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The Housemaid

Titre original : Hanyeo
  • 2010
  • 12
  • 1h 47min
NOTE IMDb
6,4/10
14 k
MA NOTE
The Housemaid (2010)
Eun-yi is hired as a nanny in a lavish mansion by businessman Hoon (Lee Jung-jae) and his pregnant wife, Hae-ra (Seo Woo). When Eun-yi is seduced by the father of the house, she becomes the unwitting victim in a serious of traps laid by the women of the house - Hae-ra, her villainous mother (Park Ji-young), and their seemingly loyal but increasingly bitter housekeeper (Yun Yeo-jong).
Lire trailer2:03
3 Videos
94 photos
DrameThrillerThriller érotique

La liaison d'un homme avec la femme de chambre de sa famille entraîne de sombres conséquences.La liaison d'un homme avec la femme de chambre de sa famille entraîne de sombres conséquences.La liaison d'un homme avec la femme de chambre de sa famille entraîne de sombres conséquences.

  • Réalisation
    • Im Sang-soo
  • Scénario
    • Kim Ki-young
    • Im Sang-soo
  • Casting principal
    • Jeon Do-yeon
    • Lee Jung-jae
    • Youn Yuh-jung
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    14 k
    MA NOTE
    • Réalisation
      • Im Sang-soo
    • Scénario
      • Kim Ki-young
      • Im Sang-soo
    • Casting principal
      • Jeon Do-yeon
      • Lee Jung-jae
      • Youn Yuh-jung
    • 46avis d'utilisateurs
    • 160avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 15 victoires et 11 nominations au total

    Vidéos3

    The Housemaid
    Trailer 2:03
    The Housemaid
    The Housemaid Trailer
    Trailer 1:39
    The Housemaid Trailer
    The Housemaid Trailer
    Trailer 1:39
    The Housemaid Trailer
    The Housemaid Teaser
    Trailer 1:27
    The Housemaid Teaser

    Photos94

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 88
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    Rôles principaux24

    Modifier
    Jeon Do-yeon
    Jeon Do-yeon
    • Eun-yi Li
    • (as Do-youn Jeon)
    Lee Jung-jae
    Lee Jung-jae
    • Master Hoon
    Youn Yuh-jung
    Youn Yuh-jung
    • Byung-sik
    • (as Yuh-jung Youn)
    Seo Woo
    Seo Woo
    • Hae-ra
    Park Ji-young
    Park Ji-young
    • Hae-ra's Mother
    Ahn Seo-hyun
    Ahn Seo-hyun
    • Na-mi
    • (as Seo-hyun Ahn)
    Hwang Jung-min
    Hwang Jung-min
    • Eun-yi's Friend
    Moon So-ri
    Moon So-ri
    • Obstetrician
    Kim Jin-ah
    • Doctor
    • (as Jin-ah Kim)
    Tae-back Chae
    • Herbal Medicine Shop Doctor
    Jeon Sin-hwan
    • Chief Secretary
    Sang-min Noh
    • Driver
    Soon-kyu Jang
    • Security
    Yong-jae Cho
    • Security 2
    Hyeon-kyeong Lim
    • Yoga Instructor
    • (as Hyun-kyung Lim)
    Keum-yun Lee
    • Old Housemaid
    Ji-sun Kim
    • Young Housemaid 1
    Song-yi Han
    • Young Housemaid 2
    • Réalisation
      • Im Sang-soo
    • Scénario
      • Kim Ki-young
      • Im Sang-soo
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs46

    6,413.6K
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    Avis à la une

    siamsilver

    Absorbing cinema

    This was my first Do-yeon Jeon film and I wasn't sure what to expect but I was blown away by the intensity of the films bleak undertones. Do-yeon plays the part marvelously and there are other impressive performances from Seo-Hyeon Ahn and Yeo-Jong Yun.

    I sat riveted throughout while it twisted and turned down its sometimes too obvious narrative path.

    The rather theatrical ending was a bit of a surprise but didn't spoil the films impact too much.

