Frank & Lola

Frank & Lola is essentially a story about the relationship between the two main characters, Frank and Lola. To give anymore details about the plot would be to spoil major events in the film, which are better left unexpected.

Having seen a fair share of thrillers, this movie does not have a lot of new plot points to show. However, the way characters play them out is what brings this movie above an average thriller. Michael Shannon and Imogen Poots understand their characters quite well and have great on-screen chemistry. Even the secondary characters all play their roles convincingly. When I saw Justin Long had a small part in this movie, I thought I would hate his character since he usually cannot play a dramatic role well. But he plays a sleazy business man and does a fine job.

To pinpoint the genre of this film is nearly impossible. It is definitely a thriller on some levels, but not wholly. There are good romance scenes but also heavy dramatic dialogue. There are traces of film-noir but not enough to consider it a modern noir. The film struggles a bit because it tries to fit so many elements in such a short time.

From a technical standpoint, the team did not try to do anything out of the ordinary. The direction was good. Cinematography was quite basic. The editing was standard except for one scene where there was a strange editing choice that didn't seem the fit with the flow of the movie. If you don't normally pay attention to the technical side of film, you probably won't notice anything inherently wrong.

Overall, if you like thrillers in general or character-driven stories with some depth to them, this is a good indie film to check out.

This film tells the story of a Las Vegas chef, who has a beautiful girlfriend. One day, he discovers that she is cheating on him. She explains the unfortunate truth, and he decides to sell revenge from the perpetrator.

"Frank & Lola" shows interesting characters who are real and relevant to daily lives. Frank wants to protect his girlfriend from harm, and would do anything to achieve that. The girlfriend Lola, on the other hard, appears to be vulnerable and victimised. As the story goes on, more truth is unveiled, but viewers are left to wonder what exactly is the truth. I sympathise with Frank, but don't understand him.

I'm a little surprised by the current 5.9 rating on here, so I really felt I needed to write a review.

The film is a little offbeat, definitely not your standard Hollywood fare. It's gritty, and fairly uncompromising. It takes place in Las Vegas and Paris, and the reason I mention that is because this sort of feels more like a French film than the American film that it actually is.

It is an American film that was selected for Sundance, and then was picked up by a Hollywood distributor.

For a person like myself who has literally seen thousands of films from all over the world, I understand and appreciate the rarity of realist films like this with very human characters and very real feelings.

I enjoyed the film entirely, and I definitely plan to watch it at least one more time in my life. It's a good film at the very least, and perhaps even better. I suspect that I may even rate this film a little higher upon a second viewing. It's one of those types of films that may be enjoyed even more with a less surprised viewer, because yes, the film like real life is a little unsettling at times. There was no doubt at the end of the film however that I definitely enjoyed it a lot.

I must mention that I thought both Shannon and Poots were nothing short of tremendous.

To end, let me just say that if you want something not so standard, or you're a huge film buff who's seen tons, definitely see this film!!

7.5/10

I'm a fan of Michael Shannon, but he is nobody's idea of a sex symbol. While a fantastic character actor, he doesn't do well in leading roles.

This film is full of cliche's yet manages to go exactly nowhere -- and slowly.

Greetings again from the darkness. Michael Shannon continues to be one of the most interesting actors working today. In this first feature from writer/director Matthew Ross, Mr. Shannon is the titular Frank, and his pained facial expressions elevate this neo-noir into a dark and intriguing exposition on male obsession and sexual jealousy.

The abrupt opening scene finds Frank and Lola (Imogen Poots) frolicking in bed after obviously just meeting for the first time that evening. We (and Lola) know we are in for something a bit different when Frank slams on the breaks and states, "Maybe we should wait until next time." Lola is taken aback, and we are soon watching this relationship develop … while simultaneously noting the subtle signs of troubled pasts for each of them.

Frank is a talented French chef and Lola is just starting her career as a fashion designer. His dark side flashes a bit more often, but before Lola ever comes clean, we realize there is unhappiness in her past. They seem to be two tortured souls in a jinxed relationship.

Filmmaker Ross keeps us (and Frank) on our toes as the script seems to continually offer yet another deeply held secret or mysterious character. Justin Long plays Lola's new employer, while the rarely-seen-these-days Rosanna Arquette plays Lola's name-dropping mother. However, it's Michael Nyquist (so great in The Girl with the Dragon Tattoo) as the suave Frenchman with ties to Lola's past and present that really makes things interesting … and somehow even darker. His wife is played by the terrific French actress Emmanuelle Devos. Her screen time is limited, yet crucial.

The film was well received at Sundance, and it shares the creepiness of such films as Basic Instinct, Body Heat and Night Moves. Rarely do contemporary movies go as deep into the male psyche of obsession as this one, and the throw-back atmosphere is a perfect fit for the tone. Not many actors simmer like Michael Shannon, and the story offers him the perfect vehicle to remind us that everyone longs to be loved - even when we aren't sure we deserve it.