Eva
- 2011
- Tous publics
- 1h 34min
NOTE IMDb
6,6/10
11 k
MA NOTE
Un génie timide est embauché par son ancienne université pour concevoir des logiciels robotiques.Un génie timide est embauché par son ancienne université pour concevoir des logiciels robotiques.Un génie timide est embauché par son ancienne université pour concevoir des logiciels robotiques.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 15 victoires et 28 nominations au total
Sara Rosa Losilla
- Prototipo 519
- (as Sara Rosa)
Manel Dueso
- Profesor
- (as Manuel Dueso)
Harris Gordon
- Policía
- (as Harris James Gordon)
Ignasi Martín Díaz
- Niño 519
- (as Ignasi Martín)
Ester Maíllo
- Chica en fiesta de graduación
- (non crédité)
Avis à la une
This movie is a European take on artificial intelligence- less action, more interaction.
I found the special effects in this film beautiful and mesmerizing, just enough to engage the imagination in terms of what a robot could and should be and do...
There are two plots- one is that a software engineer is trying to design the perfect robot for entertainment that is free (can do what it wants) and is looking for inspiration in a girl he meets called Eva, the other is that this software engineer is coming back to an awkward situation involving his brother and an ex-girlfriend of his, whom he worked with. Despite other reviews I found it quite well done how both plots intertwined.
As an audio professional I found some sound parts of the film difficult to stomach, especially the party scene where slow-dancing and speaking at the same time-here rough cuts are clearly audible and it's enough to take away from the great use of David Bowie's music in this scene, a real shame.
Beyond that thought I was very impressed with Brühl, that quatri-lingual dreamboat, whom I have until now only seen on German films. It's rare to find somebody who can master and work in fluency. He's definitely found a new fan in me.
I found the special effects in this film beautiful and mesmerizing, just enough to engage the imagination in terms of what a robot could and should be and do...
There are two plots- one is that a software engineer is trying to design the perfect robot for entertainment that is free (can do what it wants) and is looking for inspiration in a girl he meets called Eva, the other is that this software engineer is coming back to an awkward situation involving his brother and an ex-girlfriend of his, whom he worked with. Despite other reviews I found it quite well done how both plots intertwined.
As an audio professional I found some sound parts of the film difficult to stomach, especially the party scene where slow-dancing and speaking at the same time-here rough cuts are clearly audible and it's enough to take away from the great use of David Bowie's music in this scene, a real shame.
Beyond that thought I was very impressed with Brühl, that quatri-lingual dreamboat, whom I have until now only seen on German films. It's rare to find somebody who can master and work in fluency. He's definitely found a new fan in me.
I watched this film today at the movie theater. The film is beautifully acted and directed. I am very glad to see that in Spain we have new filmmakers able to work within the film industry and still make a great film in the cinematographic sense.
"Eva" is far more profound than the trailer or the publicity may suggest. It is a deep reflection on human nature and identity. But, and here comes the surprise, it is not a so-called intellectual film.
The film is very well done, and it is an example of a new wave of European cinema that is producing great films without necessarily big fireworks. Keep doing the good job, Kike.
"Eva" is far more profound than the trailer or the publicity may suggest. It is a deep reflection on human nature and identity. But, and here comes the surprise, it is not a so-called intellectual film.
The film is very well done, and it is an example of a new wave of European cinema that is producing great films without necessarily big fireworks. Keep doing the good job, Kike.
Eva is an amazing story about Artificial Intelligence and technology.
The future it takes place in is not so far away, as we already made huge progress in artificial intelligence.
It's a wonderful story of a little girl who assist a guy who design intelligent robots.
The landscape is beautiful, the storyline is perfect, and the suspense is kept until the end.
And at the end, you know that...
Well, watch the film for a huge surprise ! :)
This movie can be watch by anybody in the family, to daughter to grandma.
It's a good idea of where the technology will take us, without being dramatic as Terminator.
The future it takes place in is not so far away, as we already made huge progress in artificial intelligence.
It's a wonderful story of a little girl who assist a guy who design intelligent robots.
The landscape is beautiful, the storyline is perfect, and the suspense is kept until the end.
And at the end, you know that...
Well, watch the film for a huge surprise ! :)
This movie can be watch by anybody in the family, to daughter to grandma.
It's a good idea of where the technology will take us, without being dramatic as Terminator.
In his debut feature film director Kike Maillo went out on a limb when he chose to make a film set in Spain in the not-so-distant- future about the moral dilemmas of artificial intelligence. Spanish sci-fi? Sounds risky but why not? We're getting a new robot-themed film each month now: Chappie, Big Hero 6, Ex-Machina, Age of Ultron, Elysium to name a few of the most recent. So why not a Spanish robot film for a change?
The world "Eva" is set in is indeed intriguing. It is set in an idyllic alpine village so perfect it looks like we're peering inside a souvenir snow globe. People drive around in 1970's SAABs, wear wool sweaters, unwind in pubs with cozy fireplaces and go ice skating every afternoon. The only signs that you are in the future is that there are robots everywhere politely and discretely doing secretarial and house cleaning jobs. There are no drones, no self- driving cars, and no robo-cops (Spain should be optimistic of its future apparently). Robots are either doing menial labor, or, apparently, have been geared towards emotional gratification and the companionship of their creators.
