Eva
- 2011
- Tous publics
- 1h 34min
NOTE IMDb
6,6/10
11 k
MA NOTE
Un génie timide est embauché par son ancienne université pour concevoir des logiciels robotiques.Un génie timide est embauché par son ancienne université pour concevoir des logiciels robotiques.Un génie timide est embauché par son ancienne université pour concevoir des logiciels robotiques.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 15 victoires et 28 nominations au total
Sara Rosa Losilla
- Prototipo 519
- (as Sara Rosa)
Manel Dueso
- Profesor
- (as Manuel Dueso)
Harris Gordon
- Policía
- (as Harris James Gordon)
Ignasi Martín Díaz
- Niño 519
- (as Ignasi Martín)
Ester Maíllo
- Chica en fiesta de graduación
- (non crédité)
Avis à la une
Gorgeous Spanish fairytale set in a realistic not too distant future. Eva sees a robot programmer return to his hometown so he can help program a robot child. First he needs to find inspiration from children in the area.After finding the majority to be boring he comes across a young girl named Eva who just happens to be the daughter of his ex-love. Eva fascinates him and he soon begins research so that a robot can take on her personality, but will her characteristics translate well into the robot world? Eva is a film that remains quiet. It knows its ideas and themes are fascinating and so it underplays them and lets your imagination run away with your own ideas. This is expressed best of all when we are first introduced to the world. There is no huge fanfare or showing off. The robots merely exist in the world with the humans. We first get a glimpse of this when Daniel Bruhl returns home and is followed by a robotic cat. The emotions that are present throughout are truly moving as it asks, in typical robot/man fashion, what it is to be human and can science go too far? Bruhl is a wonderful lead, who clearly gets across his fascination with robots, but also his frustration with them. He really does fail to make the most of his gift, but maybe that is for the best. The cinematography is gorgeous, with Eva's red coat constantly standing out from the snow swept landscapes. An enjoyable and thought provoking drama.
This movie is a European take on artificial intelligence- less action, more interaction.
I found the special effects in this film beautiful and mesmerizing, just enough to engage the imagination in terms of what a robot could and should be and do...
There are two plots- one is that a software engineer is trying to design the perfect robot for entertainment that is free (can do what it wants) and is looking for inspiration in a girl he meets called Eva, the other is that this software engineer is coming back to an awkward situation involving his brother and an ex-girlfriend of his, whom he worked with. Despite other reviews I found it quite well done how both plots intertwined.
As an audio professional I found some sound parts of the film difficult to stomach, especially the party scene where slow-dancing and speaking at the same time-here rough cuts are clearly audible and it's enough to take away from the great use of David Bowie's music in this scene, a real shame.
Beyond that thought I was very impressed with Brühl, that quatri-lingual dreamboat, whom I have until now only seen on German films. It's rare to find somebody who can master and work in fluency. He's definitely found a new fan in me.
I found the special effects in this film beautiful and mesmerizing, just enough to engage the imagination in terms of what a robot could and should be and do...
There are two plots- one is that a software engineer is trying to design the perfect robot for entertainment that is free (can do what it wants) and is looking for inspiration in a girl he meets called Eva, the other is that this software engineer is coming back to an awkward situation involving his brother and an ex-girlfriend of his, whom he worked with. Despite other reviews I found it quite well done how both plots intertwined.
As an audio professional I found some sound parts of the film difficult to stomach, especially the party scene where slow-dancing and speaking at the same time-here rough cuts are clearly audible and it's enough to take away from the great use of David Bowie's music in this scene, a real shame.
Beyond that thought I was very impressed with Brühl, that quatri-lingual dreamboat, whom I have until now only seen on German films. It's rare to find somebody who can master and work in fluency. He's definitely found a new fan in me.
A Febiofest screening of this 12 Goya Awards nominated film (with 3 minor wins, includes a BEST SUPPORTING ACTOR win for Lluís Homar, an interesting pick, and a NEW DIRECTOR win for Kike Maíllo), a so-called robot drama has its own glossy moments with a snazzy demeanor of the artificial intelligence simulation gambits (from an engrossing opening credit, an extremely cute robot cat, an efficient robo-servant, Mr. Homar it is, with an adjustable intelligence range). But a prototype of sentimental love triangle gives away its cheeky bathos, eventually all the zeal gathered in the first half falls flat, noticeably with an unexplained motivation of Adam's escape from the previous scientific project. So all the rekindled chemistry is just as willful and affected as some TV-drama schlock.
How the director tackles with the intriguing human Vs. machine topic? A father-daughter affinity is equivocally evocative and claimed to be the best the whole team behind could conspire. With a cutting-edge technology advance located in the unknown future, the film itself is clearly outdated with a least-favored 1990's narcissism in its histrionic screenplay.
