Defendor: héros ou zéro

Given the recent onslaught of superhero films hitting theatres, it would seem only natural to anticipate parodic responses to the genre, sending up its excesses and sillier elements. On the surface, it would appear that debut director Peter Stebbings' Defendor is exactly such a film, casting Woody Harrelson's oddball everyman as a surrogate crimefighter and exploiting his antics for humour in the vein of 1999's Mystery Men. And initially this is the approach the film itself appears gearing up to take, opening with a hysterical spoofing of overblown superhero film clichés, including rooftop billowing fog, high contrast city lights against nighttime darkness, and larger than life acrobatic feats ("always check the garbage days" moans a wounded Defendor after leaping off a rooftop into a dumpster recently emptied of garbage to cushion his fall). Such astute genre awareness combined with the wonderfully imaginative collection of Defendor's makeshift crimefighting weapons (including the most inspired use of marbles seen in ages) could easily have assured for an hour and a half of lighthearted, enjoyable cinematic fun.

But Stebbings' film has grander ambitions than a mere surface level parody, which subtly unfold as the film progresses. As the laughs slowly become fewer and fewer, Defendor's narrative becomes steadily more engrossing, settling on a tone pitched halfway between exhilarating crime/mystery thriller and poignant character study, as the viewer is led increasingly to question Defendor's mental stability, and even the ethics of his imbalanced war against injustice. While such transitioning between tones could prove a dangerous stumbling ground, Stebbings is careful to distinguish between his darker themes and moments of levity, utilizing dashes of all too real violence to savagely undercut the fantasy or parodic elements. For all Defendor's silliness, it certainly packs a brutal punch when necessary.

Of course, being the work of a first time director, one would expect the occasional fumble, and Stebbings' film does lose its way for a period nearing the climax, meandering somewhat and losing its rhythm. Nonetheless, an emerging subplot musing on the roots and importance of heroism (clearly borrowing amply from Christopher Nolan's recent two Batman reboots among other sources) which could have been the clumsiest addition to the movie actually emerges as surprisingly tasteful and functional, adding more nuance and complexity to the unfolding film without coming across as excessively pretentious. Completing the package is the wonderfully grandiose musical score by John Rowley, managing to perfectly encompass each tonal shift, whether gleefully riffing on superhero musical motifs or offering something more profound and honest, either way adding welcome depth and volume to a film already far from lacking in either.

The casting of Woody Harrelson as the titular hapless crimefighter also proves a stroke of genius, as Harrelson's naturally wacky yet powerful charisma exemplifies the essence of the film, beautifully blending child-like emotional simplicity, tenacious determination and enough flat out weirdness to make it all ring true, as well as an inspired ripoff of Christian Bale's now iconic Batman voice. Kat Dennings is equally delightful to watch as a young prostitute who may be either befriending or manipulating Defendor, warping her naturally quirky and spunky energy into something darker, yet just as resonant. Elias Koteas essays antagonistic clichés with the utmost grotesque skill as a crooked cop, and Michael Kelly reconciles a weakly written role with a gruff credibility as Defendor's employer and solitary friend. Finally, Sandra Oh is superb in her few scenes as Defendor's psychological examiner, infusing impressive dramatic tension with moments of deadpan humour, and bringing welcome life to the film.

It would be easy to compare Defendor as a film to its protagonist: slightly cumbersome and prone to stumbling at times, yet cleverly self-aware, comical yet with layers of unexpected darkness, and overall encompassed by such an infectious sense of classic, cheesy charm that it is near impossible not to love in the end. Whether taken as a superhero parody, straight out superhero film or character study (or ultimately all three), Defendor proves a highly enjoyable success, and one easily worth a watch.

-7.5/10

This was a rather enjoyable and strangely touching action caper, with moments of genuine depth and truth.

Woody Harrelson proves once again that he's an incredibly versatile and emotionally astute actor, with an arresting performance that carries the story along with remarkable zeal and fun. And while the plot and direction skirt close to sentimentalism towards the end, Harrelson executes the last few scenes in a manner so as not to spoil the quirky edge of the film.

Another angle that I found particularly enjoyable were the deferred references to Don Quixote - if you've read Cervantes's hilarious Rennaissance series you'll no doubt notice uncanny similarities that suggest homage: In lieu of the outlandish chivalric tales that madden Don Quixote and compel him to forge his own suit of armour and 'sally forth' into the wilds of quiet old La Mancha, we have 'Defendor', who similarly loses what few wits he has to begin with by obsessively reading comic books and deciding to become a superhero in an anonymous post-industrial slum. Sancho Panza is replaced by a saner but similarly pliant crack-addict, Kat, and Rosindante is supplanted by his 'defendog' mobile.

There are other similarities the movie has with D. Quixote, but to mention those would give the game away. It will suffice to say, however, that the film is quite highly recommended by this viewer, if not just for the joy of seeing Don Quixote once again take to the streets in all his glory.

I'd never heard about this film until I'd watched Seth Rogen's 'Observe and Report' - a film which has the line, "I thought this was going to be funny, but actually it's kinda sad." That summed up Observe and Report and it also sums up Defendor.

If you're looking at pictures from the film and you think Woody Harrelson looks kind of funny in his bowler hat and painted-on eye mask get-up, you could be mistaken for believing that this is the 'comedy' it's partly billed as. It's not comedy. It's also not fantasy, sci-fi or action.

I would say Defendor is actually a drama. There are a few laughs (anyone who fights baddies armed only with wasps and lime juice is always going to raise a chuckle), but generally it's a character-focused piece about Arthur, who is a man with severe mental disabilities. He's also sick of being laughed at, so he becomes a 'heroic' crime-fighter by night called Defendor.

I thought it was going to be funny, but it is actually quite sad. Defendor wants to do the right thing and is a genuinely nice guy. That's what adds the pathos when he's repeatedly beaten up or exploited by a working girl who he befriends.

I thought this was a great movie - hardly feel-good, but deeper with more subtle, black humour; just don't expect a rip-roaring, action-packed, laugh-a-minute joyride.

http://thewrongtreemoviereviews.blogspot.co.uk/

Defendor is the story of a simple, deluded, child-like man, who thinks he's a super-hero. In all likelihood, he should have died a swift and brutal death no later than ten minutes in, but it seems that God watches out for the simple-minded, even in movies. Somehow, Defendor even ends up bumbling his way into doing some good.

Woody Harrelson portrayed Arthur in a way that completely avoided mocking him. Imagine Tom Hanks in Forrest Gump. Arthur has definite reasons for his quest and his actions, and as those reasons are revealed during the movie, you become more and more attached to his character. Kat Dennings plays a young prostitute who befriends Arthur and is instrumental in helping him to his final destiny, and Sandra Oh stars as a psychiatrist who learns about Arthur along with the audience.  No one is responsible for the acting burden that Harrelson has, but their performances are still solid. 

I liked this movie a good bit. It was funny in some parts, and sad in others. We really don't get to spend enough time with Arthur/Defendor and his world, but what's here is pretty satisfying.

One of the best movies I have seen this decade, funny, touching and clever. It would have totally passed me by if someone hadn't recommended it, which is a shame as it's an excellent film.

Acting, music score, writing all come together really well. Thank you Woody for another great movie.

I would really recommend this film to anyone even if the "superhero genre" is not your thing, since that is only tertiary to the theme anyway.

I look forward to seeing more from Peter Stebbings.

I can only hope that "Kick Ass" is half as good as Defendor.