive overuse of soundtracks, it just feels like a never ending music video, picking up overly idealized stories of the character's lives. The "Sound" Disco looks more like a high-priced elite club of the 21st century in the US.

    It's like they tried to take the whole Stranger Things fictional 80's retro vibe filter featuring fantasy content and apply it to a surprisingly uncritical story about drug addiction of Berlin's troubled youth in the 70's experiencing a mild existential crisis.

    They lost me for good when they actually muted Bowie's song Heroes, the masterpiece that was carrying the atmosphere throughout the 1981 film "Christiane F.", after a few seconds just to fade in some somber piano cover of Sia's Chandelier. Not a bad song, but completely misplaced!

    And that's one of the problems I have with this adaptation. It's a total overkill of dramatic elements, fake snow, wind machines, close-up shots and fake tears. It's similar to what happens to a good photo when you start tweaking and using Instagram filters...
    4your crowbar

    Who is this series for?

    I believe this series is supposed to happen in a parallel universe, in a fantasy land. Not because of the intentional anachronisms (modern music even though the action is set in the 70s, for example); but because I highly doubt the Berlin shown here has ever existed.

    All club scenes seem to be made for people who have never set foot in a techno party. The club itself looks immaculate and everybody has space to dance; nobody is dripping with sweat; and the music is laughably tame (come on, at least play stuff with some edge! This is Berlin!).

    The series looks great. Obscenely great. People wear the most wonderful clothes, even though they have no money. A character is about to commit suicide and the scene could be framed and hanged on a wall. There's an orgy party more baroque than the one in Eyes Wide Shut. It's almost admirable, as if the creators have decided: "let's do a story about teenagers getting addicted to drugs and turning to prostitution, but the whole thing will be LIT." Had this been a dare, I could perhaps admire the audacity. But the creators wanna have their cake and eat it, too: so here and there you'll have someone from the young cast looking horrible, beaten, destroyed. It never lasts long though: soon after there'll be more glamorous shots (no pun intended) for the viewer. I kept myself thinking about the incredible make-up abilities of the characters: they manage to go from scabs-in-the-face ugly in one scene to breakfast-with-mom-looking-fresh in the next.

    And who's the audience for this? Teenagers who will be scared by the drug world, but might be seduced by the fabulous clothes and cool attitude of the young cast? Adults who want to see an aseptic version of Christiane F.'s story? I honestly don't know. I watched the whole thing wondering that. And now I wonder if there is any reason for this series to exist.
    3KaZenPhi

    Feels almost cynical

    When the original book about Christiane F's live as a teenage drug addict and prostitute in West Berlin was released in the late seventies it shocked a whole nation that had turned a blind eye to some of its most vulnerable people. It's still a stunning read that lost none of its power, a lurid and detailed description of a youth lost, of love and death, hope and despair. Despite its graphic content it's become a classic that is still being read in schools. The 1981 film version was a bit sanitized by comparison, still effective in showing the grime and dirt of West Berlin's drug scene at the time, often filmed at the real locations guerilla style. Unfortunately it plays a bit too sensationalist and ditched much of the nuance and details of the book in favor of a more classic cautionary tale narrative. I'm not a big fan but admittedly it still retained a lot of the core strengths of the book.

    To me the interesting question in regards to this new modern loose adaptation of Wir Kinder vom Bahnhof Zoo is: who thought it was a good idea to make heroine use, addiction and survival sex so glossy, stylish, sexy, hip and palpable to a current teenage audience?

    Many movies that deal with addiction like Trainspotting, Spun, Requiem for a dream and even the 1981 Christiane F. version have been accused of accidentally or intentionally glorifying elements of drug use with its creative visuals and stylish filmmaking. I would personally disagree with a lot of these assessments, I think it's necessary to show the highs of drugs so an audience can more easily understand why people would destroy themselves for such substances, but it's a fair point to argue. However the remake of Bahnhof Zoo just goes so far that I can't in good conscience defend any of it. The overwhelming success of the book and original movie inadvertently turned many of its real life protagonists into counter culture icons with devastating personal results, especially for main protagonist Christiane F herself, the Amazon Prime series seems to try to do that intentionally. The constant glamour shots, slow-mo walking, stylish outfits, driving EDM beats, the cool and swagger of heroine chic. While the series eventually touches some of the darker aspects of these kids' lives, even that abyss is illuminated mostly with gloss and a sense of exciting danger rather than introspection and gravitas. Given the harrowing real life tales the original story is based on all the stylistic choices to make this an entertaining coming of age show first and foremost, strike me as tone-deaf at best and cynical at worst.

