Oye Lucky! Lucky Oye!

I think this is one of the most entertaining movies come out of ' uninspiring ' repetitive crap very refreshing, down to earth, Witty and above all shows some real 'people' not everyone's cup of tea.

Looks like the script writer and the director himself has done some groundwork in terms of characters and the persona they bring on the table.

why can't we get more of these kind of movies out of Mumbai. I think there is a refershing change on the way, otherwise watching 3 hour marathons.

Lucky's character seem to resonate with the big divide, where Well done to the entire team.

Dibakar Banerjee, director of the cult film(if i may say so) Khosla ka Ghosla, is back with another comedy. Unusually titled Oye Lucky! Lucky Oye!, it is indeed quite different from the regular bollywood fare.

True, this film isn't as good as Khosla, but it definitely has a lot of things going for it. This film is a splash of colour, and is set in Delhi, just like its predecessor. Dibakar once again succeeds in capturing the essence of this decadent city, and the old-world charm it carries.

The film has its special moments, like the scene where lucky meets the card-seller girl. The innocence and the humanism is not lost, and one can almost feel oneself in the midst of the action.

Paresh Rawal plays three characters, analogous to Peter Sellers in Dr. Strangelove, and does a fine job. Although his character of Dr. Handa was a little too absolute-evil types, the others showed shades of gray, and were executed well by Rawal.

The dialogue is witty and funny, and resembles elements of the same in Pulp Fiction, one is inclined to think.

The film does lose its way in the second half (the entire vacation episode), the story becomes a bit of a drag, and the ending carries no surprises, but as a whole, the film does well to keep its spectators glued to the screen.

However, i must say, that most of the shortcomings of the film come to light only when it is compared to global standards. If one is talking about bollywood, and the trash it churns out regularly( Dostana, Yuvvraaj), then this film is truly light years ahead in every possible department.

Its a sad truth in Bollywood, that talent dies a poor man. The ones with absolute power in the industry (Amitabh Bacchan, SRK, KJo) are mortified of experimentation, of serving up anything that hasn't been dumbed down to the average IQ of an American, to the Indian audiences.I yearn for the day when independent and original thought is given credence and respect in Bollywood. Agreed, that this film isn't stuff of legend, but its a start, and a symbol of defiance. And that is why it should be given even more credit than it deserves.

Stylish, Witty, and Entertaining, this film is a must watch for all the people out there who have been suffering brain damage at the hands of Karan Johar, RGV, Yash Chopra and co. I give it an 8/10, mostly due to the brilliant first half of the movie. On the whole,well done Dibakar moshai!

Director Dibankar Banerjee comes up with another excellent movie with Oye Lucky.. after Khosla. If Khosla was good this one is even better. Abhay Deol has carved a niche for himself with films like Ek Chalis, Manorama, and now this one. Brilliant script was supported by brilliant acting. I am really happy that Bollywood has started making films the Hollywood style. The still photographs used in the movie was something new to Bollywood and it suited the script perfectly. Abhay Deol is turning out to be a good actor and he now can be placed in the category of his illustrious cousins. Manjot Singh and Manu Rishi made an impressive debut as Young Lucky and Bangali respectively. The humor of this movie was of utmost quality. a really good script supported by some brilliant performances by the now legend Paresh Rawal, Abhay Deol and others. A must watch for everyone.

The scenes that I enjoyed especially were of Young Lucky and his father.

I am quite appalled at the critic's response to OLLO in India. The film has been given at best a rating of average to a complete dud. I can only imagine that the reason behind this response is the fact that there is no 'out and out' superstar in the film and hence the critics do not have to show any loyalty to the 'you can't do wrong' Khans, Kapoors or Kumars of Bollywood.

I must admit I went to watch OLLO with quite low expectations given the lack of critical acclaim the film had received, despite the fact the film was directed by the very competent Dibakar Banerjee of 'Khosla ka Gholsa' fame and had an interesting ensemble cast. I can tell you that I was pleasantly surprised that the film definitely met my expectations and it proves that you can't trust the film critics in India – who practically live in the pockets of certain Bollywood stars.

The problem in India now is that you have parallel cinema with your mainstream run of the mill films for the masses and artistic films for the more sophisticated pallet. Therefore the tendency for critics is now to first categorise the film in to either one of these categories and then review it on that basis. For me OLLO doesn't fall in to either one of these categories – it is just a simple tale told in a competent way – much like 'Khosla ka Ghosla'. OLLO captures the atmosphere of Delhi perfectly and the adolescent years of the main character Lucky are amazing. From thereon in OLLO becomes a simple tale of a thief who steals out of force of habit – that is the storyline in a nutshell.

How the main characters interact with each other helps develop the story further and the storyline follows a natural progression of events (with some mirch masala) towards its climax. As for the performances – Abhay Deol is a natural. By far he stands head and shoulders above the rest of the star cast despite the fact that Paresh Rawal is given three clear opportunities to steal his thunder. Whilst I must admit that Abhay Deol is not blessed with typical Bollywood star looks and his screen presence isn't up there with the best of them (in saying that Shah Rukh Khan looks like a caricature with his big nose and lips) , but his honest portrayal of the characters he plays is always near perfect. The rest of the star cast is also very competent and compliment each other. Once again Dibakar Banerjee has proved that he can put together an amazingly entertaining film from a very simple storyline. He reminds me of the great Hrishikesh Mukerjee.

Finally, I would like to recommend that true cinema-goers firstly ignore the trained critics of India and follow their instincts – OLLO is well and truly worth a watch.

All I want to say is critic's bashed this movie and said this was a average flick, but don't go by critics and just enjoy this movie which is set up in a really nice pace.

It traces the story of "Lucky" a boy from who his teenage learns to become a master in stealing.Abhay does a damn good job as "Lucky" and kudos to "Paresh" who brings a new sense of freshness to every characters he plays. The voice modulation in each of the characters is great by paresh.The story is damn good right from the scripting to editing.Every character in this one are the kind of people we see in day to day life like "Lucky" who thinks or must say does what he likes doing best. If u want to watch a good movie without our so called stars, Just watch this flick.It will be etched in your mind for sometime. Must rate it 9/10 and kudos to the director for making such a movie which has a really fresh feel.I am more for this kind of stuff .Enjoy "LUCKY"...