Punch

I was expecting more strangeness from Welby Ings, whose short "Boy" (2004) was engagingly creepy. This is more conventional and grim, with homophobic violence and the poetic slow-mo gore of desperate boxing.

It's a little predictable. The town of Pirau (meaning "rotten") is hypocritically homophobic. The butchest characters turn out to be the queerest. Jim (engaging Jordan Oosterhof) is ill-at-ease from beginning to end with the role of boxer that his father (obviously wanting his son to be what he couldn't) pushes him into - shades of "Tea and Sympathy" (1956) - and the central issue of him finding his sexuality is familiar. What happens to Whetu (Conan Hayes), a young Maori femme on the way to spread his, um, wings in Sydney, comes as little surprise. There are some surprises and subtlety, though. In a single gesture and a few seconds of action, our view of Whetu's role changes 180 degrees - or perhaps that should be basement to penthouse.

As usual in Aotearoa, the scenery threatens to steal the show, in this case the dunes of, probably, southern Kaipara, generally filmed in a gloomy afternoon light. The sex is poetic and inexplicit, fitting well into the storyline.

A couple of things strain credulity, high tech video gear in a remote shack far from the grid, and a high school boxer being set up in a high-stakes bout when he's so far never been seen in a ring with an opponent. But the ending is feel-good, if not what you might expect.

Punch certainly felt polished and pretty well developed. The cinematography and ambience worked for the film - it was actually quite beautiful.

What stops this film from being successful in my eyes was a slightly confused narrative alongside a dubious script. Without going into details, much of the characters' dialogue really feels like it needed a rewrite - it was awkward and a bit jarring in many parts and the actors struggled to make it believable.

Some characters and plot points felt undeveloped, and that might be due to the fact that the central story (the boxing match) altogether wasn't strong or compelling enough to carry the weight of the film all by itself.

All in all it was still a wonderful film and I would definitely encourage others to watch.

It can be hard to be gay no matter where you are. Conservative or Moderate and even liberal, small minds make you want to leave. In this small town jobs are disappearing by the second so the father does what he can to help his son (Jim) get free via boxing. Though in a backwards way. Jim is becoming strong of mind but he is still naive and he is learning who he is what he wants likes making videos. Whetu is good, artistic and edged due to how the world treats him due to his sexuality. And the mistakes we make that lead to bigger consequences even when we try to do good, survive and just be emotionally well and free.

This movie is about the attempt to persevere and the drive to figure yourself out even when horrible things are ocurring around you. To find the path and walk it to the other side and when you get there to breath air that tastes like your first drink of water. But sometimes we don't get there. Or we don't get there the way we originally thought we would.

A predictable story line once all the loose ends are tied up following an interesting start. Too bad about the script. The dialogue is very thin and a good editing is needed to condense elements of character in the two main protagonists right from the start. Photography excels, as does sound recording, but with New Zealand as a backdrop that is almost a given. For a relatively low budget film it feels quite professional. A red Pontiac convertible from the early 70's played a role. Was it intended?

I respect comments already made here by others who were puzzled by how a small town could host a major boxing match. The last third of the film resorted to this plot trope straight out of the 1950's. Finally, knowing the locale as I do, I had a hard time picturing Conan as a traditional Maori.

My first problem was the enormous difficulty I had in believing for even a nanosecond that Conan Hayes playing Whetu was a Maori. The second was imagining that twenty six year old Jordan Oosterhof as Jim Richardson was a seventeen year old boxer. Yes, he was fit and did a good impression of punching to a lay person like me but his pretty face, with its unbroken nose, was completely unconvincing.

The other unconvincing thing was the burgeoning friendship between Whetu and Jim. That Jim put his arm round Whetu in front of small-minded townsfolk just didn't compute. Even more so when this gave Ron leverage over him.

Tim Roth as Dad gave a good performance but what else what would we have expected?

The cast tried their best with a mediocre script that just didn't gel with the supposed characters of the players. Lyrical outbursts were just not appropriate to the personalities of the situation of a small hick town.

As the film rushed to its conclusion, few loose ends were resolved. Arson, betting, breach of contract, imminent death, relationships. Everything was left in the air. While we were wondering about this, the film ended with the performance of a song of such cloying sentimentality that I nearly gagged.

So, there were a few good moments but most of the film was incoherent. I cannot really recommend it.