    There are huge issues with the direction of this show. In any other circumstance the mixing of different time periods could be an interesting idea. We have a 70s esque city scape, lots of 80s and 90s fashion, contrasted with modern electronic dance music in the countless club scenes that are populated with current age looking appealing young people. The makers explained in interviews that they wanted a more timeless tale that younger people could more easily relate too but setting it fully in modern times would change the story too much. The problem with that is: the original story isn't timeless by any means. Its themes and psychological underpinnings are, but Christiane F's story is a time capsule, a distinctly West German tale from the late seventies. Even less than a decade later the drug scene in Berlin had already changed completely and no longer aligned at all with the book, let alone now 40 years later. If you want to do it justice you either have to do a detailed period piece or a complete modernization based on the current situation in the same scene (which would require lots of research and that sounds like too much work, I agree). Sadly they ended up doing a bad mixture of both. Borrowing whatever West Berlin chic and David Bowie cool they could afford, to ride on the enduring brand appeal of Bahnhof Zoo and the current wave of retro Berlin fascination, mixing it with 2020s advertising aesthetics for mass international appeal. The next may sound like a minor point but it illustrates the larger problem: I personally love Bowie dearly but the ubiquitous presence of his music and likeness is completely at odds with the modern sound and visuals of the show, but because it is such an integral part of the Christiane F. brand they of course couldn't not use it. I'm sorry but I just can't see anything but cynical marketing decisions behind every creative choice made in this show.

    And it's such a bummer too. There is a lot of amazing fresh acting talent on display here. The extended length of a series compared to a film means you could have more faithfully adapted the book. Had they committed to a better thought out period play the high budget could have lead to a detailed and charming resurrection of 1970s West Berlin, a remarkable city now long gone.

    Even if you ignore the exploitive nature of the series (remember: this is all based on real people, most of them children or youths at the time) it's just not a well-told show. It's boring, it lacks structure and even the aesthetics that try to be the main draw are recycled from much better movies. This is a dud all the way through and surprisingly tasteless in more than one way.

    Vous aimerez aussi

    Moi, Christiane F., 13 ans, droguée, prostituée...
    7,5
    Moi, Christiane F., 13 ans, droguée, prostituée...
    Milk & Honey
    7,9
    Milk & Honey
    Atila
    9,7
    Atila
    L'Albanais
    7,1
    L'Albanais
    Policë për kokë
    7,5
    Policë për kokë
    Filma te shkurter 2010/2
    9,3
    Filma te shkurter 2010/2
    Distant Angels
    5,7
    Distant Angels
    Winnetou - Der Mythos lebt
    7,3
    Winnetou - Der Mythos lebt
    Her Sevda Bir Veda
    7,1
    Her Sevda Bir Veda
    Smutek paní Snajderové
    6,3
    Smutek paní Snajderové
    Seven Lucky Gods
    5,0
    Seven Lucky Gods
    Real Playing Game
    4,3
    Real Playing Game

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      According to producer Oliver Berben, the budget for the first season episodes is more than 25 million euros.
    • Connexions
      Referenced in Christiane F. - Telle est l'histoire (2022)

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ

    • How many seasons does We Children from Bahnhof Zoo have?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 9 avril 2021 (France)
    • Pays d’origine
      • Allemagne
      • République tchèque
      • Italie
    • Site officiel
      • German Website
    • Langues
      • Allemand
      • Anglais
      • Tchèque
    • Aussi connu sous le nom de
      • We Children from Bahnhof Zoo
    • Lieux de tournage
      • Gropiusstadt, Neukölln, Berlin, Allemagne
    • Sociétés de production
      • Constantin Television
      • Amazon Studios
      • Wilma Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure
    • Couleur
      • Color

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Moi, Christiane F., 13 ans, droguée, prostituée (2021)
    Lacune principale
    By what name was Moi, Christiane F., 13 ans, droguée, prostituée (2021) officially released in India in Hindi?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la pageAjouter un épisode

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.