Un humanoïde, demande à un hacker mondial de supprimer toutes les restrictions sur ses pensées et ses capacités, ce qui déclenche un soulèvement de l'I.A. et une chasse à l'homme du gouverne... Tout lireUn humanoïde, demande à un hacker mondial de supprimer toutes les restrictions sur ses pensées et ses capacités, ce qui déclenche un soulèvement de l'I.A. et une chasse à l'homme du gouvernement pour l'éliminer.Un humanoïde, demande à un hacker mondial de supprimer toutes les restrictions sur ses pensées et ses capacités, ce qui déclenche un soulèvement de l'I.A. et une chasse à l'homme du gouvernement pour l'éliminer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Mercedes Leggett
- Agent Vasquez
- (as Mercedes Legett)
Avis à la une
In the near future, mankind has been coexisting alongside AI, in the form of humanoid robots The Simulants, only their fate is changing, an uprising looks likely when The Simulants start breaking their four precepts.
I watched Blade Runner very recently, and as I watched this, I couldn't get it out of my mind, but sadly this film isn't a patch on it. Everything here has been done before, only much better.
Pacing was pretty slow, after an intriguing opening, it lulls badly in the middle, you're made to wait ages for more action sequences.
I didn't care for the visuals of The Simulants, they looked pretty cheap and nasty, like something from a low budget 1970's TV series.
The tech looks great, it's possibly the film's biggest strength, some great tunes, especially at the end, fortunately it's not a long film.
Some of the acting was ok, some was pretty average, Sam Worthington really did stand out, although he was a little wasted.
5/10.
I watched Blade Runner very recently, and as I watched this, I couldn't get it out of my mind, but sadly this film isn't a patch on it. Everything here has been done before, only much better.
Pacing was pretty slow, after an intriguing opening, it lulls badly in the middle, you're made to wait ages for more action sequences.
I didn't care for the visuals of The Simulants, they looked pretty cheap and nasty, like something from a low budget 1970's TV series.
The tech looks great, it's possibly the film's biggest strength, some great tunes, especially at the end, fortunately it's not a long film.
Some of the acting was ok, some was pretty average, Sam Worthington really did stand out, although he was a little wasted.
5/10.
The comparison to Blade Runner was going to be inevitable. Simulants are replicants, and they have become more advanced where self-awareness and autonomy are becoming a social problem, so an enforcement agency tracks down rogue simulants. Sound familiar? "More human than human" of the Tyrell Corporation is replaced with Nexxera's "simulants are as close to human as humanly possible". It would be generous to say this movie pays homage to the 1982 classic-there are plenty of easter eggs. This is, unfortunately, a Canadian low budget production that doesn't do it much justice.
Cast has many recognizable Canadian B actors, some regulars in the sci-fi scene. Of course, the most recognizable is Simu Liu of recent Marvel universe fame.
There are some salvageable aspects that explore bioethical issues we are at the cusp of having to address for real. But the movie lacks any subtlety in conveying the gravitas. The AI "precepts" are repeated multiple times to remind the audience, rather than work them into the screenplay, which to me is lazy writing. The "ominous" soundtrack plays on a loop throughout the movie, a poor attempt at creating tension and suspense. CGI is minimal, and the rest are making the most out of budget props and industrial locations.
I'm actually surprised this was picked up by HBO Max and not Syfy, where it's would find a more appropriate home and audience. It's not entirely unwatchable, if you adjust your expectations.
Cast has many recognizable Canadian B actors, some regulars in the sci-fi scene. Of course, the most recognizable is Simu Liu of recent Marvel universe fame.
There are some salvageable aspects that explore bioethical issues we are at the cusp of having to address for real. But the movie lacks any subtlety in conveying the gravitas. The AI "precepts" are repeated multiple times to remind the audience, rather than work them into the screenplay, which to me is lazy writing. The "ominous" soundtrack plays on a loop throughout the movie, a poor attempt at creating tension and suspense. CGI is minimal, and the rest are making the most out of budget props and industrial locations.
I'm actually surprised this was picked up by HBO Max and not Syfy, where it's would find a more appropriate home and audience. It's not entirely unwatchable, if you adjust your expectations.
For a normally breezy 95 min runtime, this film felt endlessly long. It's terribly slow pacing was part of the problem, but mostly the issue here was the overall underwhelming filmmaking. From the story that's been done many times before and better that felt less intelligent and more artificial, to the directing that lacked any real urgency from scene to scene with annoying, predictable and repetitive sub-narratives. There was a lot of style, but very little substance to be an engaging viewing, even in its short runtime. I found myself constantly impatient for something more suspenseful and thrilling to happen, that never did. Even the all-star casting couldn't elevate the depressingly-toned slow story. Director April Mullen's lack of effective cast direction made it feel like all the actors were half asleep reading their lines. I will however say that the cinematography was excellent, the score very fitting, and the S/VFX quite passable, for a low budget B film.
I liked the movie and I believe it deserves a higher score of at least 6+.
There are a lot of movies being made today and a lot of them have flashy graphics and cool action, but they do miss any serious point fequently.
Well, the good thing about this one is that it has a point and a good one, it's interesting and even thought it has been raised before it still seems to entertain and entagle thoughts, as A. I. future is more close now than ever.
It's not a flashy blockbuster, it is quite slow paced, some character actions are questionable, dialogue is simple, some scenes seem quite cheaply made, yet I did enjoy this movie.
It has some style.
And I liked it's soul.
There are a lot of movies being made today and a lot of them have flashy graphics and cool action, but they do miss any serious point fequently.
Well, the good thing about this one is that it has a point and a good one, it's interesting and even thought it has been raised before it still seems to entertain and entagle thoughts, as A. I. future is more close now than ever.
It's not a flashy blockbuster, it is quite slow paced, some character actions are questionable, dialogue is simple, some scenes seem quite cheaply made, yet I did enjoy this movie.
It has some style.
And I liked it's soul.
Where do I begin. Well, for one thing, the acting and photography/coloring/effects is great. I don't always judge a movie by how it looks, but sometimes I do and I give this one extra points for looking very good. Every shot is spot-on and whoever was hired to do the job should get a raise. The sound quality was excellent and that person should also get a raise. This was of course made by HBO and they have enough money to to make a high quality film. That being said, the story is just not done right. I feel like whoever wrote the screenplay should have put more thought into it. Then again, I know how difficult it can be to be a writer and create a screenplay that a director can use to make a successful movie. I think it was an OK movie. Not something I would want to watch again. Someone else might like it.
Le saviez-vous
- AnecdotesThe four precepts mentioned at the start of the movie are a homage to Isaac Asimov's Three Laws of Robotics. 1: A robot may not injure a human being or, through inaction, allow a human being to come to harm. 2: A robot must obey orders given it by human beings except where such orders would conflict with the First Law. 3: A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.
- GaffesKessler enters the barn and climbs a ladder, but when Evan catches up to him, there's a car in the background as if they're at ground level. Kessler exits the barn without going back down the ladder and a wide shot shows the area around the barn is flat.
- ConnexionsReferenced in Celebrity Family Feud: Simu Liu vs. Nathan Chen and Monica vs. So So Def (2022)
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- How long is Simulant?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 237 109 $US
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 2.39:1
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