The opening sequence has betrayed the imminent repercussion in an unwise way, the so-called secrecy of the film has been hinted several times and brainily doubted in a bathtub scene, which could be the only spark in the plot. The cast is doing well considering nothing extraordinary is laid there, with regard to Homar's winning, a career-achievement accomplishment is the only reasonable speculation by far.
A tangible moment arrives when David Bowie's Space Oddity which is thrillingly fitting for the whole scenery being played during a bar scene, after that, the film leaps into an abyss of sloppiness and bereft of novelty and it's a point of no return.
How the director tackles with the intriguing human Vs. machine topic? A father-daughter affinity is equivocally evocative and claimed to be the best the whole team behind could conspire. With a cutting-edge technology advance located in the unknown future, the film itself is clearly outdated with a least-favored 1990's narcissism in its histrionic screenplay.
The opening sequence has betrayed the imminent repercussion in an unwise way, the so-called secrecy of the film has been hinted several times and brainily doubted in a bathtub scene, which could be the only spark in the plot. The cast is doing well considering nothing extraordinary is laid there, with regard to Homar's winning, a career-achievement accomplishment is the only reasonable speculation by far.
A tangible moment arrives when David Bowie's Space Oddity which is thrillingly fitting for the whole scenery being played during a bar scene, after that, the film leaps into an abyss of sloppiness and bereft of novelty and it's a point of no return.
When I saw the trailer, I knew I was going to go see it. I love a Sci-Fi, especially the hard sci- Fi like this that keeps it grounded in what the human race can actually do right now.
Robots are not the future they are the present and Eva backs this up with a sci-fi twist as a robot expert works on making a robot with free will while reconnecting with people he left behind and discovering a new friend that will change his work forever.
I did find the story slightly flawed. It seemed like the first few minutes of the movie told too much of what's coming ahead, but maybe the filmmaker met to do that cause the whole expression of a man of science being so emotionally connected was very strong.
The movie spent a lot of time inventing and programming the robot which I loved. It's the good thing the special effects were decent cause that could have ruin this part of the film.
Another fantastic Sci-fi movie from Spain, backing up the Antonio Banderas movie on robots, Automata, and another great robot movie this year which includes Chappie among them.
Eva is a beautiful story well told through cinema. Recommend
Robots are not the future they are the present and Eva backs this up with a sci-fi twist as a robot expert works on making a robot with free will while reconnecting with people he left behind and discovering a new friend that will change his work forever.
I did find the story slightly flawed. It seemed like the first few minutes of the movie told too much of what's coming ahead, but maybe the filmmaker met to do that cause the whole expression of a man of science being so emotionally connected was very strong.
The movie spent a lot of time inventing and programming the robot which I loved. It's the good thing the special effects were decent cause that could have ruin this part of the film.
Another fantastic Sci-fi movie from Spain, backing up the Antonio Banderas movie on robots, Automata, and another great robot movie this year which includes Chappie among them.
Eva is a beautiful story well told through cinema. Recommend
Eva is an amazing story about Artificial Intelligence and technology.
The future it takes place in is not so far away, as we already made huge progress in artificial intelligence.
It's a wonderful story of a little girl who assist a guy who design intelligent robots.
The landscape is beautiful, the storyline is perfect, and the suspense is kept until the end.
And at the end, you know that...
Well, watch the film for a huge surprise ! :)
This movie can be watch by anybody in the family, to daughter to grandma.
It's a good idea of where the technology will take us, without being dramatic as Terminator.
The future it takes place in is not so far away, as we already made huge progress in artificial intelligence.
It's a wonderful story of a little girl who assist a guy who design intelligent robots.
The landscape is beautiful, the storyline is perfect, and the suspense is kept until the end.
And at the end, you know that...
Well, watch the film for a huge surprise ! :)
This movie can be watch by anybody in the family, to daughter to grandma.
It's a good idea of where the technology will take us, without being dramatic as Terminator.
Le saviez-vous
- AnecdotesThere was an original 22 minutes prologue, 10 years before the main plot. But it was finally cut of the movie. It appears complete on the DVD & the Blu-ray edition.
- Citations
Alex Garel: What do you see when you close your eyes?
- Versions alternativesIn the Catalan version, only Lana (Marta Etura) and David (Alberto Ammann) speaks in Castilian. When another character is with both, also speaks in Castilian. But in the rest of the film the rest of the cast speaks in Catalan. This version is 26 seconds shorter that the Castilian.
- ConnexionsFeatured in Eva: Making Of (2012)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Robot Lập Trình
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 16 738 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 395 $US
- 15 mars 2015
- Montant brut mondial
- 1 292 789 $US
- Durée
- 1h 34min(94 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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