NOTE IMDb
4,1/10
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MA NOTE
Dans cette réinterprétation osée et impertinente d'une série culte, une nouvelle génération de la famille Evans affronte les aléas du quotidien dans une cité HLM de Chicago.Dans cette réinterprétation osée et impertinente d'une série culte, une nouvelle génération de la famille Evans affronte les aléas du quotidien dans une cité HLM de Chicago.Dans cette réinterprétation osée et impertinente d'une série culte, une nouvelle génération de la famille Evans affronte les aléas du quotidien dans une cité HLM de Chicago.
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I understand the reboot and the concept but the stereotypes are killing me I couldn't get pass the first episode its actually embarrassing. I can't believe the actors went along with a 1 year old selling drugs, then they say he's a mirror to stewie from family guy naww. I honestly believe they felt the show was funny and they would get the best response from it. Being from Chicago we try to stay away from stereotypes but as a whole this set us back like 50 years. This is not why we work hard to be portrayed like this on TV I didnt find this show funny at all, it actually looked like a good a watch but i couldnt continue.
In the past year, Netflix has shifted gears, abandoning the pursuit of quality in favor of becoming a mere content aggregator. Nowhere is this more evident than in their treatment of Black Stories-shallow, tokenistic offerings that scream, "Here's something we think the community will tolerate," devoid of any genuine effort to deliver quality entertainment.
Take, for instance, their recent Shirley Chisholm Movie debacle. It looked as though they threw spare change at it and managed to get everything about Chisholm wrong.
Now Good Times. This insulting portrayal, steeped in old stereotypes, is just the tip of the iceberg. And I highly doubt this poorly executed, offensive mess will win them any new audience.
Netflix originals have become increasingly unbearable. From the disaster that was the Zack Snyder debacle to the mishandling of "3 Body Problem," it's evident that Netflix's enthusiasm for new creators and bold ideas has waned, replaced by tired clichés and a race to the bottom.
We may be witnessing the twilight of the streaming golden age, but I never imagined quality would plummet to such depths in a business model reliant on subscriber retention.
Take, for instance, their recent Shirley Chisholm Movie debacle. It looked as though they threw spare change at it and managed to get everything about Chisholm wrong.
Now Good Times. This insulting portrayal, steeped in old stereotypes, is just the tip of the iceberg. And I highly doubt this poorly executed, offensive mess will win them any new audience.
Netflix originals have become increasingly unbearable. From the disaster that was the Zack Snyder debacle to the mishandling of "3 Body Problem," it's evident that Netflix's enthusiasm for new creators and bold ideas has waned, replaced by tired clichés and a race to the bottom.
We may be witnessing the twilight of the streaming golden age, but I never imagined quality would plummet to such depths in a business model reliant on subscriber retention.
Good Times was a classic TV show from a time long past when there was no internet and a new show meant new information. I was a young white person in a small town of 98% white people and this was my first exposure to another culture. That is what Norman Lear did. Expose people to things they hadn't seen or were hard to discuss. From tackling abortion and homosexuality in "Maude," racism with "All in the Family" and most importantly humanizing black life for stubborn white people with "The Jeffersons" and "Good Times." It would behoove anyone reading this to go watch any of these shows instead of this series. As I write this I'm realizing that this series isn't worth mentioning really and that 3 is to high a score. 1.7.
The original "Good Times" series was the first black family series before many others made their debut. It was relatable to many within the black community because it depicted the daily struggles families faced while trying to survive living in the projects. I can't define sensibly what this new generation of Good Times is trying to depict. It was extremely difficult to follow each episode. The scenes were too busy, the characters movements were lacking fluidity, the language and subject matter was obscene. It's really a shame. I expected more to pay homage to the original Good Times. No good.
In 1974, lear, Monte and others, created one of the greatest tv shows of all time, good times, it had humor, laughs and great performances throughout, even, The catchphrase dynomite was cool as well, as for this new one and it is total garbage, there is only some chuckle or two, the performances are horrible, the animation is worthless, the teleplay is pathetic and the writing is just b.s. Throughout, let's just say that I hated every inch of this reboot, even more offensive than the grotesque splatter is the use of a baby as a drug dealer, now I found that to be completely cynical and truly dreadful, this is yet another reason why I turned the TV off, the first in 12 years, this new good times is just truly pathetic and it's heading on my list of the worst television of 2024 and it deserves to be
I gave good times a big fat f.
I gave good times a big fat f.
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- AnecdotesThis was one of two animated sequel series to popular African-American sitcoms released in 2024, the other was Everybody Still Hates Chris (2024).
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Détails
- Durée25 minutes
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- Rapport de forme
- 1080i (HDTV)
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