Our protagonist, Alex (Daniel Brühl) is a robotics software developer who is hired to go after the holy grail of robotics: building a prototype of a robot child that is both realistic (that is, spontaneous) as well as safe (that is, predictable). The strength of this film is to show reconciling these two is impossible, and that the essence of being human is precisely that we cannot be both. The secret sauce that makes us human, capable of spontaneity and charm, turns out to be also what makes us irrational, impetuous and dangerous.
After masterfully setting up the premise of the film, the actual execution of the plot starts to falter. The protagonist is supposed to be a genius cybernetic engineer, but his character is mostly a drag and a bore to watch. You start wishing that his robot cat had more screen time. The story also hinges on a love triangle that feels contrived and inane. The robot butler is considerably more entertaining and I ended up wishing he somehow played a bigger part in the plot. The core of the story revolves around how Alex tries to model the emotional life of the android child on his niece (fantastically played by Claudia Vega) and it is these interactions that anchor the film and give it substance. The best scenes deal with the "Turing tests" that Bruno develops, trying to tell apart real child from robot child. The last half hour of the film has some twists which ultimately make the entire film seem better than it felt it was while watching. Still, it is not easy to forgive the director for wasting so much time on love triangle sub-plots and creating hollow characters. The film gets seven stars for its elegant cinematography and its smartly framed premise, but doesn't break much new ground.
The world "Eva" is set in is indeed intriguing. It is set in an idyllic alpine village so perfect it looks like we're peering inside a souvenir snow globe. People drive around in 1970's SAABs, wear wool sweaters, unwind in pubs with cozy fireplaces and go ice skating every afternoon. The only signs that you are in the future is that there are robots everywhere politely and discretely doing secretarial and house cleaning jobs. There are no drones, no self- driving cars, and no robo-cops (Spain should be optimistic of its future apparently). Robots are either doing menial labor, or, apparently, have been geared towards emotional gratification and the companionship of their creators.
Our protagonist, Alex (Daniel Brühl) is a robotics software developer who is hired to go after the holy grail of robotics: building a prototype of a robot child that is both realistic (that is, spontaneous) as well as safe (that is, predictable). The strength of this film is to show reconciling these two is impossible, and that the essence of being human is precisely that we cannot be both. The secret sauce that makes us human, capable of spontaneity and charm, turns out to be also what makes us irrational, impetuous and dangerous.
After masterfully setting up the premise of the film, the actual execution of the plot starts to falter. The protagonist is supposed to be a genius cybernetic engineer, but his character is mostly a drag and a bore to watch. You start wishing that his robot cat had more screen time. The story also hinges on a love triangle that feels contrived and inane. The robot butler is considerably more entertaining and I ended up wishing he somehow played a bigger part in the plot. The core of the story revolves around how Alex tries to model the emotional life of the android child on his niece (fantastically played by Claudia Vega) and it is these interactions that anchor the film and give it substance. The best scenes deal with the "Turing tests" that Bruno develops, trying to tell apart real child from robot child. The last half hour of the film has some twists which ultimately make the entire film seem better than it felt it was while watching. Still, it is not easy to forgive the director for wasting so much time on love triangle sub-plots and creating hollow characters. The film gets seven stars for its elegant cinematography and its smartly framed premise, but doesn't break much new ground.
9ih55
I haven't seen any decent sci-films for years. This one came as a very pleasant surprise. Interesting story, good script, well directed and excellent actors. I also enjoyed the photography.
As the story unfolded, I was surprised that I was not correctly predicting the outcome. This made it even more enjoyable. I hate it when I can continuously see what's coming - so boring.
I was also intrigued that a sci-fi film had been made in Spain. Not the sort of genre I would have expected.
As a long-term British resident in Spain, I always find it a source of pleasure when, once again, a quality film is made in this country. Too many Spaniards do not value the excellent level that the local film industry can reach over here.
Overall, a thoroughly well made and enjoyable film for any sci-fi fan, and even for any others who will easily understand the story.
As the story unfolded, I was surprised that I was not correctly predicting the outcome. This made it even more enjoyable. I hate it when I can continuously see what's coming - so boring.
I was also intrigued that a sci-fi film had been made in Spain. Not the sort of genre I would have expected.
As a long-term British resident in Spain, I always find it a source of pleasure when, once again, a quality film is made in this country. Too many Spaniards do not value the excellent level that the local film industry can reach over here.
Overall, a thoroughly well made and enjoyable film for any sci-fi fan, and even for any others who will easily understand the story.
Le saviez-vous
- AnecdotesThere was an original 22 minutes prologue, 10 years before the main plot. But it was finally cut of the movie. It appears complete on the DVD & the Blu-ray edition.
- Citations
Alex Garel: What do you see when you close your eyes?
- Versions alternativesIn the Catalan version, only Lana (Marta Etura) and David (Alberto Ammann) speaks in Castilian. When another character is with both, also speaks in Castilian. But in the rest of the film the rest of the cast speaks in Catalan. This version is 26 seconds shorter that the Castilian.
- ConnexionsFeatured in Eva: Making Of (2012)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Robot Lập Trình
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 16 738 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 395 $US
- 15 mars 2015
- Montant brut mondial
- 1 292 789 $US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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