Mala Moskwa

Viewed at the 2010 Polish film festival of Los Angeles. A very interesting picture here was Waldemar Krzystek's latest offering, "Little Moscow" ( Mała Moskwa) which takes up the still touchy subject of the stationing of Russian troops on Polish soil during the Cold War years, which amounted almost to a military occupation. The Little Moscow in question was a large Russian garrison near the city of Legnica which was totally off limits to the local Poles, therefore they called it "Mala Moskwa". Numerous scenes demonstrate the disdain the Russians had for their Polish "allies" and the hatred the Poles had for the Russians, knowing that they were covering up atrocities like the massacre of 18,000 Polish POWs in the Katryn forest by the KGB during WWII, and generally regarding Poland as an inferior puppet state. The focus of the story however, based in part on memories of stories told to the director during his youth, is the illicit love affair between the pregnant wife of a diffident long suffering Russian officer and a gallant handsome young Polish cadet. In a flash forward, after the fall of Communism, the now grey haired Russian returns with his grown up daughter some twenty years later to visit the grave of the mother she never knew. At the very end the aging Pole also makes a shadowy entrance and we suspect that he may actually have been her father.

This is a very carefully woven psychological study of four intertwined lives, and actor Leslaw Żurek, now just thirty, who played the Polish officer is one of the leading stars of the new generation of Polish actors. Mr. Żurek appeared in two other films shown here and was present at all screenings to field questions after each -- in fairly good if somewhat halting English! He is definitely an actor for Polish Film buffs to keep an eye on. Director Krzystek lives and works in Wrocław far from the major film scene in Warsaw. He makes few films but all are sharply observed and cleanly directed.. One of his best in the psychological study of a psychotic university professor entitled "Polska Smierc" or Death Polish Stye.

A movie about thetraditional hate between polish and russians, but also a movie about blind love.A movie like americans never been capable to make.A movie with many political exagerations but a lesson of playing , telling the story , and direction.

It's an interesting film with a romance between a minor Polish military officer and a wife of a Russian officer stationed in a huge military base in Poland's Lower Silesia. A daughter is born out of the romance and the mother dies. We only find out in the end how it all happened when she, the daughter, and the widower visit the grave of the dead woman in Poland again after some twenty years. The same Russian actress who plays the mother plays the daughter role. More than half of the film is in Russian. There is fine music included of Ewa Demarczyk sung by the actress perhaps. It's in Polish with an accent with some Russian lyrics added. (We saw Demarczyk sing these songs at the Town Hall, NYC, winter 1987.)

Although the action of the film takes place in times of war, the film has a very clear romantic "touch" , thanks to photography, music and locations, in contrast to the relentless and ruthless attitude of the Russian military.

Hit the fact that Michal not seem to be aware of the risk to which both are exposed, while Wiera does, so a tension is created due to this contrary behaviour.

Story is told through two timelines, which makes the movie more realistic.

I did not expect the ending, and was ........ surprising.

8/10

poetic, gentle, delicate, profound, sad, sea of nuances. axis - a love story in cage of Cold War. memories of a Russian officer and questions of his daughter. silhouette of wife. bricks of a cruel political system. and a tale about feelings, basic gestures and dimension of fear. about power of courage and sacrifice as only key of normal things. it is not good movie. just perfect to discover roots of old similar stories. instrument - special beauty of actors, Polish and Russian language, few crumbs of romanticism and picture on a grave. a cross on the grave of a child and cried of a man at Gagarin death. not very much. but more than a film, it is a seed. and a testimony. remember of a time - a long and painful 1968. and occasion to meet, again, map of Poland soul. a woumb, impossibility to forgive, need to present old scares for understand, accept and learn about essence of a nation