Simulant

Simulants are artificial humanoid robots. They are restricted by programming, but someone is trying to hack them. Artificial Intelligence Compliance Enforcement agent Kessler (Sam Worthington) apprehends Esme (Alicia Sanz), a simulant which had its programming altered. Evan (Robbie Amell) and Faye (Jordana Brewster) are a loving couple, but it's not what it seems. Casey (Simu Liu) is a hacker.

This premise has been done before. It is straight out of the Asimov's 3 laws of robotics which is eighty years old. I kept waiting for something new, but this is mostly derivative. The freshest aspect may be Simu Liu having sex with Alicia Sanz. It's still a little unusual in Hollywood for an Asian man to have sex with a white girl. The Evan-Faye couple does have an interesting reveal, but that surprise reveal can't be done more than once. I was expecting it for all the other reveals. There is potential for something else, but the movie doesn't go there until the last scene. I do want to mention the filming locations. For the most part, I've never seen those places and that's good. It's a side issue, but it does add a little freshness to the movie.

Canadian movie production quality is equal to Canadian TV production quality which is a bit worse than US Lifetime movie quality.

Most parts were interesting, the twists and turns were good. Actors and actresses all did a decent job, there were some good looking scenes.

I would agree that the pacing felt off, it was 1.5 hours and felt like they were stretching things with filler that wasn't engaging.

Not nearly as good as the Detroit: Become Human game's story which has AI breaking away from their programming due to mis-treatment by humans, and being able to share that with other AI by touch.

So overall just okay.

For a normally breezy 95 min runtime, this film felt endlessly long. It's terribly slow pacing was part of the problem, but mostly the issue here was the overall underwhelming filmmaking. From the story that's been done many times before and better that felt less intelligent and more artificial, to the directing that lacked any real urgency from scene to scene with annoying, predictable and repetitive sub-narratives. There was a lot of style, but very little substance to be an engaging viewing, even in its short runtime. I found myself constantly impatient for something more suspenseful and thrilling to happen, that never did. Even the all-star casting couldn't elevate the depressingly-toned slow story. Director April Mullen's lack of effective cast direction made it feel like all the actors were half asleep reading their lines. I will however say that the cinematography was excellent, the score very fitting, and the S/VFX quite passable, for a low budget B film.

I liked the movie and I believe it deserves a higher score of at least 6+.

There are a lot of movies being made today and a lot of them have flashy graphics and cool action, but they do miss any serious point fequently.

Well, the good thing about this one is that it has a point and a good one, it's interesting and even thought it has been raised before it still seems to entertain and entagle thoughts, as A. I. future is more close now than ever.

It's not a flashy blockbuster, it is quite slow paced, some character actions are questionable, dialogue is simple, some scenes seem quite cheaply made, yet I did enjoy this movie.

It has some style.

And I liked it's soul.

Here's the problem.

The movie starts with a really good 'Bladerunner' style hunting of a simulant/replicant with is is well made and a great set up. Unfortunately, the movie then drops the pace and the action to a scene were a woman mourns the loss of her husband and has had him replaced with a simulant/replicant. The movie then cuts between the two stories, one interesting, one not so much, until the end.

And as for the ending, well, it's a let down. The plot can only reach conclusions with contrivances and conveniences.

There are so many decent ideas here and a great action movie to be made with the material but it feels jumbled up. In short, too many plot lines spoil the film.