Les frères MacManus mènent une vie tranquille en Irlande avec leur père, mais lorsqu'ils apprennent que leur prêtre bien-aimé a été tué par la mafia, ils retournent à Boston pour rendre just... Tout lireLes frères MacManus mènent une vie tranquille en Irlande avec leur père, mais lorsqu'ils apprennent que leur prêtre bien-aimé a été tué par la mafia, ils retournent à Boston pour rendre justice aux responsables et venger le prêtre.Les frères MacManus mènent une vie tranquille en Irlande avec leur père, mais lorsqu'ils apprennent que leur prêtre bien-aimé a été tué par la mafia, ils retournent à Boston pour rendre justice aux responsables et venger le prêtre.
- Réalisation
- Scénario
- Casting principal
- Noah
- (as Matt Lemche)
- Uncle Cesar
- (as Pedro Salvin)
Avis à la une
The only people who are going to watch this are those who liked the original (which was a great niche action movie 8/10 stars). BSII fails to love up to the original in every way; interesting & entertaining characters are replaced with cheap & annoying ones; old gimmicks are simply rehashed; the leads look old & tired; recurring characters look lost & bewildered; and where the original BS story was simple, tight, & original, BS2's plot is overcomplicated and contrived.
There are some thrills and spills to be had in BSII, but it is difficult to watch something fall so far short from the quality of the original.
On the Fruit-Meter, BSII gets the "SULTANA (or RAISEN)' – The original grape was fresh and juicy, the sequel has lost all the original zesty flavours and has too many wrinkles.
The major flaw with the original was that it was a Tarantino-esquire action spoof that was attempting to be serious. Complete with over the top shootout scenes, campy dialog, and insanely unrealistic situations, whether the creators knew it or not, the original Boondock Saints was never meant to be taken seriously. It was just a fun movie.
Anyway, about 15 minutes into this film, it seems as though Troy Duffy had realized this and decided to embrace what the first film should have always been: an entertaining, over-the-top, shoot 'em up flick.
Enter Julie Benz and the three detectives.
See, what made the three detectives from the first Saints funny was not the dimwitted, slapstick gimmick they had in this film, it was Willem Dafoe. It wasn't that they were THAT dumb, it was that Smecker was THAT good. The weird guy was better than the average joes could have ever dreamed to be, and laughs ensued.
In Boondocks 2, you have three actors who are trying way too damn hard to be funny, followed by Julie Benz trying to play a female Paul Smecker. These characters worked in the first film because they actually had a decent performance to play off of.
Don't get me wrong, Julie Benz is great on Dexter, but she was just god awful in this movie. They might as well have tried to pass off that Smecker had a sex change, and that he and Bloom were the same person. They say imitation is the highest form of flattery, but in this case, it was probably an insult. Also, the Southern Accent was just atrocious.
Aside from that, this film seemed to have expanded on what the original should have always been. There was more laughs, more action, and more blatantly forced accents. Hell, even the obvious replacement for Rocco wasn't half bad.
Dump every scene with Bloom, Greenly, Duffy, and Dolly, and you have yourself a sequel that nearly matches the original.
However, they were still in the movie, and they ruined it every time they were on screen.
5/10
Saints II picks up with the Saints having moved to Ireland after their vigilante spree throughout Boston. When a priest is killed in Boston, the Saints return to find the killer and take out everyone involved. The story soon opens up into a deeper plot about past sins coming back to haunt their characters.
All Saints Day continues the duologue slick, trigger happy style of the first film with rapid fire gun play, film homages, and snapfire duologue that is throughly entertaining. The gun play here is even more stylized, and it makes for some very entertaining action packed scenes that should please everyone who loved the first film. Most of the old cast has returned, and then there is the new cast, who bring some entertaining acting chops with them, mostly in the form of comic relief. Suffice to say, everything you liked about the first one is here, so if you were a fan of that film, you'll most likely love the sequel.
Unfortunately, All Saints Day isn't quite up to par with that first film. Where the first film had a natural flow to it, the sequel is somewhat disjointed, and the cast seems to try too hard. While everyone is real cool and funny, a lot of it seems to be too over the top, and after a while it begins to work against the film. Julie Benz and Clifton Collins Jr. try to make up for their first films counterparts, that being Wilem Defoe and David Della Rocco respectively, but are poor substitutes. Where these characters from the first one seemed to be very natural and perfect in their element, the new cast members seem to be trying to make up for a lack of said characters, and it shows. There are also several silly and useless scenes that, while creative, are out of place and could have very well been left out of the film. In particular is a dream sequence with a character from the first film and a scene with Julie Benz character as a cowgirl.
Fortunately, the end of the film is save by a fantastic climax headed by Billy Connely and Peter Fonda. Their scene at the end is some of the best written stuff of either of the films and these veteran actors bring all their chops to this film. Adding to this is a very pleasant bit part from a Boondock Saints favorite that should leave fans smiling as they leave the theater.
Saints II is a film for the fans, that's for sure. It may even encourage some to go see the first if they haven't seen it already, though this isn't all that likely. But, this is a very entertaining and decently written film that continues this great vigilante tale and may even lead to more. As fans, we can only hope to see more of the Saints in the future.
The whole thing is like bland Tarantino (guys playing with guns, killing bad-guys, sums it up). Basically the fans get a chance to oooh and ahhh over familiar characters (while creating some new ones), although most of the supporting players are gratingly stupid for the interest of cheap laughs. It's mindless fun though and for the most part, Duffy captures that. The cast is all game, with Julie Benz being the sultry, fun to watch highlight and Nelson chewing scenery. Clifton Collin's wild-eyed Mexican sidekick character would be an example of grating though. If you loved the first one, you'll love this. If you were indifferent to it, then you'll be like me. And if you hated it, look elsewhere. Either way, it looks like a third movie is coming.
Le saviez-vous
- AnecdotesDespite its limited release, this movie made more money in its opening weekend than the entire box-office run of Les anges de Boston (1999).
- GaffesWhen Detective Bloom describes the killing in the hotel, Jimmy the Gopher hears the story from inside the panic room, though in the beginning of the film Gorgeous George had to push the intercom button to talk from outside, which did not happen during Bloom's explanation.
- Citations
Rocco: There's two kinds of people in this world when you boil it all down. You got your talkers and you got your doers. Most people are just talkers, all they do is talk. But when it is all said and done, it's the doers that change this world. And when they do that, they change us, and that's why we never forget them. So which one are you? Do you just talk about it, or do you stand up and do something about it? Because believe you me, all the rest of it is just coffee house and bullshit.
- ConnexionsEdited from Les anges de Boston (1999)
- Bandes originalesReal Thang
Written and Performed by Ty Stone
Courtesy of Atlantic Records
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El quinto infierno 2
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 273 188 $US
- Week-end de sortie aux États-Unis et au Canada
- 546 687 $US
- 1 nov. 2009
- Montant brut mondial
- 10 629 321 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1