    I have yet see the other Do-yeon Jeon films but based on this performance I can't wait.
    7secondtake

    A simple, melo-drama drained slightly by highly slick production values...

    The Housemaid (2010)

    In all, this is an enchanting, disturbing, slightly above-the-fray look at a highly elite family and the interactions of mother, father, young daughter, and slightly sinister servant. And the new, young, naturally beautiful "housemaid" which is what makes this movie what it is.

    It has become so customary to film--shoot cinematographically--at the highest technical and aesthetic level, you sometimes wonder about how a story would subsist without all the visual excess. This is a dramatic, personal story about rich people abusing a good-hearted young woman who becomes their maid. But it is dressed in such elegant, beautiful, truly beautiful visuals, the story takes on an elevation that makes it what it is, something beyond.

    You have to decide whether that's a good thing or not.

    By the truly astonishing and almost preposterous end you'll be giddy with the slow, careful, deliberate prettiness of it all. I know this second-to-last scene is not meant to be preposterous, but like the key turning point on the ladder halfway through, there is a detachment from the family members that defies and upsets the apparent human intensity implied elsewhere. I suppose the very last scene, which (in its ultra-wide angle shooting) is unlike anything else in the movie, takes us to intentional absurdity, making what we've seen surreal, and in that sense we might revisit the movie and its intentions differently.

    It doesn't help to analyze the plot in particular. It's an old story--and better developed, narratively, in several other movies. The beautiful young maid is disruptive, even without trying, eventually drawing the father into the inevitable, and the mother, too, in her own way. A mother-in-law takes on an evil role, but with such cool and prettified distance it's hard to quite feel. And this movie really has at its core the problem of being understood rather than felt.

    The leading character--the housemaid--is absolutely sympathetic and well done. (This is Do-Yeon Jeon, a Korean actress with little exposure in Western cinema.) You do get the sense that this is a "knowing" film throughout--it has the intentions of being a serious new Korean film. And it is based, loosely, on one of the truly great Korean classic movies, a 1960 movie with the same name. Here, though, you'll definitely find a coolness and a lack of true emotional involvement that runs counter to the high production values. It's a film that could have been something much more than it ended up being, in terms of content at least. But it's totally engaging in its steady slowness, so if you like films partly for being well shot, give this a try.
    7KineticSeoul

    Will stick with you for a few weeks

    This reminded me of Ki-duk Kim films and the visual style of Park Chan-wook films. It's basically a remake of the 1960's movie, that basically has to do with the downfall of a housemaid from working in some rich guy's house. Although the 2010 version differs from the original in many aspects, but that doesn't necessarily mean a bad thing because it has it's own style to hold it's own. Jeon Do-Yeon plays a sweethearted and kind housemaid that grew up in a harsh environment and tries to make a living by becoming a housemaid. Her performance was amazing and Seo Woo did a decent job of playing the spoiled brat as always. And later gets tormented by the wife and the wife's mother of the house, in a very vicious manner. In fact the whole family is crazy except the daughter. This is a dark movie with a handful of sex scenes and graphic parts. There are few foreshadowing in this, but the end irritated me, because karma does not come into play. But it just shows the dark side to reality.

    7.9/10
    6asabilal

    After the first hour, it gets boring

    You'd better watch the original movie, 'The Housemaid' directed by Ki-Young Kim in 1960, which is one of the first and finest Korean movie I've seen so far. Compared to the original version, The Housemaid (2010) is really deceiving.

    The first hour is OK, but then it gets really boring, even though the acting isn't that bad. It's just a pity that such good actors' talent was wasted (see Do-Yeon Jeon in 'Sunshine (2007)' and Jung-Jae Lee in 'New World (2013)').

