El buen patrón

1) If you wanna enjoy this movie, lower your expectations, this is not 10/10 or 9/10.

2) It's probably a comedy/drama movie, not dark enough to be a dark comedy. You will laugh, there are some hilarious moments, but this is not a comedy. There are also some dramatic moments, but it's not a drama either.

There is a "light tone", some underlying social commentary, but you will enjoy this regardless your political ideology. If you want to watch a movie that declares war against capitalism, this is not your movie.

3) Bardem gets all of the praise, and he is indeed very good, however, every actor here does a good job.

4) It is a good movie to spent 2 hours. Not a "must watch". First 20 minutes are boring. As it progresses, it is becoming more interesting and the pacing keeps getting better. Don't look for something great, and you will enjoy it.

The writing of the dialogue is terrific. Every carefully-scripted word and situation is loaded with bad blood, mercilessly shelling out the miseries of labor relations in Spain. Bardem's performance as a paternalistic and cronyistic businessman is superlative. A necessary condition to fully enjoy the film, since everything revolves around him. A tad slow development of the story notwithstanding (stylistically justified around a metaphor of balancing the scales?), we are in for a ride.

It would appear comforting that there are still companies out there that genuinely care about the welfare of their employees, treating them like members of a big, loving family. And that's the image that Blanco Scales tries to convey, one that's placed the organization in the running for a regional business award, one of many such honors it has received over the years. Making this possible is the company's owner, a kindly paternal sort who seems concerned about the well-being of his staff - that is, insofar as it affects the company's welfare. This approach, however, often leads to undue meddling in the lives of workers, so much so that the boss will go to almost any lengths to achieve his goals by way of his employees and their families, especially when it comes to reflecting the proper image he's trying to project, a practice ultimately fraught with troubling complications. Writer-director Fernando León de Aranoa's latest serves up a biting satire about the business world and the extremes to which businesses will go to present squeaky clean, politically correct portraits of themselves to an easily gullible public, tactfully burying the compromises and questionable tactics they often must do in realizing that goal. This offering is a perfect vehicle for Javier Bardem as the oily protagonist, playing the part with just the right amount of insincerity to be convincing without looking cartoonish, in a role backed by a superb ensemble of supporting characters. It's regrettable that the picture gets off to a painfully slow start during much of the first hour, but the film more than makes up for this shortcoming in the second half, turning wickedly funny and occasionally disquieting in the second half. Be patient with this one, giving it ample time to develop; you won't be disappointed with the payoff.

Fame and reputation is the priority of the boss with repeated spotlight shown on the wall of company awards. He takes huge pride and greatness of his achievements by indulging in all the fake commitments to his employees. They are not family, just resources to get things done. Last survey scene is so sarcastic with feminism, diversity and caring for elders in the company. All about balance. If not balanced, make it balanced. Like a bullet.

El buen patrón (The Good Boss) is a sarcastic and brilliant tragicomedy about power, work, human relationships, submission, infidelity, dignity, injustice, and balance. Masterly written & directed by Fernando León de Aranoa, with a stunning and brilliant performance by Javier Bardem, a stellar supporting cast and great music by Zeltia Montes (with a melody that you will hum afterwards), El buen patrón will make you laugh, cry, enjoy, and reflect on the balances and imbalances of the working life, marriage, and power. 10/10.