    Not to mention the ending, which reminded me Brian De Palma's 'The Fury', deceiving too.
    7thomvic

    Beautifully filmed but in the end the film is simply about a cheating love affair

    The Housemaid tells an erotic tale of seduction, affair and scheming people all out to get their own way. Do-yeon Jeon plays Eun-Yi Li who is hired as a maid for an extravagant rich family - the wife is currently pregnant with two twin boys, they already have a little daughter and the husband is a very business businessman but just so happens to have time to fool with many women (supposedly) and one of them...surprise! just happens to be Eun-Yi.

    The storyline is pretty typical and you can see where things will go so it didn't come as a surprise to me at all. What the film touches on is the schemes of the high class society in terms of their lifestyle and thinking that money can usually solve their problems. It also touches on the fact that the upper class often have not a lot of time on their hands - but not much really to do with it to entertain themselves.

    The flaw of this film is that the main character of Eun-Yi - I didn't particularly sympathise with her. I guess it is because I found her decisions a bit stupid and you didn't really know much about her besides the fact that she was of lower class and really likes kids. In fact, I sort of didn't really hate the wife of the husband as she was actually quite decent to Eun-Yi, though you obviously can see that she is a victim in terms of her husband's infidelities.

    One character that stood out for me was Miss Cho - who is the head housemaid in the mansion. You first see her as a very strict, no nonsense type of woman but during the film you see how she also is highly observant (typical butler/maid nosiness) and also has her fair share of mixed feelings towards the inhabitants of the house.

    Now for the ending - won't spoil anything here. I can see why some people feel that the ending doesn't really do the film justice - I agreed at first but the more you think about it - the more the message is there. The ending I think really gets its message in the fact that the upper class can easily forget things and get on with their repetitive lives thinking they are on top and their materialism will drown out all bad memories or problems. The ending certainly won't work for some and while I feel more could have been put into it, it certainly does leave an impression the more you think about it.

    The film is not perfect - a lot of decisions Eun-Yi makes didn't really make me feel empathetic due to the fact that I think she isn't a highly likable character nor a partcularly interesting one - they are sort of card board cut outs in my opinion.

    Overall however, this is simply a film about a love affair and the consequences of it - I don't blame you if you watch this and you feel like 'this is something I've seen before too many times'.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      There are two scenes within this movie which show a large scar, or burn, on Jeon Do-yeon's upper thigh. Asked about that by Hangul Celluloid website, director Im Sang-soo said: "Jeon Do-yeon does, in fact, have a scar there, and before filming began, she mentioned the scar to me because she knew that there were many scenes involving nudity within the film. I didn't have a problem, or filming issues, with it at all, but as shooting progressed, I felt that the scar matched ideas within the film very well, so it is true that I had a couple of scenes specifically focusing on it. We could have erased it with computer graphics, but I talked to Jeon Do-yeon about it and we both agreed that it matched the film so well that it should be kept in."
    • Gaffes
      The body harness is visible during the hanging.
    • Citations

      Hae-ra's Mother: With a rich husband, cheating is just part of the package.

    • Connexions
      Featured in At the Movies: Cannes Film Festival 2010 (2010)
    • Bandes originales
      La Mamma Morta
      from the opera, "Andrea Chinier"

      Performed by Maria Callas

      Composed by Umberto Giordano

      Courtesy of EMI Records Ltd.

      By arrangement with Warner Music Korea, a Warner Music Group Company

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    FAQ

    • How long is The Housemaid?Alimenté par Alexa
    • What is the song heard in the trailer?

    Détails

    Modifier
    • Date de sortie
      • 15 septembre 2010 (France)
    • Pays d’origine
      • Corée du Sud
    • Sites officiels
      • IFC Films (United States)
      • Official site (France)
    • Langues
      • Coréen
      • Anglais
    • Aussi connu sous le nom de
      • Una peligrosa criada
    • Lieux de tournage
      • Corée du Sud
    • Sociétés de production
      • Sidus FNH-Benex Cinema Fund 1
      • Michigan Venture Capital
      • CJ Venture Investment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 157 961 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 16 670 $US
      • 23 janv. 2011
    • Montant brut mondial
      • 15 038 301 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 47 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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